It's been so heartwarming to read all the comments from ARMY on the images from SUGA's appearance on the Tonight Show.
A couple new photos from SUGA on Fallon. I hope you like them.
Photos by me.
Seeing all the ARMY reactions to these photos makes me so happy and grateful. As a music photographer, all I have ever wanted is to make images the fans love. I love my job. 🥹🥹🥹
Smiles on the couch, heat on the stage. This was such a fun show, just heartwarming to see Jungkook on Fallon and how much love there is both ways — how much he appreciates ARMY and how much they showed up for him.
If you want to get into concert photography, you don't need to buy a $2,000 camera and f/2.8 zooms. You don't need to start photographing bands in arenas. You don't even need a photo pass.
Take a camera to a local show. Be the photographer in your scene. Make images you love.
A lighted hearted moment from rehearsal with the dancers for Jungkook's performance of "Standing Next to You" on the Tonight Show. It was nice to see how relaxed everyone was and to see the rapport between JK and his dancers.
This was a fun one.
@zaynmalik
made a surprise appearance at the Tonight Show. I wish you all could have heard the way the audience erupted with excitement. I hope he’ll be back on the show after “Room Under the Stairs” drops.
Photographed for
@FallonTonight
.
Drunk people in the dark at a concert: “Take our picture!”
Me, with a 70-200mm mounted and zoomed to 200mm: “OK”
Drunk people: “How’s it look?”
Me, looking at a completely black/out of focus frame: “Great!”
I always shoot in RAW. It not only gives the best image quality, but the most flexibility to process photos as well. A little before and after from my favorite photo of Dave Gahan of Depeche Mode performing on the Tonight Show.
The RAW vs The edit
$100 client: “Can we do a head swap on photos 5172 and 7139? Anymore options at the end of the event? After the first 8 hours, the images really drop off. Can the night photos look more like daytime? And can you send the RAWs?
$10,000 client: “The images look great, thank you.”
I've often said I love those "in between" moments one glimpses of an artist on stage. These moments only last for a fraction of a second, but they're the ones that can feel the most timeless. I'm always chasing these frames.
@Louis_Tomlinson
for
@fallontonight
.
In the photo pit, you are equal to *everyone* wearing the same photo pass as you, whether this is your first show or your 500th.
Judgement of other photographers based on sex, race, religion, age, photo gear… none of this belongs in the photo pit.
Working pro photographers are using some of the most beat up DSLRs you’ll ever see. Don’t worry having the latest and greatest gear. Worry more about the decisive moment, networking, your craft and making your own luck.
For anyone who feels like you have to have it all figured out by the time you're 21: You don't.
I didn't photograph my first concert until I was 25, let alone tour or have any meaningful accomplishments in photography. Everyone has their own path. You'll find yours.
I'm creating a open Google form/sheet for music photography rates so that we as a community can have a transparent look at what publications, festivals, artists, promoters, venues etc are paying for music photography.
17 years ago, I took a camera to a concert as a fan. I always celebrate this day because I’m so grateful for the friendships forged and experiences gained over the years.
Happy anniversary, music photography. I love you.
Photographers, if you're not sure where to start with pricing photography, you can always get a good estimate using Getty's own pricing calculator. Say a musician wants to license a single image for social media use. Here's what Getty's custom pricing option says for that usage:
Want to be a concert photographer? Bring your camera to a concert, even if it’s a point-and-shoot or your phone. Then do it again. And again.
Don’t wait for a photo pass, the perfect arena show, your favorite band or until you’ve saved up for your first “real” camera.
Proud of all the photographers whose fan dreams come true like this. Nearly ever music photography I know started out as a fan with a camera. I know I still am.
I am:
⚪️ a man
⚪️ a woman
🔘 a music photographer
Looking for:
⚪️ a man
⚪️ a woman
🔘 the contact info anyone who can get me a photo pass, can you please help me?
Photographers — and especially younger photographers — you've got time. Time for all the goals, aspirations and hope you've set to achieve. Talent doesn't have an expiration date and success isn't a race. Remember to be kind to yourselves on this journey.
There's a notion, especially among newer photographers, that one has to be good enough or experienced enough to be paid for their work. Here's the truth: You deserve to be paid when your photography does the job the client needs. Period. Never talk yourself out of being valued.
Can’t help but imagine the beautiful photography we’d be seeing from Taylor Swift’s Eras tour if instead of wire agency photographers, it was a team of talented, driven women given the opportunity.
Are you a Black photographer who uses Nikon? I want to connect — please reply/link me with your work.
I am a Nikon Ambassador and I'm going to send replies directly to
@NikonUSA
. More Black faces of this brand. More Black speakers at events. More representation. Let's go.
What an iconic photo.
“Fiona had always been shot as a waif – tendrils of hair blowing (dressed in lingerie), out in some sort of lily field. She told me she wanted to chuck that scene and be a warrior woman in a suit of armor.”
–
@JoeMcNallyPhoto
, The Moment It Clicks
If you’re a freelance photographer cold emailing clients, use the word “hire” instead asking if they “need a photographer.”
“Hire” is direct business language that sets the expectation of payment. “Need” can come across as volunteering to work for free or in trade.
To aspiring photographers:
No client has ever asked if I have a photo degree (I don’t). They’ve never asked about the megapixel count of my cameras, if I bought new or used, whether I use a DSLR or mirrorless, what lenses I use or how fast my glass is.
This year, we’re getting paid. We’re advocating for pay transparency and for increased rates. We’re celebrating new talent and lifting up up those coming behind us. And we’re leaving gatekeeping in the past.
You’re a concert photographer if you’re photographing live music with passion and intent. Whether or not you’re in the photo pit doesn’t matter. Your gear doesn’t matter. Don’t let anyone tell you otherwise. You’re one of us.
Here's the secret of tour photography: it's EASY. All access, photographing for the full set, night after night? Like the "Groundhog Day" of music photography? Easy.
Making THE shot in 3 songs in the photo pit as a press photographer? That's a challenge that demands respect.
I'm creating a database of music photographers. The goal is to create a resource for photo editors and music industry pros looking to hire photographers, but also for networking and referrals for jobs among music photographers.
As a music photographer, I always want to make images a fan would want to put on their wall as a huge poster. The client can change, but that's always the goal — making images the fans love.
If I can do that, I feel like I've done my job.
I don’t know who needs to hear this right now, but if you’re a photographer, you deserve to be paid for your work.
Just because you love what you do doesn’t mean people should expect that you do it for free.
Use the ISO you need to make the images you want. If the "worst" thing someone says about your images are that they're a little grainy, that means you did everything else right. You nailed the composition, the angle, the moment, the emotion.
16 years ago to the day, I took my camera to a concert on a whim. Never in my wildest dreams did I imagine where my camera would take me. So thankful for the experiences I've had and the friendships I've made along the way.
I was just a fan with a camera then. I still am now.
As you're sending the last invoices of 2021, it's a good reminder to raise your rates for your freelance work in 2022. Cost of living increases every year. Rent goes up. So should your rates.
And that's just to keep the same earning power, not even factoring in a raise.
A friend just texted me saying they locked in a festival media team spot as a photographer. They were initially offered a $500 day rate and successfully negotiated ✨double ✨ that fee. Flight, hotel & food all paid by client.