I won't do the usual soft-shoe of "OMG it's even better than before" because I know this series is destined for great things. Not earth-shattering, game-changing; just great entertainment. Having a ball making it & I hope you dig it it too!
#scifiart
#cyberpunk
#pulp
#IronAge
🚨 SHOW NO MERCY, METALHEADS! 🚨
Ride with the wildest the
#IronAge
has to offer as 365 INFANTRY: SUMMER 2024 hits the scene! Leave the mainstream in the dust with 6 exciting works of wolven
#pulp
#scifi
in a fresh world starring devil-may-care heroes! 🧵
Now I've made my general disintetest in Disney known, but I'm still baffled by the fact that "live-action" remake of THE LION KING is just photorealistic CG, & the one physically performed by people in person is one of the most dazzlingly expressionistic musicals on Broadway.
@LazlosGhost
There's a great quote from about this
@irlcronagorgon
: "If you want mature storytelling, be mature enough to handle it." The community begs for animation to be seen as a legitimate artform & yet they never go beyond the modern Western canon of kid-friendly fare.
I don't care what I've got to do, I need to see the 210-minute cut of THE KEEP. That film does not deserve to languish the way it has. Even in the face of Paramount's hack-job, Mann's resplendent style shines through ten-fold. In its unmolested form, this film will slaughter.
ROSEMARY'S BABY (1968)
Dir: Roman Polanski
DP: William Fraker
Music: Krzysztof Komeda
An ingeniously surreal, slowburn adaptation of the Levin novel that sees Mia Farrow having a baby in the midst of a macabre conspiracy. Expertly shot, scored, performed, & directed.
#horror
THE CONVERSATION (1974)
Dir: Francis Ford Coppola
DP: Bill Butler
Music: David Shire
A quiet, unnerving, audial paranoia classic that sees Gene Hackman's Harry Caul sucked into a nefarious murder plot as the spy recording the affair. Masterfully made all around.
#mystery
I'll pull my "as a cinematographer" card out, but holy Moses, this might be one of the most gorgeous films I've seen shot in black-and-white. This clip alone feels like a piece of Silver Age Hollywood on a technical level. High contrast FTW, can't wait to see.
A clip from MAMI WATA, the third solo feature film from Nigerian filmmaker C.J. "Fiery" Obasi. After a limited, successful international screening tour, the film lands in theaters around the world in Sept.
- FilmOne will release the film Sept 8 in Nigeria.
- Aya Films has U.K.
PULSE (2001)
Dir: Kiyoshi Kurosawa
DP: Jun'ichirô Hayashi
Music: Takefumi Haketa
This tech-centric ghost story is one of the most impeccably crafted of Kurosawa's J-horror work. The gloomy industrial imagery coupled with the eerie entities make it an arresting tale.
#horror
THIEF (1981)
Dir: Michael Mann
DP: Donald Thorin
Music: Tangerine Dream
James Caan stuns in this gorgeous, lushly scored portrait of a career thief, directed by the fantastic Michael Mann. To quote Roger Ebert: "a film of style, substance, and violently felt emotion."
#crime
HARDWARE (1990)
Dir: Richard Stanley
DP: Steven Chivers
Music: Simon Boswell
Claustrophobic horror set in the future as a robotic killing machine terrorizes a post-apocalyptic slum. Dazzling style, gritty production design & perfect pace. Gold-standard cyberpunk.
#scifi
What I wish everyone understood:
Good cinematography = whatever conveys the emotions & tone of the script the best.
Bad editing = whatever fails to convey the emotions & tone of the script the best.
Good direction = whatever conveys the emotions & tone of the script the best.
Good cinematography = bright colors and centered shots
Bad editing = quick cuts
Good direction = stylised to the extreme
These rules have no exceptions.
Ah the things I learn from twitter.
Maybe it's the death of monoculture talking, but I find it genuinely fascinating how the AVATAR series & the 2010s PLANET OF THE APES revival do incredible business & rate well, but leave very little in terms of lasting impact. They roll up, do their thing, leave & that's it.
It's the end of an era. If every filmmaker could learn to stretch a buck as artfully & deftly as Roger Corman could, and still come up with films with the strong sense of craftsmanship & artistry he did, this medium will last for a thousand years. Raise a glass to a king tonight.
If there was ever a testament to how much film stock can change things, Russell Mulchay's 1984
#horror
RAZORBACK was reportedly the 1st film to use a new brand from Kodak (presumably their line of Eastmancolor Negative from 1983), & the results from DP Dean Semler are golden.
SWEET HOME (1989, Capcom)
Dir: Tokuro Fujiwara
A brutal JRPG & pivotal survival horror title that keeps in the spirit of Kiyoshi Kurosawa's original 1989 film, but ups the ante with phenomenal graphics, haunting music, & visceral gameplay.
#horror
BODY DOUBLE (1984)
Dir: Brian De Palma
DP: Stephen H. Burum
Music: Pino Donaggio
One of De Palma's most fantastically crafted murder mysteries. Intense, nail-biting, sensual, & humorous. Fabulously shot, scored, & directed. Improved incredibly on this second viewing.
#thriller
THE EXORCIST (1973)
Dir:
@WilliamFriedkin
DP: Owen Roizman
Music: Jack Nitzsche
One of the most authentically horrifying films ever made. It takes its time setting up, but it pays off with a blend of incredible imagery, unnerving sound design, & intense performances.
#horror
Say what you will about the Half-Time Show (MJ & Prince will always be my favorite shows), but
#TheWeeknd
did damn fine. The absolute aesthetic of the thing is wild.
ゴジラvsビオランテ (1989)
Dir: Kazuki Ōmori
DP: Yūdai Katō
Music: Koichi Sugiyama
Godzilla + plant monster fused with dead girl's spirit + global espionage + music from the guy who scored the DRAGON'S QUEST games = cinematic gold. Easy math right here.
#scifi
#Kaiju
#Godzilla
CANDYMAN (1992)
Dir: Bernard Rose
DP: Anthony B. Richmond
Music: Philip Glass
What do I even say? I'm in awe. Remarkably atmospheric, unnerving, & terrifying, this descent into an urban legend is one of the most incredible & layered horrors I've seen.
@TonyTodd54
rules!
#horror
SWEET HOME (1989)
Dir: Kiyoshi Kurosawa
DP: Yonezo Maeda
Music: Masaya Matsuura
It's Dick Smith doing special FX (including an unnerving ghost) for a Kiyoshi Kurosawa film that plays out like Dario Argento making a haunted house movie. Stylish, engaging, & entertaining.
#horror
CHINATOWN (1974)
Dir: Roman Polanski
DP: John A. Alonzo & Stanley Cortez
Music: Jerry Goldsmith
Sun-kissed noir the likes of which is still unmatched to this day. The perfect script, a strong cast, ingenious visual filmmaking, & a brilliant little score. Bellissimo!
#FilmNoir
THE NIGHT OF THE HUNTER (1955)
Dir: Charles Laughton
DP: Stanley Cortez
Music: Walter Schumann
A soul-stirring fairy tale that is as much a noir depiction of greed & duality as it is a piece of phenomenal, pastoral, expressionistic lyricism. Simply so damn poetic.
#FilmNoir
HOUSE BY THE CEMETERY (1981)
Dir: Lucio Fulci
DP: Sergio Salvati
Music: Walter Rizzati
Fulci's mesemerizing, haunting, & brutal surrealist horror surrounding a strange New England estate, haunted by figures of the past, & threatened in the present by one Dr. Freudstein.
#horror
Again, another direct parallel, but the use of the subway in both productions results in truly memorable set pieces. The imagery, the atmosphere surrounding the locale, and the threat it provides is simply riveting.
JACOB'S LADDER (1990) / SILENT HILL 3 (2003)
#horror
"Been told that I have to make my work more for kids"
And THAT right there is why I focus on serious animated genre fiction. I am sick to death of the industry forcing itself into a box where it has to be a one-size-fits-all hodgepodge where ONLY kids/family content is allowed.
Not just inspired by all kinds of animation but also live-action & games. Been told that I have to make my work more for kids like Steven Universe (incredible show) otherwise it will never get made. My sensibilities don't feel as tho they fit in the industry, so I made it myself.
PLANET OF THE VAMPIRES (1965)
Dir: Mario Bava
DP: Antonio Rinaldi
Music: Gino Marinuzzi, Jr.
Mario Bava proves his versatility once more in this pulpy, colorful, but atmospheric slice of 60s sci-fi. An expertly crafted proto-ALIEN piece with fun twists & turns.
#scifi
#horror
Question: What are some of your favorite horror films from between 2000 - 2009? I'm asking because I want to move into more 21st century horror, but am also curious as to what titles you guys would recommend from this specific period. Here are some films I've been thinking about:
Want to give a farewell to a mutual, the great
@CHANNINGPOSTERS
, who I've learned has passed away. I can't say I knew him well, but that doesn't mean I didn't love & appreciate the love he spread for the art of film poster. Rest in peace Brother. Share some faves in his honor.
SUSPIRIA (1977)
Dir: Dario Argento
DP: Luciano Tovoli
Music: Goblin
It's beautiful, it's brutal, it's bizarre. The classic tale of a young ballet student uncovering a coven of witches at her new school. A masterful dark fairy tale, & a towering example of expressionism.
#horror
MANHUNTER (1986) stands as a thoroughly breathtaking piece of crime cinema. A psychological slow-burner packed with chilling near-futuristic imagery, Michael Mann absorbs his audience with Dante Spinotti's dazzling camerawork, a lush lo-fi electronic score, & grand performances.
ALL THAT JAZZ (1979)
Dir: Bob Fosse
DP: Giuseppe Rotunno
Music: Ralph Burns
A stunningly honest autobiographical tale of a hard-working, hard-living director of stage & screen. Both human & fantastical, with a grand turn by Roy Scheider & classic, sexy Fosse steps.
#musical
RED SUN (1971)
Dir: Terence Young
DP: Henri Alekan
Music: Maurice Jarre
Equal parts humorous & tense, this spaghetti-samurai western should be watched almost exclusively on the basis that it unites two of Cinema's biggest badasses: Charles Bronson & Toshirō Mifune.
#western
UNFORGIVEN (1992)
Dir: Clint Eastwood
DP: Jack N. Green
Music: Lennie Niehaus & Clint Eastwood
"It's a hell of a thing, killin' a man. You take away all he's got...and all he's ever gonna have." One of the most powerful & engaging revisionist works of art. Perfection.
#western
As an aside, considering the signature presence of dilapidated industrial imagery across the series, I'm surprised I haven't heard the idea of Kiyoshi Kurosawa directing a SILENT HILL production of any sort.
PULSE (2001) / SILENT HILL (1999)
#horror
OBSESSION (1976)
Dir: Brian De Palma
DP: Vilmos Zsigmond
Music: Bernard Herrmann
De Palma's VERTIGO, & by God was it rivetting. Breathtaking, heartbreaking, poetic, suspenseful, & ingenious. I absolutely adore the locales, the imagery, & that sweet, beautiful music!
#mystery
CLIMAX (2019)
Dir: Gaspar Noé
DP: Benoît Debie
Music: A Damn Fine Playlist
A visceral, hallucinogenic experience where a dance group's rehearsal & afterparty becomes the sight of madness & violence, courtesy of spiked sangria. I've never felt so shaken in a long while.
#horror
@ThomasTankMerch
Growing up, the theatricality of THE GREAT DISCOVERY's model work has left a lasting impression. This has some of the old Century 21 energy David Mitton brought to Season 5. Thank you for sharing, & if you have any photos from this legendarily insane moment, please do share!
THE LIGHTHOUSE (2019)
Dir: Robert Eggars
DP: Jarin Blaschke
Music: Mark Korven
A cinematic psychosis for the ages. Two lighthouse keepers, played by the great Willem Dafoe & Robert Pattinson, descend into madness in this painterly maritime world. Every frame is art!
#horror
#ValLewton
Presents:
I WALKED WITH A ZOMBIE (1943)
Dir: Jacques Tourneur
DP: J. Roy Hunt
Music: Roy Webb
It's JANE EYRE in the tropics as a nurse turns tries to cure the wife of a plantation owner. A lyrical, disquieting tale whose imagery & atmosphere are incredible.
#horror
NIGHT OF THE DEMON (1957)
Dir: Jacques Tourneur
DP: Ted Scaife
Music: Clifton Parker
Dana Andrews encounters malevolent occult forces in this tense British terror. Staggeringly expressionistic, riveting in its final third, & truly chilling in its stark, shadowy world.
#horror
BLACK RAIN (1989)
Dir: Ridley Scott
DP: Jan de Bont
Music: Hans Zimmer
Michael Douglas rocks in a clash of culture found in NYPD officers working with Osaka policemen to track down a yakuza thug. Visually rich, musically resonant, & rather tense. An epic of 80s style.
#action
Seeing people's minds blown about Disney's animation team reusing layouts and character animations, a practice that was VERY common in their output immediately after Walt's passing, is something else lol.
TO LIVE AND DIE IN L.A. (1985)
Dir:
@WilliamFriedkin
DP: Robby Müller
Music:
@WangChungMusic
Petersen & Dafoe are legendary in what may very well be THE FRENCH CONNECTION for the MTV generation. A raw, rough, & electric urban crime film, home to real slick filmmaking.
#thriller
A lot of people chalk this up to collective nostalgia for times since past, but what they don't realize about people my age is that it's all NEW to them. The average gamer are more exposed to the photoreal AAA "PS4 Exclusive" genre, so pixel art & sound-chips are a new dimension.
Celebrating Japan's genius and icon, the fantastic director Akira Kurosawa
#BOTD
Here's to you Kurosawa, for decades of brilliant films that revolutionize the way we view film.
#AkiraKurosawa
So I'm watching Anchor Bay's restored director's cut of MANHUNTER, & this film is actually creepier on the second viewing. The atmosphere crafted by Spinotti's camerawork, the electronic musical score, & the fantastic lighting is really working for me this time.
REAR WINDOW (1954)
Dir: Alfred Hitchcock
DP: Robert Burks
Music: Franz Waxman
Viciously engrossing & ingeniously crafted, this tale of recreational voyeurism-turned-sluething from Hitchcock's Golden Age still has what it takes to engage an audience. Pure perfection.
#mystery
Hello everyone! Now I've got a question for you. Do you have a favorite direct-to-video movie from the 80s or 90s? I've been wanting to explore this weird region of film for some time, but I don't quite know how to tackle it.
THE VVITCH (2015)
Dir: Robert Eggers
DP: Jarin Blaschke
Music: Mark Korven
A masterfully bleak & hypnotic folk horror that capitalizes off of the beautiful New England scenery & some incredible performances. Few films have kept me viewing with bated, disturbed breath.
#horror
OUT OF THE PAST (1947)
Dir: Jacques Tourneur
DP: Nicholas Musuraca
Music: Roy Webb
Robert Mitchum is caught in a most tangled web of crime & lust in a landmark RKO picture. Sharp-tounged dialogue, fabulous performances, lush scoring, & assured direction make it a classic.
#noir
Honoring the legendary cinematographer Vilmos Zsigmond
#BOTD
with some of my favorite examples of his work.
CLOSE ENCOUNTERS OF THE THIRD KIND (1977) / BLOW OUT (1981) / OBSESSION (1976)
Deathly afraid of doing an
#FF
for the holidays, so here's a little video message from me to you. To all my fellow filmmakers, film lovers, & the music makers. You guys all rock.
#MerryChristmas
FANTASTIC PLANET (1973)
Dir: René Laloux
Graphic Designer: Roland Topar
Music: Alain Goraguer
A film that lives up to its name, & then some. One of the most mesmerizing, creative, & hypnotic animated films of the 70s that transports you the strangest of worlds.
#scifi
#fantasy
VIDEODROME (1983)
Dir: David Cronenberg
DP: Mark Irwin
Music: Howard Shore
What begins as a sleazy TV exec's attempts to boost viewership turns into a descent of technological body horror for the age of video. Home to an ingenious mystery & some powerful visuals.
#horror
The amount of people mistaking this for a kids show is probably why my biggest bucket list item is to make Western adult/mature animation look adult again.
DRESSED TO KILL (1980)
Dir: Brian De Palma
DP: Ralf D. Bode
Music: Pino Donaggio
What a demented film. Hitchcockian suspense, giallo style, & icy New York flair. Twisty, usually taut, & masterfully photographed, cut, & scored. De Palma delivers a fun thriller here.
#thriller
All right friends, this week for
#MidnightMovies
I want to do an Ingmar Bergman marathon & hopefully make a livestream on the set. So my question is: what are your favorite Bergman films? About time that I truly look deep into this incredible filmmaker's work!
#Bergman100
PHENOMENA (1985)
Dir: Dario Argento
DP: Romano Albani
Music: Claudio Simonetti & Fabio Pignatelli
A dark fairy tale surrounding a girl whose ability to communicate with insects may prove beneficial in solving a series of murders. A chilly, unique Argento outing.
#horror
#giallo
THE KILLING OF A CHINESE BOOKIE (1976)
Dir: John Cassavetes
DP: Mitch Breit & Al Ruban
Music: Bo Harwood
Marching to the beat of its own drum, Cassavetes makes a tale of a strip club owner & the hell he goes through for his debt with energy & gloriously potent color.
#crime
After going on a full-on Hitchcock marathon today, I think it's time to shift gears & give a shoutout to some supremely 80s neo-noir. 😎
#NowWatching
SUDDEN IMPACT (1983)
BLADE RUNNER (1982)
MANHUNTER (1986)
TO LIVE & DIE IN L.A. (1985)
#Noirvember
IT'S THE GREAT PUMPKIN, CHARLIE BROWN (1966)
Dir: Bill Melendez
Writer: Charles M. Schulz
Music: Vince Guaraldi
Halloween night with the PEANUTS gang is a seasonal staple for many damn good reasons, thanks to its humor, heart, and superbly stylized artwork.
#animation
Could someone explain to me what NEAR DARK did to deserve getting yeeted from all accessible methods of distribution? For such a well-regarded film directed by a prominent director, starring a notable cast, & just being an all-around cult classic, why vanquish it?
INFERNO (1980)
Dir: Dario Argento
DP: Romano Albani
Music: Keith Emerson
I'm in love with this. It's a work of art. A visually resplendent, expressionistic, nocturnal piece of pure cinema. The production design is exquisite, the camerawork elegant, & the music divine!
#horror
THE LOVE WITCH (2016)
Dir:
@missannabiller
DP: M. David Mullen
Music: Anna Biller & Italy's Finest
This film is so after my own heart, I don't even know what to say. At once a visual delicacy & a very humorous commentary on gender roles.
@msrobinsun
is to die for here.
#horror
FULL METAL JACKET (1987)
Dir: Stanley Kubrick
DP: Douglas Milsome
Music: Abigail Mead
An absolutely twisted & incredible rendering of the Vietnam War that follows recruits as they move from training to combat. Humorous, unnerving, harrowing, powerful, & visually stunning.
#war
VENUS IN FURS (1969)
Dir: Jesús Franco
DP: Angelo Lotti
Music: Manfred Mann & Mike Hugg
Jazzy, sultry, & strange, a Franco gem of a mysterious woman who haunts a trumpeter after he finds her corpse. A dark dream with a heavenly jazz score & a lush, tenebrous quality.
#thriller
This is just too good. "Kagemusha" is a brilliant meditation on identity, illusions, and legacy. Stunning acting with impeccable conviction, a wonderful score, and powerful art direction. This truly is one of Kurosawa's finest pictures!
#Kagemusha
Time for another piping hot take: I'm sick to goddamn death of this subversion of childhood iconography & innocence. I'm sick of it. It's NOT creatively compelling, it's played out. I'm sick of people perverting children's media into "dark/creepy/edgy cOnTeNt." (1/3)
Winnie the Pooh: Blood and Honey is a horror retelling of "the famous legend of Winnie the Poo." 💉🍯
This, of course, is not being done by Disney – Winnie entered the public domain in January of 2022.
Alternatively, people wouldn't react half as bad to classic literature if they were allowed to arrive at them in their own time, instead of suffering the slings & arrows of outrageous English classes. I enjoy Shakespeare, Greek drama, etc., but school does have a chilling effect.
Most so-called “great novels” are absolute snoozers.
And a large chunk of them, especially those written in the 20th Century, aren't worth the time you spend deciphering theme, motif, symbolism, etc because once you do, you find they're just another paean to dissoluteness.
Celebrating one of the masters of the musical score,
#JerryGoldsmith
#BOTD
with some of my favorite scores of his. He was an inventive composer who always sought to cut to the emotional core of the films he wrote for. What are some of your favorite Jerry Goldsmith scores?
BLACK NARCISSUS (1947)
Dir: Michael Powell & Emeric Pressburger
DP: Jack Cardiff
Music: Brian Easdale
It's a pleasant perfume, & yet it's a dark state of mind. The Archers bring us a fantasyland in the Himalayas where nuns find themselves confronting their own passions.
#drama
PSYCHO (1960)
Dir: Alfred Hitchcock
DP: John L. Russell
Music: Bernard Herrmann
A marvelous film where you know what's going to happen & when, but you're still white-knuckling the whole way. The Master of Suspense defies convention in an iconic tale of theft & murder.
#thriller
CRY OF THE BANSHEE (1970)
Dir: Gordon Hessler
DP: John Coquillon
Music: Wilfred Josephs
What begins as diet WITCHFINDER GENERAL evolves into a pulpy, occult chiller where cruel, sadistic magistrate Vincent Price & his family are cursed by the head of the local coven.
#horror
Time for a Tim Robbins appreciation post. Between seeing him in JACOB'S LADDER (my 4th favorite film of all-time) & seeing him in Altman's THE PLAYER, I'm really appreciating his approach to character work. You know him when you see him, but he simply is the character onscreen.
MAD MAX (1979)
Dir: George Miller
DP: David Eggby
Music: Brian May
One of the most engaging, entertaining, & suspenseful dystopian action films committed to celluloid, loaded with well-composed shots, masterfully executed stunts, & a killer lead.
#action
#WorkIsWar
TAXI DRIVER (1976)
Dir: Martin Scorsese
DP: Michael Chapman
Music: Bernard Herrmann
Literally one of the tightest character studies in film. Robert De Niro is a masterclass as the disturbed, yet not entirely unsympathetic Travis Bickle. Masterfully scored, shot, & told.
#noir