super excited to host this conversation tomorrow with
@SkyGoodman4
&
@CaballeroAnaMa
🪩
come celebrate the release of Sky’s “Tethered” & Ana’s “stem” tomorrow at 4pm ET
oh, + don’t forget to mint your REFRACT PASS so you can claim these beauties 💫
⏰👉
Marfa, Marfa, Marfa
Where “community” is far from a buzzword. Feeling immeasurably grateful for the people who make this madness worth it.
Deepest thanks to the
@artblocks_io
team &
@glitchmarfa
for welcoming us to the desert with open arms + unlimited Topo Chico 🧡💛
Absolutely thrilled to share that I’ve joined
@FeralFile
as Communications Lead.
I’m energized to help celebrate and tell the stories of Feral File’s featured artists, curators, and collectors across the digital art ecosystem.
Feeling grateful + humbled by how life aligns ✨
I can say I’m wildly excited for this Tuesday + Nov 9 + Nov 16, but I can’t say why— yet.
In the meantime, here’s a hint from the marvelous studio of
@Licia_He
, full of syringes, magnets, plotters, and a whole lot of color.
Cheers to the loveliest day w/ Licia &
@proofofgail
🫶
Yes, coffee on the Tiber and an enlightening stroll through St. Peter’s Basilica with
@auriea
is exactly how I wanted to spend my Friday morning in Roma 💛
Last night 🩶🩶
“Our goal was to enhance a life and not replace it.”
—
@auriea
, reflecting on The Endless Forest at the opening of “My Veins Are the Wires, My Body Is Your Keyboard”
Congratulations Auriea🌹
Taking a moment to appreciate
@CaballeroAnaMa
♥️
While grinding, collaborating, & revolutionizing poetry + lit in the digital, Ana has simultaneously been defending the future of the medium in analog, at the institution, with Unexpected Visions of Home.
Good luck today 🎓🌹
We did something special here in Paris.
I’m so proud of this team, the poets, the artists, the vision— how we brought it all and came together— from all over the world.
Grateful beyond words 🩶
POÈME SBJKT
by
@theVERSEverse
w
@avant_galerie
exhibited at Librairie Mètamorphoses
I met
@madebyoona
in July last year, in Paris.
I met the artist a few months later at
@glitchresidency
.
She performed Look Touch Own in a 400 year old pigeon coop at a chateau in the French countryside. The work— what drives it & what it reveals— runs deep for me, as a woman…
will remember today forever ❤️🔥
immense gratitude to
@SuperRare
and everyone who made poetry a priority tonight 🙏
so grateful to be on this journey w
@theVERSEverse
🖤🖤🖤
It’s a gift to do what you love.
It’s a privilege to share what you love with your friends.
I know I tend to go on about gratitude, but it’s hard not to these days.
Cheers to the finissage of POÈME OBJKT/SBJKT! Tremendously grateful for all who were there + there in spirit 🤍
le travail des rêves by
@aurecevettier
is one of the most important works I’ve seen recently.
In dialogue with an AI algorithm he trained on photographs from throughout his life, aurèce blends dreams and memories to express the deepest vulnerabilities of the human experience.…
Last night I talked about how blockchain tools, with all their constraints & technicalities, expand the field of choice for poets— how we produce, share, & sell our verse.
And I performed PIE from memory, or maybe better to say by heart.
w great thanks to
@ColumbiaDSL
@FilmLinc
Text Me When You Get Home because today we’re going Balls to the Walls with N=12.
Superbloom, Tessellate— the mind expands with the Resonances of 12 computer artists. Sets composed through Emergence, wavʌves of color collide with texture and Oscillation II. We Crosstalk with the…
It’s funny to think there’s an alternate universe in which I didn’t Glitch.
@glitchresidency
offers what we seek and what we cherish: time, space, kinship, and expansion.
Immeasurably grateful to all envolved, with the utmost thanks to
@yaoeo
🩶
Portrait by
@aniacatherine
As promised, tomorrow, March 28th is PIE day.
PIE will be ready for you in the morning on
@e_artefacts
.
Then, at 1pm ET a few good friends & I are talking about the poem.
Here’s some of what went into & came out of PIE 🧵
Rereading
@JesseDamiani
’s brilliant essay/treatise/CTA “Curating in Postreality” for an upcoming conversation on
@FeralFile
, and my god.
Kindly do yourself a favor & (re)read. Link in thread ⏬️
(btw the convo on Feral File also features the superb writers and artists…
It’s here.
“machine rêverie” with
@aurecevettier
explores le travail des rêves exhibiting
@brtmoments
Paris with an exclusive look at 5 works.
I encourage you to take your time with this one.
Grateful to aurèce vettier for dialogue &
@MonkAntony_tez
@lerandomart
for space 🩶
SOURCE is a big one.
A non-commercial retrospective exhibition during a chilly bear market is a moment to be mindful, to remember that we live in cycles.
Ania, Dejha, 0xDEAFBEEF, and Casey curated a show that creates space for deeper reflection. Instead of focusing on “what’s…
Back in Brooklyn after an extraordinary trip— Paris~ Marrakech~ Casablanca~ London.
Grateful + proud of the people I’m privileged to know who dedicate their life to the art they want to see.
It’s a joy to live & experience the creativity we share.
blissfully, from Marrakech 🩶
Beyond thrilled that the 1st piece from my series UNPROVOKED is exhibiting
@NFTFactoryParis
in the Indigo collection.
UNPROVOKED: A DARKNESS inhabits the voice of Indigo, a vibrant color with a debated existence.🧵
🔉ON
Yesterday was wild. Seeing PIE in the hands of people I respect & love is a new joy.
Hearing stories about people’s affection & nostalgia for pie has been a wonderful gift too. Part of me wants to try some even though, well, you know.
PIE has legs.
Berlin, summer. More, soon 🩶
It’s been a while since I’ve released any new work, and I’m honored to share a verse from PICK as part of
@theVERSEverse
’s After Ginsberg Community Tribute.
The Tickle (
@InWarhol
) was the first to ever curate my poetry, and I’m grateful to return to its iconic pages 🩶
March 28, 2024
PIE
• 5 Flavors:* Cherry, Blackberry, Lemon Meringue, Pumpkin, & Mud
• 6 Editions per flavor
• 30 Slices of PIE total, 0.015 ETH each
Collectors will receive a handwritten, physical version of their piece.
*same poem, different smudge
very proud of the poets + artists + team who turned this idea into something so real and special 💚💙💜
gratitude to the
@lumenprize
crew and all the judges 🙏
Wow, thank you all. This was an unforgettable conversation.
So many takeaways, and the one I’m sitting with at the moment is from
@auriea
—
“What’s really going to happen [in 25 years] is that the context is going to change, so what do you want people to know about what you made…
Not a lot of people in my personal life understand what I do at
@theVERSEverse
and
@FeralFile
, and of course it’s fine though it can feel a bit lonely.
When my mom & sister ask me about Ginsberg and to read them my poetry, all that dissolves, all is okay.
This Valentine’s Day, ditch the Hallmark sap and join me +
@lm_netwebs
+
@thedinachang
for an irreverent chat about gifs & “Sharper Temptress”, Lorna’s offering for REFRACT PASS holders.
We’ll save some room for Q&A. Pointed questions only please 🖤🔪
link to space below
SCANNERS is like a picture of your aura fueled with cheeky questions and distributed earning potential.
Too bold to say “generative woo woo”?
tysm
@Nicolas_Sassoon
for the tutorial✨
Generative poetry by
@revdancatt
in the first exhibition of
@FeralFile
2.0?
Feels right.
Visit N=12 curated by
@aaronpenne
👉
Watch ‘256 Kill-Screen
#58
’👇
(screen recording)
I know that I’m unforgivably biased, but the POÈME SBJKT catalog is a treasure.
I read and reread this essay by
@aurecevettier
last night, and will read and reread it some more.
The other day
@uncannysfvalley
said, “The car is the liminal space in LA,” and I can’t stop thinking about it.
Excited for everyone to experience Casey’s ‘Drive Time’ and all the exquisitely vibrant works of In Medias Res inspired by the glittery grime of Los Angeles✨
08.17.23
so incredibly stoked to announce that I’ve joined
@RefractionDAO
as the artist liaison!
i’m beyond grateful for the opportunity to work with such a fantastic, world-class crew 🙏
don't miss the REFRACT Pass drop tomorrow.
it’s epic.
and it’s only the beginning.
🔗⏬
This plotted postcard from
@v3ga
fills me with such joy.
I wonder about the little card’s transatlantic journey, marked by a crunch, a spot, a stamp.
I wonder if the post people who ushered it across borders lingered on the card before it left their hands.
I hope, & I smile.
There will be art. There will be jokes. There might be wine.
Join
@lm_netwebs
+ me &
@RefractionDAO
for an irreverent Valentine’s Day REFRACT PASS special 🖤🔪✨
2pm ET • Feb 14 • link below
When you’re unwittingly in communion with Joan Miró ✨
Thank you
@ReginaHarsanyi
for pointing out the uncanniness between PIE & Photo: This Is the Color of My Dreams from Miró’s "peinture-poésie" series—which only further blows my mind.
Think it’s time for that trip to The Met.
Not resting on the Lord’s Day by launching a new collection of poetry on
@objktcom
⛪️✨
catholic school girl: a collection of poems reflecting on the effects of catholic school on a girl, by a woman renegotiating her spirituality.
releasing “First reconciliation” later today 🙏
A thread about collecting set
#27
from Medias Res on
@FeralFile
... this is the second show where you buy a full set and the sets create their own mini-exhibitions in the context of the full show. Choosing a set is a process of balancing desire/appreciation across works...
“You can do anything, but what will it be?”
A glimpse into the mind of brilliant generative artist
@piterpasma
✨
Thanks to
@AlexEstorick
+
@RtClick_Save
for this interview in celebration of N=12 on
@FeralFile
Read 👉
Quote from Piter 👇
Something special about MoMA Postcard is that the NFT increases in aesthetic value as its financial value technically decreases and splits evenly among the 15 co-creators.
aesthetics + co-creation > speculative gain
Step 3: Stamp the Postcard
This is where your stamp gets minted and pinned to IPFS. After signing is complete, you will become a fractional owner of the Postcard.
This version of the Postcard is on an FA2 contract. Your stamp represents your token of ownership. Fifteen possible…
Elated to share that PIE will premiere on
@e_artefacts
.
Electric Artefacts is the home of iconic exhibitions such as Code Chronicles & SCREENSAVERS.
Endless thanks to the inimitable
@aljaparis
, whose generosity completes the release of PIE on March 28.
Pinch me?
Good morning Miami 🌤️
Today I’ll be with friends at
@tezos
x
@RefractionDAO
to talk about timing and poetry.
There’s so much going + I hope to see you 🩶
A year of much heralds a year of much more to do.
More to do and less to acquiesce, always accepting what is.
Grateful for the people, the love, and the coincidence of being here all at once.
A year ago today, I started publishing poetry on my blog to get my words out in the world. I didn’t know any poets.
Today, I’m hosting a conversation with the incredible conceptual poet
@christianbok
I’m humbled, to say the least.
1/X
Left: The first time I read PIE to a room full of people from behind a screen.
Right: The second time I’ll read PIE to a room full of people from behind a screen.
Join me +
@aniacatherine
+
@the_olha
+
@margaretonline
++ at 1pm ET / 6pm CET 🥧
⏰⬆️
People have been asking how long it took me to write PIE.
When it comes to poetry, the question of time fascinates me.
Part of poetry’s beauty is that it can outlive most art forms because it lives not only in language but over time.
Poets from Ancient Greece, Imperial China,…
Back in Paris and can’t believe tomorrow is POÈME SBJKT’s final day at Librairie Métamorphoses.
Excited to reunite w/
@pgervois
+
@emailyedelman
to speak about their work & the other transformative pieces in the show, and to see friends
@nft_dealer
@horomox
++
Join us, 16h 🖤
Today BETWEEN THE LINES debuts at the Grand Tallinn office opening of
@coinspaid
& marks a few personal firsts: 1st manifold, 1st international show, 1st ETH, 1st time fusing my voice w/ my art.
This work has many layers for me. I wonder what you’ll see between the lines.
🔉ON
Got absolutely & delightfully lost in
@mayaonthenet
’s ‘can I go where you go?’ exhibited in Social Codes on
@FeralFile
.
Generative, interactive code that transforms with technicolor choreography— say less 🪩
thank you Maya 💃✨
🔗👇 + here’s one of *many* ways I played around:
There’s no way the
@madarts_space
poetry acquisition would have happened without the diligence + care of
@CaballeroAnaMa
.
She’s an indomitable force and —I feel very lucky to say— a dear friend.
Thank you & congratulations Ana 🖤🌹
From the catholic school girl collection:
First reconciliation
In the late summer of 2023, I made a pilgrimage to Assisi, Italy, the birthplace of San Francesco & Santa Chiara. It was a harrowing & rewarding journey, as any good pilgrimage goes.
After a week of meandering…
collecting = power
20% (our entire gallery cut) of each avail piece in our
@SuperRare
gallery will directly go to support the people in the earthquake zones in Turkey + Syria
thank you
@refikanadol
for initiating 🙏
throughout the day, we’ll share each piece in thread here 👇
The N=12 Collecting Period is closing.
The exhibition has taught me about the world, the mind, and what we can do alone while making space and time for each other.
Even if you can’t collect, I urge you to connect with N=12— it’s a powerful synergy of gen art + community 🩶
⚪️IT IS TIME⚪️
Human Unreadable Act II:
Uncover choreography
The slow recovery of the human continues at
Collectors, you can now uncover the unique movement sequence that created your piece. This takes the form of an on-chain choreographic…
This is a verse from PICK — a new poem I wrote in response to Allen Ginsberg’s essays + Howl, Song, and Sunflower Sutra.
Though motivated by Ginsberg’s work, PICK has been a long time coming. Rooted within, it grew from without.
So yes, there’s more to PICK 🌻