My upcoming book FILTERWORLD: How Algorithms Flattened Culture got its first review! A star from
@KirkusReviews
: "Chayka's timely investigation shows how we can reject the algorithms of the digital era and reclaim our humanity."
this is a great piece on how TikTok shapes the aesthetic of food / restaurants. Instagram forced food to make for pristine, dramatic static images, now, TikTok requires moments of motion and "activation" because of video
Update: stolen art has been either sold or transferred by the purchaser.
The items were in plain sight and Nifty Gateway was alerted. They confirmed that the new "owner" purchased the pieces on Discord, and that it would be unfair to take them back.
Now they have been moved.
whenever some tech person says “the metaverse” please remember that the term was coined by Neal Stephenson in 1992 to describe an exploitative, corporatized, hierarchical space that ultimately kinda sucks
On a Zoom with work colleagues, I brought up that I had cooked a great Alison Roman recipe last night. They snapped their fingers at me in dismay. Had I not been online in 2020? My mistake: I should have said I had steak frites at Balthazar like a true woke coastal elite.
I'll say again what I will doubtless be saying a million times in the coming years: Algorithmic feeds have pushed content creators to conform to the acceptable aesthetic and cultural average; A.I. generation will just automatically produce that average from the start
House paint companies are booming during the pandemic as we all get bored of our walls, and specific colors are suddenly much more popular. I discovered the Quarantine Palette:
very happy & proud to say that I’m now a
@NewYorker
Contributing Writer. I’m so excited to join the great writers & amazing staff. My weekly-ish column “Infinite Scroll” on the people & platforms of digital culture can always be found here:
My latest for
@newyorker
is this interactive “Touchstones” column on Wong Kar Wai’s “In the Mood for Love” — the way its beautiful aesthetic has become ubiquitous online but its deeper meaning kind of lost
My first book, The Longing for Less: Living with Minimalism is on shelves today from
@bloomsburypub
! You can order it here: But I also wanted to do a thread of my favorite people & quotes from the book —
Twitter making the For You algorithmic feed default seems like the total opposite of what Twitter is useful for. Almost no one I actually follow shows up in it right now, only stuff people like and viral tweets
Mʏ ᴏᴡɴ ᴘʀɪᴠᴀᴛᴇ ɪᴄᴇʟᴀɴᴅ
a long story for
@voxdotcom
about:
— algorithmic tourism
— digital Northern Lights
— fake hot springs
— grumpy GoT tour guides
— reclaiming inauthenticity
I started this essay for
@NYTmag
in late 2019 on sensory deprivation and the trend of numbness in American culture. Then quarantine happened. Over the year, it became about commodifying nothingness, isolation, and the pessimism of our time.
Commencing Day 16 Of Sheltering-in-Place. Coffee-run to gas-station complete. Eighteen large to-go. Put in car, drive them home, deloused, decontaminated, showered, and placed in fridge for use.
Stay safe out there, outlaws and creative-gypsies.
for my
@NewYorker
column, I wrote about how Tumblr, a semi-forgotten internet relic, is doing exactly what Facebook and Instagram can’t right now: gaining Gen Z users
An announcement: I’m writing another book!! FILTERWORLD will be the culmination of my writing about algorithms and culture, looking at how digital platforms shape everything we create and consume. I’m so excited to be working with Thomas Gebremedhin &
@doubledaybooks
wow it’s almost like the pandemic wreaked untold havoc in the lives of every human on the planet and nothing is or can be quite the same as it was before
for my
@NewYorker
column this week, I wrote about Byung-Chul Han, the internet's new favorite philosopher, the Sartre of looking at your phone a lot, author of the paperback manifesto your favorite artist / designer / architect is carrying in their pocket
Me: Oh this is fun, one of my favorite writers wrote something about why the internet isn't fun anymore
*clicks open*
Kyle Chayka: The internet sucks because of Derek Guy
🔗:
Great debut for
@chaykak
’s new
@newyorker
column, on the people and platforms shaping internet culture, that we’re calling, Infinite Scroll. This is going to be fun.
my latest
@NewYorker
column is on how social networks have given up responsibility for distributing news, and what's left is an "algorithmic fog of war" without signposts of accuracy
I appreciate how, like the sea shanties, the quarantine-era internet just makes us cycle through obscure niches of culture faster and faster. You have to listen to the sea shanties this week, not next week. (Better yet today, not tomorrow.)
when a magazine closes down, it's not just that you lose a place to read stuff; you lose a whole unique culture of commissioning, editing, and paying for writing, which is what helps explore & promote all sorts of other culture
using this dying platform to talk to the remaining media biz people: the only things successful publications are going to concentrate on now are loyalty and habituation, subscriber benefits, making a consumer feel special & paid attention to
as I get older / continue writing I feel more acutely the difference between good writing as interesting ideas and good writing as smooth prose, they are not the same and don’t always go together
My essay on cultural numbness is in the print
@NYTmag
today under the title “Into the Void.” The layout and illustrations really echo the text. Hope you check it out there or online
.
@hyperallergic
doesn't get enough cred from media people for being an independent, small-scale, totally sustainable publication that runs on high-quality display ads and no-paywall memberships. The model works if you stay small and serve your readers.
Today is the launch day of my new book FILTERWORLD: How Algorithms Flattened Culture! It's in stores and online everywhere now. Some glamour shots of the beautiful hardcover, designed by Oliver Munday. All the info you need is here:
the internet era of culture is a contest between the old model of top-down elite tastemakers telling you what's good and the new numbers-driven viral creator ecosystem in which algorithmic feeds tell you what you like
Ben’s column notwithstanding, the way journalists are forced into becoming public brands for their work — to sustain a Patreon or Substack — is also not ideal
the discovery experience of bookstores, where you can just be surrounded by different ideas and styles and subjects and just glance at something, is still totally irreplaceable online. Tons of curatorial voices coming together in one IRL space
I think one tendency of the internet era is that every piece of writing / fiction / whatever is called upon (by critics and audiences) to serve every role at once when the writer rarely / never has every role at once in mind
The conversion of this former Jersey City church into condos left left much of the original Gothic architectural detail intact. See inside one of its airy lofts
I wrote this long reported essay for
@newyorker
on architecture during and after pandemic: from the legacy of modernism to redecorated apartments and improvised bacteria shields
my body is at my desk but my mind is here, living my entire life without leaving these walls, knowing every one of my neighbors from birth to death, gathering nightly in the piazza
having a nauseating feeling of career instability, AKA I feel and resent the pressure for everything on the internet, all media all the time, to be as big and fast and popular as possible or else fail to accelerate