So every time I change my profile photo my complimentary blue checkmark will be hidden to make sure it is still me?
Guess I’ll change to a new coconut photo daily because I like the idea of tying up resources at X. “It’s still a coconut, but how do we know it’s the same guy?”😂
Buying crap you don’t want and expecting it to go up in value isn’t a scam, it’s just stupid. Buy art you love from artists you want to see succeed for prices you can afford with the assumption you won’t be able to resell it and you will never be disappointed.
*regardless of market conditions
- Buy art you love
- From artists you want to see succeed
- For prices you can afford
- With the assumption you'll never be able to resell it
- And you will always be happy
I can’t buy an NFT unless the artist is really into NFTs. The “I don’t get this but maybe I can make money” vibe usually shines through. Even if I like the artist. Just me?
If NFTs are a scam, who is being scammed? The collector supporting art they love or the artist who can afford to spend more time making art for the world? 🤔
Y'all panicking because you bought art you didn't want and you are realizing you may have to sell it for less or not sell it at all. Maybe just buy art you love (and can afford) from now on? Just saying.
I bought works by
@XCOPYART
for a dollar a few years ago. He's the same person/artist today but his work sells for millions. Trust your instincts as a collector and invest in lesser-known artists you love. Lead don't follow.
My team built a new publication for you. RightClickSave is here to respect, challenge, and celebrate the diverse CryptoArt and NFT communities through critical writing. A dramatic expansion of the work I started with Artnome years ago. I hope you love it!
We're back to the phase in NFTs where we have to support each other or no one else will. No superstars or prima donnas shilling & no daily mainstream news stories, just good everyday people expressing themselves creatively, sharing & learning from each other, and making friends.
Five years ago I bought an NFT by an artist I'd never met for $5 and it made them really happy and it made me really happy. Today I bought an NFT for $3 by an artist I have never met, it made them really happy and it made me really happy. The system still works.
Feels like I need to trot this out again:
- Buy art you love
- From artists you want to see succeed
- For prices you can afford
- With the assumption you'll never be able to resell it
- And you will always be happy
gm, remember, there are millions of artists out there. You don’t need to chase work by the 5 or 6 that just became explosively popular in the last six months.
I’m selling “What Now” (2019 -
@SuperRare
1/1) by
@thesarahshow
, among the most important NFTs in my collection, and donating the proceeds to Planned Parenthood. You can help by making an offer or retweeting. I support women’s reproductive rights. 1/2
Hot Take: NFT collectors worry far too much about the token and chain failure (unlikely) & not nearly enough about the art and art storage failure (highly likely). Most startups fail. All NFT platforms are startups. No such thing as forever anything. Ask how the art is stored.🧠
Work hard, be proud, be kind, be humble, be patient, appreciate what you have, help others when you can, make decisions as if your mom is watching, don’t take things too seriously, especially yourself, find joy in as many things as possible.
- 99% of my email is spam
- 100% of my physical mail is junk
- 50% of my Twitter DMs are shills
- 75% of my calls are “scam likely”
- 90% of the news I consume is junk
Life is mostly noise at this point.
How big is the opportunity for NFTs?
@ChristiesInc
did $7B in sales in 2018, still their best year ever.
@opensea
did half that in one month. Retweet if you are a believer. 🚀🚀🚀
NFTs are like brands. They are inherently worthless. Their value comes entirely from the popularity, reputation, and creativity, of the person who mints them.
I don't care about how much money you have, how many followers you have, or how many degrees you have. I care about how you treat others. That tells me everything I need to know.
Been working out and eating healthy all year and now down 40 lbs (to be fair 20 lbs was hair). Tried on a shirt from my grad school days (15+ years ago) and almost, kinda, maybe, can squeeze in! Hooray for cauliflower and sweet potatoes!
If you have experienced success in this space you may now feel too busy with opportunities to help others... but remember you'd be nowhere if others decided they were too busy to help you. Make time, keep the cycle going!
Some of my favorite artists can’t afford to fly around to conferences (or don’t want to) and many are in zero books. Some are barely on Twitter or not at all. When it comes to making great art, these things don’t matter. Great art is great art.
Yooooo the
@CNBC
piece dropped! As always, honored to rep the NFT community and try to point out some of the good and the bad. Also glad lots of work by artists I collect made an appearance. ❤️🚀❤️🚀
I think part of why NFTs lost steam is that infrastructure never improved. The future where gas fees were cheap, onboarding was easy, collectors couldn't get scammed, and platforms followed best practices for NFT construction, never happened. We need less selling, more building.
Paradox: As AI gets closer to producing work that looks like it was made by a human, I become increasingly interested in art made by humans that looks like it was made by a machine. 🤖🤷♂️
If I wanted to look at art in the early 90s I hopped on my bike and rode 3 miles to the library to look at tiny reproductions in books. Now I have a fresh stream of thousands of works on my phone daily with artists ready to chat real time. Don’t forget how good we have it.
I remember getting beat up in my sophomore year of high school for being weird and liking Nirvana. The next year Nirvana became fashionable and the kids who beat me up the year prior started wearing Nirvana shirts. I believe we are entering a similar phase with NFTs.
Dear friends in the world. It looks as if you are interested in my work. So I will show few images from different series once in a while. how it started: generative photography called Lichtformen 1952-55. Hope you like them.
In 2018 I flew to London to speak at Christie's and to introduce the art world to the idea of NFTs. Even worked with
@SuperRare
to distribute 300 NFTs to the crowd. Most were thrown away. Fast forward three years later and Christie's just auctioned an NFT for $69M. Crazy times.
Deep down we all root for people who have the audacity to dream big and take risks. We need them in order to sustain our own well of optimism and to push our own sense of what is possible.
Our generation's culture is largely digital. NFTs let us preserve and collect that history the way previous generations did with analog history. It sometimes looks clunky because the solutions aren't perfect and we are in a transitional period. But the train has left the station.
That time I sold
@XCOPYART
PFPF NFT and donated the money evenly across every
@SuperRare
artist to help them through COVID. I regret nothing. This space was/is built on generosity and love! ❤️
Sending "Lockup" to the
@SuperRare_co
team in prep for the artist stimulus auction. Haven't been this anxious about hitting "confirm" on a blockchain transaction since I sold Nude
#1
for ~$13K. Happy it went through (bid intact)!
Sometimes I think rather than broadly saying you support women in NFTs it's better just to actually collect/share/write about art you love by individual female artists. Am I backward on this?
Historically the artists whose work I've admired most are thoughtful and sensitive. Twitter hardly feels like a place where the thoughtful and sensitive can flourish or even survive.
Most NFT marketplaces won't survive a prolonged market crash. What happens when marketplaces stop paying to pin your NFT assets on IPFS, or if they were hosting your NFT assets on a private server? Get a free backup.
BIG NEWS! I'm super excited to share that
@club_nft
is now available on Ledger Live! Now you can protect both your onchain and offchain NFT assets! Thanks so much to
@Ledger
for being amazing to work with! I'm over the moon!
Ledger stands for digital asset security, that’s why we've integrated
@club_nft
into Ledger Live’s Discover section.
For 90% of NFTs, the images and metadata are saved off-chain or on private servers, which means potential exposure to losing the files underlying these NFTs.
And for some much needed good news… I’m super excited to announce our forthcoming ClubNFT integration with
@fx_hash_
! We love fxhash and are proud to unite with them to help collectors self-custody their NFTs! ❤️❤️❤️
I find myself looking for the flawed, the imperfect, and the grotesque in NFTs lately. Too much polish turns me off. Not every meal should be run through a blender until it can be consumed through a straw. Rough edges are a sign of life.
Can we start a DAO to buy the entire Tez pole and all the works displayed on it and then donate it to the
@MuseumModernArt
as an installation? That would be a sick flex. 💪
I think it's important to go to a museum regularly and realize how much joy you can get from art without owning/collecting it. Collecting art is fun and helps artists sustain their practice but owning art is about 1% of the joy, meaning, and purpose that can be derived from art.
If 2021 was the year of NFT art hype, I anticipate 2022 being the year of NFT art substance. The combination of a nonstop spotlight and breakneck speed in the space is at cross purposes with thoughtfulness and introspection, both core ingredients to great art IMO.
Huge day. Writing for
@ArtinAmerica
has been my dream since I was old enough to read. Proud and excited to share this article highlighting so many amazing generative artists and sharing why I love them so much.
My advocacy for digital art over the last decade was not motivated by a belief that it is superior to analog art. It was driven by a belief that digital art deserves equal consideration to analog art and will likely be a primary hallmark of the art of our generation.
NFT collectors don't realize this will be the norm. 90% of NFTs rely on marketplaces staying in business. Most won't. Please, please, please, self-custody your NFTs. We made it free and easy at to remove all excuses.
The moment you lose your sense of humor around NFTs is the moment you have lost the the battle. I love NFTs but will be the first to admit they are absurd.
I think I'm doing NFTs wrong. I have collected well over 500+ Tezos NFTs and have resold just one on the secondary market. Too bad we don't like art or artists and we are all just flippers. 🤷♂️
When investors see an artist putting out an abundance of work they get nervous. When collectors see an artist put out an abundance of work they are thrilled.
If you are sad you are not getting rich on NFTs and wishing you got in earlier… you should know that nobody made any money for years in this space. That’s not why we were here. If it was, we would have left long ago.
Manolo, among the most talented generative artists of all time, has shared with me that he is taking a break from the internet. He made the code for all his work open source here: There is also a wallet address listed for donations. I'll be donating.
99% of articles about NFTs make some surface level observation about BAYC and then imply that represents the whole space. It would be like visiting a single website about pastries and assuming every website ever created must be about pastries. It’s tiresome.
I’m a human data visualization. I’m calling this near bottom for NFTs. By the time my ponytail and beard grow back (roughly two to three years) we’ll be full on bull market.
The last 50 times a stranger asked what I do for work and I told them I have an “NFT Backup Company” and they proceeded to tell me how much they hate NFTs. Today I got lazy and told a stranger we automate IPFS asset backups, and they responded “you must be smart.”😂🤓
Love when collectors with 1/10K CryptoPunk PFPs worth several hundred thousand dollars unironically tweet that artists should mint fewer works to protect their scarcity. 🤣
I've been obsessed with gen art since the late 1990s and NFTs since 2017. What I have learned is if you love something long enough it will eventually become popular with others. So no need to chase trends. If you are patient, love what you love and ignore the noise.