OUT TODAY!
My collection of pulp-inspired constrained poetry & wordplay, THE ROBOTS OF BABYLON, is out now!
Lots of new literary constraints in this one, plus many new palindromes, anagrams, and sonnets.
Available in full-colour hardback & paperback:
"Wavescape" -- A Shakespearean sonnet in iambic dimeter, which slices down its centre, forming two monometer sonnets (one Petrarchan, one Shakespearean):
HOW TO MAKE A RAGÙ (Palindrome)
Ragù:
Shallot.
A tuna.
Deft salt (light) or beer, up a root.
A motto.
Herb most sombre.
Hot tomato, or a purée.
Broth, gilt, last fed a nut.
A toll.
Ah, sugar!
CITY SCAFFOLD: A sonnet of no fixed rhyme scheme, composed in iambic trimeter. Each line has exactly 14 letters. The poem's Ts are arranged such that they form a symmetrical, X-shaped scaffold.
20 LETTERS
In these twenty letters,
we try ten lines. The test
set, we tether sly intent.
We net the stint tersely.
We intently test ethers.
We try the silent tenets—
try the new, tense titles.
Written, the steely nest
settles twenty therein.
We enter its tenth style.
#anagrams
PIRATES (Palindrome)
Murmur….
Erupt, savage page!
Loot!
Sail a rose.
Rise, deviant age, by sword….
Set a ripple — hot, sleek keels to help.
Pirates, drowsy, begat naïve desires —
or alias too, leg a peg.
Avast!
Pure rum, rum….
CITY SCAFFOLD: A sonnet of no fixed rhyme scheme, composed in iambic trimeter. Each line has exactly 14 letters. The poem's Ts are arranged such that they form a symmetrical, X-shaped scaffold.
ANAGRAMMED “FIRE AND ICE”
Some say the earth is made of word,
some say of code.
Since everything is so absurd,
I go with those who favour word:
It fits life in a finite ode,
the chorus thick with epic wit
and ink, a foil for art we load,
the future lit
in lines that flowed....
For those who like their fiction pulp. A Shakespearean sonnet in iambic trimeter and an ottava rima in iambic pentameter.
Despite appearances, the two poems are perfect anagrams.
HOW TO DRAW A PYRAMID
A zig.
Now one zag.
Gaze now on Giza!
-----------------------------------
HOW TO BUILD A LABYRINTH
Nail a dead, still awe.
Now one wall.
It's daedalian.
#palindromes
My best friend died today. Nearly every poem I’ve posted here was written with her by my side. We were inseparable. I’ll miss her and love her always. Goodbye, Kafka, happiest dog in the world. Sleep well. Good girl.
PERSIST: A Shakespearean sonnet in anapaestic trimeter. Reading only the red gives a Shakespearean sonnet in anapaestic monometer. Reading only the blue gives a Shakespearean sonnet of monosyllabic lines.
THE REIN THEREIN �� Two Shakespearean sonnets, in iambic pentameter.
The two sonnets use the same letters, in the same order, but have different spacing and punctuation:
WINE AND WORDS — A Shakespearean sonnet in iambic trimeter. If only the first two feet of each line are read, it becomes a Spenserian Sonnet in iambic dimeter. If only the first foot of each line is read, it is a Petrarchan sonnet in iambic monometer.
CITY SCAFFOLD: A sonnet of no fixed rhyme scheme, composed in iambic trimeter. Each line has exactly 14 letters. The poem's Ts are arranged such that they form a symmetrical, X-shaped scaffold.
“Colourscape”: An ottava rima in iambic pentameter, intersected by a sonnet in iambic monometer — such that the third foot of each line of the ottava rima belongs also to the central eight lines of the sonnet.
COLOURSCAPE: An ottava rima in iambic pentameter, intersected by a sonnet in iambic monometer — such that the third foot of each line of the ottava rima belongs also to the central eight lines of the sonnet.
There's a girl who hails
from Malta. Her haiku hold
a volta. Mixed with
limerick form, they're
just not the norm — but they're bold,
so let's not fault her.
COLOURSCAPE: An ottava rima in iambic pentameter, intersected by a sonnet in iambic monometer — such that the third foot of each line of the ottava rima belongs also to the sonnet.
WINE AND WORDS — A Shakespearean sonnet in iambic trimeter. If only the first two feet of each line are read, it is a Spenserian Sonnet in iambic dimeter. If only the first foot of each line is read, it is a Petrarchan sonnet in iambic monometer.
COLOURSCAPE: An ottava rima in iambic pentameter, intersected by a sonnet in iambic monometer — such that the third foot of each line of the ottava rima belongs also to the sonnet.
DEATH OF THE SUN, THE MOON, AND THE STARS: An ottava rima in iambic pentameter (Moon), sharing the first foot of each line with a monometer Spenserian sonnet (Sun) and the last foot of each line with a hybrid Shakespearean-Petrarchan sonnet (Stars).
ALPHA AND OMEGA (Palindrome, 10x10)
A gem, on word, lived apart.
Pagan omega has me hewn.
I, alpha dog, deed God.
Ah, plain, we hems!
Ah, a gem!
On a gap, trap a devil —
drown omega.
THE REIN THEREIN — Two Shakespearean sonnets, each in iambic pentameter.
The two sonnets use the same letters, in the same order, but have different spacing and punctuation:
#sonnet