Absolutely loved the frames of
@dulQuer
and
@mrunal0801
’s
#SitaRamam
. Here, I speak to the the production designer (Sunil Babu) and art director (Vaishnavi Reddy) of the film, who take me through their process.
Had a lovely chat with
@shrutihaasan
about a world post coronavirus for the music industry and what keeps her busy during the lockdown. Debut zoom chat :D
Why is Vijay named Parthiban in Leo? Because he partied too much as Leo Das and wanted to reinvent himself by swearing off his old life. So, Party ban became Parthiban it seems. Looking for procedures to return my husband.
Will Vikram ever catch a break from deep heartbreak on screen? After
#PonniyinSelvan2
, I sat down to write about the actor who does love and grief so beautifully on screen.
It might be about 22 years late, but Aalavandhan’s time has finally come. Caught the remastered version in Bangalore recently and wrote about what its re-release means for the Kamal Haasan film.
Watching
@beemji
’s Natchathiram Nagargiradhu was such a powerful experience. And a huge part of that was
@tenmamakesmusic
’s music. Here I speak to the composer about the film’s brilliant sounds.
Figuring out electricity in a moving train, turning a college limerick into a song, and introducing the strangest most amazing sounds to Tamil films. 30 years of Shankar is also 30 years of my fav Rahman song. This is the story of Chikku Bukku Rayile:
Interesting how all three heroes handle the cafe scene with a signature movement. Tried comparing
#Leo
with Cronenberg’s History of Violence and the comic. Got to be the coolest homework I’ve had to do before a film. Do read.
Just another day in the neighbourhood where a garbage pickup vehicle got stuck in the roads. The rains have made the already bad roads look like the surface of Mars. Is all of Madipakkam just a big patchwork exercise?
@chennaicorp
One year since Tamil Nadu reported it's first Covid19 case (March 7, 2020). This pandemic is far from over. Stay safe, everyone. Wear your mask. Wash hands. And maintain physical distancing.
Also, I can't believe I have done this for 365 days 👇🏼.
Sort of an urgent request: Any lawyers here in my TL? My cook in Bangalore has been struggling to get her son’s erroneous caste details changed in his TC, but the school isn’t budging. She’d like some legal advice. She only speaks Kannada though. Please RT for good karma!
The show might be dated today, but Friends was undeniably a part of my growing years like a few other Indian teens. And he was an even bigger part of our journey, slowly taking away some of our own awkwardness and self doubt with his jokes. Rest in power Miss Chanandler Bong.
Had the privilege of interviewing Danish and Adnan in 2018 for Scroll, right after their Pulitzer win. A photo should draw people and tell them the whole story without being loud, he said, on what makes a photograph. Rest in power, Danish Siddiqui.
Rahman’s score especially in Nandini’s scenes with Karikalan is unbelievable! Some of his best work. A huge reason why Ponniyin Selvan 2 was a such a moving experience for me.
Mani Ratnam humanises his wounded, larger-than-life characters, returning for a deep and piercing sequel, writes
@sruthigraman
in her review of
#PonniyinSelvan2
A fandom/stardom that survives burning effigies, a red card and several breaks from the big screen: Here I try to piece together the Silambarasan TR phenomenon.
The scene where Samuel explains to his son the exhaustion of Snoop, his guide dog, did it for me. I keep imagining beautiful snoop anticipating Daniel’s every need. What a powerful film.
#AnatomyOfAFall
I am a sucker for horror, and
@Ashwin_saravana
and Kaavya do wonders with the genre. Here, they speak about what
#Nayanthara
brings to the genre and things that drive their choices. My interview with the lovely couple that scares easily :)
#Connect
There’s so much to love about
#Gargi
. Its stunning narrative treatment and Sai Pallavi apart, it was Indrans for me. Spoke to
@kaaliactor
about playing stellar supporting roles in Tamil cinema. Do read!
Did you notice the school group photo that hangs on the walls of both Mathew and Thankan’s homes in ‘Kaathal The Core’? One of the many scenes in the film that quietly screamed without saying much.
I bet I’ll think of Najeeb, Hakeem and Ibrahim every time I drink water in the future. The use of water (in all its forms including a drop to drink, rain, a creek, a river) is an absolute masterclass in
#Aadujeevitham
.
Now watching the re-release of Ghilli (a film that i forced my parents to take me as a kid at the now defunct Jayanthi theatre, Chennai) at 29, the same age as Vijay when the film released. Life has come a full nostalgic circle this 6am morning in Bangalore :)
I did tear up when I faced the mic:
@Chinmayi
speaks to
@sruthigraman
about making her comeback to dubbing with
#Leo
and voicing
#Trisha
’s Jaanu in 96, which turned five this month.
“If we keep thinking about the virus, we won't be able to do our job...For police, duty comes first,” an inspector tells
@NairShilpa1308
in the story.
Lover is superbly performed and reflects the reality of an imp long term relationship with sparkling truth. Yes, Arun’s toxicity is constantly called out. But as the film ends at the Wave cafe, I was left with a question. Does Arun take away anything from this relationship? 🧵
Giving overpriced coffees in indiranagar a run for their money. Had this excellent cup of latte at Tribal Brew on 6th main that serves coffee out of a truck.
On ten years of
#VijaySethupathi
’s stellar turn in NKPK, Balaji Tharaneetharan and Premkumar tell me about the missed catch that changed their lives. PS The friends continue to play cricket, drop catches and fall, if you were wondering. Always fun to dissect favourite movies!
My interview with the TN CB-CID Prateep Philip about the idea behind Friends of Police, which has been stepping up its relief work while aiding the
@chennaipolice_
during the
#CoronavirusOutbreak
Had to walk out of my Jigarthanda DoubleX show at inox-luxe in Phoenix Velachery after the terribly screechy speaker/sound quality almost burst my eardrums. Sad to see one of my fav theatres in the city come to this.
@jazzcinemas
Sitting in one quiet Bangalore theatre, I felt a wave of euphoria wash over me 2 weeks back. Of course Kanmani Anbodu’s impact was immense. But for some reason I couldn’t get over that set. Spoke to Ajayan sir about creating magic on the sets of
#ManjummelBoys
People still think I'm lying when I tell them we shot on set and not the real Guna caves: Ajayan Chalissery tells
@sruthigraman
the story of hard work and magic that went behind designing
#ManjummelBoys
.
Spoke to the superb
@LakshmiPriyaaC
about the need for prominent female supporting roles in Tamil cinema and her National Film Award winning performance.
Did skincare this morning with a nice toner-sunscreen and was feeling v happy with myself & my tiny glass skin effect. Got out of my room, mum wishes me a good morning and immediately says, ‘indha towel, why haven’t you wiped your face after washing it?’ im deceased 😭
From learning the identity of Oomai Rani to consuming Kalki’s work in his own words, the film has drawn people to reading
#PonniyinSelvan
for many reasons. And this has led to a kind of sales that’s unheard of, publishers and audiobook platforms tell me in this piece.
As ghilli vs okkadu debates go on to fill my timeline (and presumably yours), I’m only here to share a small piece that I wrote about the shared joy of watching a film like Ghilli at a single screen.
How did a Malayalam film manage to create such a unique portrait of a city for a whole generation? On 10 years of ‘Bangalore Days’, I spoke to some Bangaloreans (including articulate filmmakers
@hemanthrao11
and Roopa Rao).
When MS Bhaskar brings it, he REALLY means business. Didn’t expect to step into a fascinating 2-hour study of the human ego when I stepped in to watch Parking this morning.
On this investigation it was
@NairShilpa1308
who took the lead & I was assisting her. Today, we have a huge impact on this story & TN govt has fixed the rates for private hospitals. Happy that it will make some difference & help a lot of people. 🙏
#COVID19
#CovidForProfitScam
Flashback writing comes naturally to Atlee. So, naturally we revisited his films to know why. Voiced this super fun video essay with generous help from
@Vishal1Menon
@Harshini_SV
,
@RamVenkatSrikar
and Mani. Watch this for
#Jawan
prep.
Got to write about my favourite city and its significance in Tamil gangster films. Silambarasan’s
#VendhuThanindhathuKaadu
was an anomaly in this list for many interesting reasons! Do read.
The problem with a lot of the criticism of
#SSRajamouli
’s list, as well as the ‘worthiness’ of
#RRR
is that it disparages not just the craft of the director, but that of the mass film in general, writes
@sagar_tetali
.
Lokesh Kanagaraj has come to be known as a hit machine. A big reason behind that are his ambitious gambles that almost always pay off. Ahead of
#Leo
I look at his big risks big rewards approach with my fav Loki film.
Director
@mari_selvaraj
is at home with animals, and so are they in his vision. Maamannan made me revisit some powerful moments with this piece. Tell me about your favourite animal moment in mari’s cinema?
Don’t know if
#Leo
is based on History of Violence or not, but reading it is only making me 10x times excited for the film. A banging premise as old as time but still has the potential to be fresh.
What is it about food in films that makes it so beautifully memorable? I haven't seen one movie meal that i've ever forgotten. The poondu kulambu in Kadaisi Vivasayi though holds a v special place in my heart. Tell me yours?
Colour isn’t merely aesthetics in
@beemji
’s
#Kaala
, where every shade of blue, red and black has a powerful story to tell. Spoke to the superb women behind costumes (Anu Vardhan and Subika) who share with me the joy of working on a film that places such importance on their craft.
Colour is everywhere in
@rajinikanth
and
@beemji
's '
#Kaala
'. Marking the film's 5th year,
@sruthigraman
speaks to the costume designers to break down the story behind every colour and character on screen.
The incredible Onam spread at salt mango tree in Indiranagar. Not seen here are the chakka, banana and ada payasam, which were promptly wolfed down. Happy day.
Loved this line in ‘Sapta Sagaradaache Ello’: Grief is a mountain. You might have to cross it, but remember it’ll always be there. You’ll just have to get used to it.
Could watch Priya and Manu’s romance on screen for hours. What a beautiful, poetic film.
#SSE
"The Tamil screen icon’s dark complexion, which saw him typecast as a villain in his early years, has now become a matter of pride." Lovely story by
@nathan_archana
via
@TheReel_in
Ganesh Chaturthi special lunch @ The Filter Coffee. The unexpected entry - nei sadam and chettinadu potato masala turned out to be a fantastic highlight.
Got to interview him back in 2017. Spoke to him about Micheal Madana Kamarajan (also the many Janakis in his films), new-age comedy and writing for the distinctive Tamil audience. It remains one of my memorable film conversations. via
@TheReel_in