"forgetting is normal", one of the quotes from miyazaki's the boy and the heron, is so true, so simple, and to me: so cruel. it shakes me to my core and it is something that i'll keep thinking about for a long time as someone whose existence is built on keeping memories close.
"when you're tired and sad, try looking at your fingers. then, one by one, move them around. it'll feel very mysterious. you feel like you can't do anything, but you can move your fingers."
벌새 house of hummingbird
(kim bora, 2018)
"if only some people can have it, that's not happiness. that's just nonsense. happiness is something anyone can have."
怪物 monster
(hirokazu koreeda, 2023)
soya kurokawa in one scene has a cup of tea in his hands. and without any request from me, he seems like he would spill the cup by tilting it then he puts it back. that's because I told him to think himself as a cup when he was thinking about his emotion.
– hirokazu koreeda,怪物
"i don't want to date, and i can't develop feelings for anyone else. i don't consider myself unhappy. maybe it's a bit strange, but this is who i am. what can i do?"
そばかす i am what i am
(shinya tamada, 2022)
"i think when people meet, they must eventually part. because i'm scared of the parting, i was escaping from it. but i realized that we part in order to meet others."
百万円と苦虫女 one million yen girl
(yuki tanada, 2008)
• starring yu aoi
"how many years do you think you have left in your life? you're not even half alive, it's gonna be all right!"
朝がくるとむなしくなる
when morning comes, i feel empty
(yuho ishibashi, 2022)
john calvert’s meticulously designed tapestry-like poster for the handmaiden (park chan-wook, 2016) that mimics traditional korean/japanese paintings embellished with scenes from the film itself
“Cinema takes me to another world. That world is authentic, real, and welcoming. Cinema doesn’t belong to the winner but to the loser/loner. The blissful loser. I like that world.”
—Kim Bora (House of Hummingbird 벌새) on what inspired her to become a filmmaker
"Confucius said, 'Wise people like water, benevolent people like mountains'. I am not benevolent. I like the sea."
헤어질 결심 Decision to Leave
(Park Chan-wook, 2022)
"The light at night is special because the overwhelming light of day has left us, and the remaining half draws on everything it has to keep the world around us bright."
– Mieko Kawakami, All the Lovers in the Night
"I can’t really comment on the definition of love. What I can say is that there's a certain love experienced by these two particular people. It doesn't matter how I define love, because that's what my characters consider love is for them."
Park Chan-wook on Decision to Leave
the way she's only 38 and already considered one of the greats. and it's surreal to me that after all this time, she'll finally get to work with director koreeda on top of all the brilliant directors she has ever worked with. yu aoi, a true muse of japanese cinema.
– "i see this flower all the time. what's it called?"
– "apparently, when you ask a girl that, the flower reminds you of that girl for the rest of your life."
花束みたいな恋をした
we made a beautiful bouquet
(nobuhiro doi, 2021)
When I said, "This is nice," I wanted somebody to say, "That's nice."
When I asked, "Right?" I wanted somebody to answer, "Right."
I guess...that was all I ever wanted.
"how wonderful it would be if my whole life so far turns out to have been a dream and suddenly i wake up and i'm someone else entirely."
トウキョウソナタ tokyo sonata
(kiyoshi kurosawa, 2008)
– "why do you make these recordings?"
– "i ask that myself. on one hand to console us, but also to leave a trace."
やがて海へと届く
one day, you will reach the sea
(ryutaro nakagawa, 2022)