I have a library card and I'm not afraid to use it. Director of genre films and murdery teen mystery TV. Producer of a lot of those horror anthologies you like.
I cannot even process what a compliment this is coming from the person whose work inspired (and terrified) me as a kid in PA 30 years ago all the way to a director in LA today,
@StephenKing
thank you so much for watching
Someday peeps will remember that Brad Miska was not the sole producer of the original V/H/S series, right? I’ve watched my name get erased from the birth and history of this franchise so many times.
V/H/S (2012) Revisited – Horror Movie Review
Hello film critics rather belated entreaty from me - but if you’re calling out my kid actors in a negative way - know that anything you’re faulting comes from the direction, not their talent, so please express it as a failing on my end. Also meet me in the fucking parking lot.
I had a meeting with a producer this morning and told him I think his 3.5 mill budgeted movie is more like 8 mill on paper and asked for more details on the production plan and he got offended and hung up on me.
I was sitting on his couch when I came up with the fucking NAME for chrissakes. And this public erasure over time DOES matter. It mattered when I was trying to be an indie producer, and it still matters as I keep trying to get stuff developed as a filmmaker.
I don’t want to get into why I wasn’t involved with the new batch, it involves crossed wires, bad timing, and me asking to get paid and get points this time around.
And nothing against this publication and journos in particular, the info has practically been erased from online. I just hate that this still affects me. I hate claiming credit for ANYTHING. Imposter syndrome for life y’all \m/
But that’s all in the past. It was my first time producing, I didn’t know any better, and I made sure it didn’t happen again with Southbound. I was just happy to be making movies with my friends. And I’m happy that other filmmakers get to have that experience this go ‘round too.
But not once did any company involved approach me about the revamp. I was one of the creator and producers, but I didn’t hold any rights. I never even had a contract. I was also the only one involved in any way shape or form producing the overall series who didn’t get backend.
A reminder from my past as we head into the new year. Directors come from many different departments, take many different paths. It’s not a linear journey.
Does anyone else just think it’s highly bizarre that we have to eat EVERY SINGLE DAY. Like how are we at the top of the food chain with this low of an energy efficiency ratio. Bears. 3 months. Crocodiles can go a YEAR. Tardigrades: 30 YEARS. 30!!
Twelve whole years ago V/H/S got into Sundance. Holy shit time flies. Love me some tv directing but I’m SO itching to direct another film this year. I also miss the camaraderie of anthologies. It was a great time.
I could watch an entire feature of
#MissionImpossible
BTS. Just the sheer joy on
@chrismcquarrie
and everyones faces when they pull this off. Also was
@TomCruise
just born without the fear gene or what holy hell. As a director I heart this franchise so much
My own personal hell is the cringe feeling of watching someone ‘shooting their shot’ during a big movie q and a. Also what selfish assholes are people that do this and make everything about them.
I hope I don’t come off as a dick posting any negative feedback for the movie along with the positive - I try to do so in fun and also bc I’m fascinated by how films are received and perceived once they’re out in the world, and what people connect to or reject.
Question. Say someone took a bunch of cbd oil about 2 hrs ago & it maybe had unexpected THC in it (it’s me I am someone high as a kite). 2 issues - I haven’t been high in literally 20 years. and 2- I’m about to get picked up to for a 12 hr international flight back to U.S.
I haven’t gotten to explode enough stuff on camera. Heads. Def. Lots of heads. But not like, buildings and cars. Next movie I’m writing gonna be much more explodey.
My negative RE review is in! (truly they have eviscerated every movie I’ve ever made - solo or anthology) It’s a release tradition! Idk why they even watch em at this point, but as always, I am grateful to have any movie I make seen as worthy of commentary.
Through having a break in movies at Beyond Fest, I am inadvertently sitting across from the premiere of an anthology film franchise I helped create, and it is a truly surreal and bizarre experience. I wish all the writers and directors well.
Remembering that time a line producer told me I should be more warm and motherly like their other female director. Thankful to the people in this genre film culture who can commiserate and laugh with me about these moments so that we don’t all end up in jail for attempted murder.
Sometimes I think about the reviews for Brighton Rock that were aggressively annoyed Wendy did so many stupid things in the woods and then think about how I did all of them IRL. Got lost. Fell down a hill. Jumped at my own shadow. Dropped a phone off a cliff… the list goes on.
When I’m in prep and have to do zoom meetings I like to have a bunch of search windows open in case I have to share my screen, that say things like “how to direct” “what is a gaffer” “what do lenses do” and see if anyone notices
Writing a directors statement is kinda like writing a book report on your own movie. Just lookin up $10 words and increasing my side margins nothing to see here move along
I fucking LOVE when scientist nerds try to warn peeps in disaster movies and get ignored and then the oceans boil or the sea beasts go crazy or whatever and then they get picked up in a helicopter to talk to the president all discombobulated to explain their little research paper
I hope everybody gets a nice long chill break for a couple weeks, without worrying about what they should be writing or doing or producing or where they ‘should’ be in their career. Just like, a nice couple days with a book and a blanket and a cat or something.
@Death_Bow
my first coffee table was a giant wooden cable spool tipped on its side that I dug out of literal mud. Now they’re ‘reclaimed wood’ but back in th’day you’d get em at like industrial or lumber yards
Letterboxd reviews are feeding my soul rn be it the love or the hate for the movie they’re freaking hilarious. Also my DMs go from ‘you’re the worst I hated this movie please choke and die’ to ‘you’re gonna get an Oscar I loved this movie’. People are a fuckin bop y’all.
Emma Seligman made one of the tensest movies with Shiva Baby, and now one of the funniest with Bottoms. I haven’t laughed that hard at a movie in years. What a fucking talent.
#SXSW2023
Prepare for my onslot of review tweets as they come in, and as always, the negative as well as the positive. These guys haaaated the movie on truly every level. Enjoy!
Time=
Money=
FX or prosthetics.Heavy extras scenes. Car work.Ensemble casts. Night work. Location work. Action heavy set pieces. Location-heavy scripts. Choreography and anything with music syncing. Oh man, where my production peeps at, what am I missing?
The Crow
Arachnophobia
Scream
Bram Stokers Dracula
Jacobs Ladder
Event Horizon
The People Under the Stairs
Sleepy Hollow
Interview with a vampire
Tremors
I have both pity and empathy for people online who find fault in every comment, who take every attempt at understanding and twist it to their own negative narrative. It must be so emotionally and mentally exhausting and isolating.
Okay how many stories about people you don’t know did your moms tell you this holiday vacation? And how many times removed are you from knowing the person in the story?
@TomAandTom1
14 years working in a specific genre will do that to you. But I’m always open to learn more, hence why I wanted to know what the production plan was to come in that low. But my presumption is the budget was not done by a line producer and without an AD’s actual schedule estimate.
I keep writing the fun scenes first and then getting bored. I have so many 2/3rds scripts laying around. Or I gotta find a way to not be bored by scenes where like, nobody kills anybody and things don’t explode.
All directors says this, but I was lucky to work with such an amazingly talented group on TSWWTC. It could be melodrama in the wrong hands and they brought so much nuance to their character’s changing relationships to each other throughout the movie. Glad it’s getting called out!
Director
@rox_anne_b
delivers plenty of jolts, but also a little substance, with the creepy kid chiller THERE'S SOMETHING WRONG WITH THE CHILDREN. It's on digital and On Demand this Tuesday.
My review:
Oh that reminds me, I have a question for my fellow filmmakers/writers/producers/actors out there. Complete this sentence:
I make movies because _____________________.