The current issue of The Nation has my deep dive into Louis Armstrong and his archives housed at the Armstrong Center in Queens. It is the cover story! I’m delighted. Absolutely Louis Armstrong should be on the cover of our major magazines.
I was refreshed by a fount of the true tradition yesterday. After three years of setting aside music to care full time for Carla Bley, Steve Swallow is back to practicing the bass and writing beautiful themes.
Never seen these before! Thelonious Monk and Keith Jarrett, backstage at Newport 1976, one of Monk's last concerts. Mitsuhiro Sugawara is credited as the photographer on this one...
RIP Pharoah Sanders. My favorite period of his discography is the late 70s and early 80s, when he kept the lights on for a certain authentic community thing with bands featuring William Henderson and Idris Muhammad.
Pat Metheny is 68 years young today. An architect of our musical universe…also imho one of the best “harmolodic” improvisers after the first generation Ornette circle
Re-listened to the stack of Miles Davis “2nd Quintet” studio LPs. E.S.P., MILES SMILES, SORCERER, NEFERTITI… Incredible music that doesn’t give up its secrets easily…
Today marks my 6th anniversary of being sober. (Also Coltrane's birthday: I was inspired by Trane's example.) The first 6 months were a drag, but after that, it became simply good routine. If anyone was considering such a move: jump in, the water's fine.
Barry Harris! The last of the bebop pianists. DTM tribute forthcoming. When I took this photo at the Vanguard in October 2019 I suspected it would be the last time I would bathe in presence.
I fussed endlessly about my 50th birthday yesterday, and quite forgot there was another anniversary of considerable personal importance: 20 years since the release of THESE ARE THE VISTAS by The Bad Plus. Cover painting by Stephen Collier.
I am not an objective party, but this does seem to be a pretty interesting line-up for those wanting to get an overview of “the state of the piano trio today.” (I saw the Chris Potter quartet last night and they were state-of-the-art. Incredible performance from Craig Taborn.)
RIP Jimmy Cobb. In his honor I practiced a solo that all pianists fool around with, Wynton Kelly on "Freddie Freeloader" from KIND OF BLUE. Every solo on this classic album seems bathed in an ethereal light, and of course Cobb's beat has *everything* to do with the magic.
Coltrane’s birthday is also my marker for going sober. 5 years now! I know the pandemic is a good reason to drink, and I certainly don’t blame you if that’s what’s required...but if anyone is feeling like quitting, let me assure you: it’s great never waking up with a hangover 👍
An old friend is trying to get into jazz, asked me for three albums. I suggested
Miles Davis KIND OF BLUE
Duke Ellington AND HIS MOTHER CALLED HIM BILL
JOHN COLTRANE AND JOHNNY HARTMAN
60 years ago
#OTD
February 25, 1964
#EricDolphy
assembled a formidable quintet of modern jazz visionaries w/ Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass & Tony Williams on drums to record his masterwork "Out to Lunch”
There was only one Richard Davis...in my new post at Transitional Technology I cite favorite tracks with Eric Dolphy, Andrew Hill, Elvin Jones, Thad/Mel, Booker Ervin, Hall Overton, and as a leader
NEW from me in the pages of
@thenation
, where I summarize the century of selling music, recount a few personal anecdotes, and weigh in on the current situation.
Something that really comes through in reading the Sonny Rollins bio: how restless he was re: collaborators. Sessions & gigs are just a blur of names cycling in/out of the band (esp. drummers!). Obv derives from viewing his own playing as a perennial work in progress. (1/3)
Branford says an average audience prefers Coltrane/Hartmann, Coltrane/Ellington, and MY FAVORITE THINGS to GIANT STEPS. Branford is obviously correct, and people angry about this truly innocent video need to relax. (Also Branford can play the hell out of "Giant Steps" lol)
Very sorry to hear of the passing of Gary Peacock. I recently wrote about his early years for JazzTimes. Gary and I spoke briefly on the phone before publication, he appreciated the comments and said they were accurate.
I hate this is a viral tweet lol. Many jazz greats were prolific in the ‘50s, not just Miles. Also, his great productivity came after he kicked his habit. Oh well, it is what it is
I'm writing about "jazz Bossa Novas" in the early/mid 1960s. First three I think of are Kenny Dorham's "Blue Bossa," Joe Henderson's "Recorda-me," and Lee Morgan's "Ceora." Any other famous examples?
I learned RHAPSODY IN BLUE two summers ago. At one point while practicing, I got off the piano bench and angrily told the empty room, "This is the worst masterpiece!"
Now, for the work's centennial, my first think piece in The New York Times [unlocked gift link]…
DON PULLEN COVERED ALL THE BASES, TECHNICALLY, SPIRITUALLY, AND PHILOSOPHICALLY, BUT IS SOMEHOW CRIMINALLY UNDERRATED THESE DAYS DESPITE BEING MORE RELEVANT THAN EVER. WHILE THE EARLY DUO WITH MILFORD IS PURELY AVANT, PULLEN STUDIED SONG AND THE BLUES WITH MINGUS HIMSELF BEFORE
Today I’m 49 years old and my
@bluenoterecords
debut is out. In this “First Look,” Don Was says that when he first heard the opening choral piece, “The More it Changes,” he started to cry. YES. This is what we want!
At rehearsal today I unthinkingly played a minor eleventh at the end of Charles McPherson minor ballad.
Charles stopped and said, “No.”
I teased him: “I thought you were a jazz cat!”
He shot back: “An old jazz cat! Harmonic minor, please.”
You’d think the DRUMMER ON KIND OF BLUE wouldn’t need to sweat medical expenses late in his life...Can’t the goddamn government just award him whatever he needs??? 🇺🇸
Daughter of jazz drummer Jimmy Cobb—last surviving member of the historic ‘Kind of Blue’ band—has launched a crowdfunding project to cover her father’s medical and living expenses.
The Billy Hart Quartet with Mark Turner, Ben Street, and myself plays Smoke Jazz Club, Thursday through Sunday, December 7 through 10. It’s our first time at this great venue.