So I walked around the Lower East Side with Greta Lee and Celine Song, who have made my favorite film of the year PAST LIVES, and from now on every feature I write will be me walking around NYC with people talking about love and fate and boxes of beer.
So John Mulaney at City Winery was...intense. 90 mins that was mostly processing his intervention and rehab experience. Remarkably raw, vulnerable, personal. “When I’m alone, I realize I’m with the person who tried to kill me.” Hilarious, harrowing, brave, historic.
Rewatching SPOTLIGHT for an Oscars-related thing I'm working on and a) dear god this thing holds up so well and b) it could not be more depressing to watch an ode to well-stocked, well-supported, well-funded newsrooms at this particular moment in time...
If a single-shot clip from Spielberg's WEST SIDE STORY—which is astounding, far from just look-ma-no-cuts showing off and *not even the best sequence in the movie*—finally convinces people to actually go see Spielberg's WEST SIDE STORY, then bless you, whoever first posted it.
"Once you overcome the inch-tall-barrier of subtitles, you will be introduced to so many more amazing films."-Bong Joon Ho. I'm getting this tattooed on my arm.
#GoldenGlobes
JOJO RABBIT is the second film I’ve seen in 24 hours where a director who’s made a franchise movie used his clout to make a weird, oddball, personal passion project. It gives you hope.
Also this thing is fucking amazing.
#TIFF19
LA CHIMERA is:
~a comedy
~a tragedy
~a ghost story
~Josh O'Connor going full Pacino New Hollywood '70s in the dingiest white suit ever filmed in three different film stocks
~one of my favorite movies of this year
~one of my favorite movies of any year
The man on the right is David Byrne, former Talking Head and current Broadway star. The young woman on the left is my daughter, a member of the Brooklyn Youth Chorus and unruly teen. They were on Kimmel last night. So proud of both of them, one in particular.
This weekend you can (potentially) catch LICORICE PIZZA, DRIVE MY CAR, THE HUMANS, C'MON C'MON, BAD LUCK BANGING, PROCESSION, 7 PRISONERS, PASSING; SOUVENIR II, VELVET UNDERGROUND and BERGMAN ISLAND still playing in theaters as well. Cinema is coughing but it ain't dead, folks.
Say what you will about SHANG-CHI AND THE LEGEND OF THE TEN RINGS, at the very least it reminds you that Tony Chiu-Wai Leung is one of the single greatest screen actors of the past 40 years.
Since Scorsese is trending, now's a good time to mention that the British Film list he gifted Tarantino/Edgar Wright's movie club is filled with gems, and I've already come across four or five things on it that I'd never heard of and are amazing. Highly suggest everyone dig in.
A long conversation with Steven Soderbergh started w/ the 20th anniversary of THE LIMEY; it ended on his career, the '60s, the auteur theory, Peter Fonda, social revolution, cinema, Netflix, 'Parasite,' the movies of '99, and a LOT more. A dream come true.
[refreshes timeline]
"ROMA to be turned into five-season sitcom for Disney +..."
[refreshes timeline]
"PAIN & GLORY to be turned into a series of memes for Apple TV..."
[refreshes timeline]
"4 MONTHS, 3 WEEKS AND 2 DAYS to be turned into Chicago-based drama for NBC Peacock..."
Kid was Quarantine-depressed. Like despondent. Need comedy, she says. Whatever is funny. So I put on FINEST HOUR, and damned if she’s not crying laughing. Like convulsing w/laughter and quoting “I want all the ham” for hours. Thank you,
@pattonoswalt
.
Fun fact about DETECTIVE PICKACHU: This was Orson Welles' real, honest-to-God LAST last movie, and it's taken nearly four decades to finally get the financing and all the materials together to actually finish it.
My daughter got to run errands on a short film set tonight and she’s been entertaining the extras all evening and watching the director like a hawk and this is the happiest I’ve seen her in months and I’m just so fucking proud of this kid it hurts.
10 Criterion Channel Movies to Watch During Quarantine (A Thread):
1. Frownland (2007): Why social distancing is great. You can avoid the socially awkward guy at the center of this movie IRL. Unless you're currently stuck in a house w/ him, i.e. you're my wife. Sorry.
I literally can not stop listening to this Nicholas Britell score for IF BEALE STREET COULD TALK, it's so achingly sad and beautiful, is there a support group for this addiction?
“If you run into an asshole in the morning, you ran into an asshole. If you run into assholes all day, you're the asshole.” I think about this JUSTIFIED quote every morning and at the end of every day.
@margeincharge
Find a collie that looks like Nicole Kidman and a Jack Russell terrier that resembles Reese Witherspoon, and you have an HBO series order, Lyons.
MARRIAGE STORY: So rich , so painful, so full of emotional highs (Adam Driver singing ‘Being Alive’!!!) and lows (a long knockdown drag-out fight), so perfect for Driver, Johansson and Laura Dern. Scenes from the death of a marriage. I need a drink.
#TIFF19
My review of KILLERS OF THE FLOWER MOON in a nutshell: Lily Gladstone. Scorsese. Range Noirs. Lily Gladstone. Earns its running time. Doesn’t adapt the book so much as complement it. A ‘70s style epic & a love story & an indictment & a cultural primer and LILY FUCKING GLADSTONE
Zack Snyder's ability to make a perfect short movie out of his opening credits, followed by a feature-length film that has a lot of valleys and handful of notable peaks, is still very much in effect. (That said, ARMY OF THE DEAD is probably my favorite of his movies to date.)
Isabel Sandoval — remember that name. You're going to be saying it a lot in the future. And see LINGUA FRANCA, which is a great example of that Ebert quote about movies being empathy machines (and begins streaming on Netflix today).
The piece I was always meant to write, a deep dive into the rise and fall (and rise again, and fall again!) of the greatest comic duo of the mid-twentieth century, Thomas Cat and Jerry S. Mouse. I am now announcing my retirement.
#TomAndJerryMovie
Questlove just won a fucking Oscar for an incredible, invaluable piece of cultural reclamation. Jane Campion finally won her Oscar. Troy Kotsur and Ariana DeBose made history. And no one is going to be talking about any of these things tomorrow.
In a four-week span, we're getting THE WHISTLERS, FIRST COW, THE WILD GOOSE LAKE, BACURAU, NEVER RARELY SOMETIMES ALWAYS, THE CLIMB, THE TRUTH, DEERSKIN and SAINT MAUD. I'm bookmarking this tweet for when the "2020 was a horrible year for movies" pieces start hitting the 'net.
What does the resurrected, image-bastardized ghost of James Dean, rudely ripped from the spirit world and forced to perform for our callous amusement and delight via images he never would have wanted to be used as a substitute for an actual performance, think of Marvel movies?
My teenage kid called me "a professional killjoy" after I told her I didn't like a movie she liked and had given it a negative review way back when, so I did what any dad would do and countered with "Guess what, you're adopted, two stars."
A feature-length expansion of a minor 'Dracula' tangent?
*Thanks but no.
Ok, well, how about some luxury pulp that's kinda like 'Master & Commander' but for horror nerds?
*You have my attention.
THE LAST VOYAGE OF THE DEMETER
Seems the embargo is up, so: If I see a better movie than Jane Campion's THE POWER OF THE DOG at
#VeniceFilmFestival
, I'll be surprised...some breathtaking scenes, and arguably the best thing that Benedict Cumberbatch has done that didn't involve deductively solving crimes.
Time for my traditional 'watch THE GODFATHER the day after Xmas while tweeting out little-known facts about the film.' For example, did you know that Don Corleone was short for "Donald Corleone" and was named that because Mario Puzo predicted our 45th president via crystal ball?
When I saw BAMBOOZLED in 2000, I didn't know what to make of it. Seeing it now, I realize it was just 20 years ahead of its time. Spike Lee's movie is so eerily attuned to our absurd, fucked-up moment it's eerie. (Huge thanks to
@_Ash_Clark
for the quote.)
I just showed the Kid the ending of BEAU TRAVAIL and she immediately went, "You have to show me everything this filmmaker has done!," my parenting job is now over if anyone needs me I'll be retired and living on a tropical island thank you and good night.
If you dig something that somebody wrote, reach out and tell them. I know folks tweet this sentiment out here every so often, but it makes such a huge difference, right now more than ever.
Biggest hidden gem on
@criterionchannl
: 'In Search of Ozu,' a 45-min doc on my man's obsession with graphic design, how he judged whether his movies were masterpieces by how much sake he drank while writing them, and the thinking behind his compositions and pacing. 10 outta 10.
"This movie is not a document. It's not a history lesson. It's a warning."
Had a long conversation with Jonathan Glazer, one of my favorite filmmakers, about making THE ZONE OF INTEREST.
Long after I have forgotten seeing 'Citizen Kane' or 'The Conformist' or my wedding or the birth of my child, I will still remember the flabbergasted feeling I had when I first heard the line: "The real unreliable narrator...is LIFE ITSELF."
If you get the chance to have a drink with Michelle Yeoh and talk about EVERYTHING EVERYWHERE ALL AT ONCE and Hong Kong cinema, you take it. If you also get a 4,000 word profile out of it, because that's what the multiverse deems fit, even better.
Feel like Gaga is repping all of us who are sitting in hotel rooms, in a black t-shirt and ripped up jeans and Converse, no makeup, covering the
#Oscars
rn...
BEAU IS AFRAID is:
a) the 'Citizen Kane' of mother-issue movies
b) the anti-'Everything Everywhere All at Once'
c.) Ari Aster's '8 1/2,' and a self-incriminating masterwork
d.)**ALL OF THE ABOVE**
I'm well aware that our 100 Greatest Movies of the 1980s list will likely cause much Zima-fueled arguments, but I stand by this. No. 1 won't surprise anybody. No. 2 might.
If you have not seen SWORD OF TRUST, seek it out ASAP. Ditto HUMPDAY and YOUR SISTER'S SISTER and TOUCHY FEELY. And Marc Maron's new stand-up special. The 'Master of None' ep "Old People," and many of your favorite eps of 'New Girl' and 'GLOW'? That was all Lynn Shelton, too.
I know we're supposed to hate these things, and art should not be ranked or participants in a competitive race, but: I really do love when folks drop their year-end lists, which inevitably turns me on to stuff and gives me insight to the critics/writers who create them.
Before A24 were mondo Oscar winners, before Selena Gomez palled around with the Martins (Steve and Short), before President Trump — there was SPRING BREAKERS. Still a masterpiece. Now also a warning.
"It might not stand as this century's greatest work of film criticism — but it straight-up killed the genre it parodied for at least a decade or so."
@studiesincrap
on WALK HARD. Xmas just came early, folks.
When artists pass, we do 'Essentials' lists—I wanted to pay tribute while this actor was still around. Jack Nicholson was such a key part of my formative moviegoing experience that I couldn't pick what my favorite Jack performance. So I picked 25 of 'em.
Fun fact: READY PLAYER ONE actually *did* come out this year, and not five years ago like every bone in my body believed. Unrelated, it has been a fucking long 2018.
MADONNA: TRUTH OR DARE at 30 — still fabulous, still funny, still feels like it set the template for the 21st century pop confessional/concert flick and still arguably the single most influential music doc next to Dylan's 'Dont Look Back.'
I'm not a violent man and people should have their own opinions but the next person to compare Infinity War to a Paul Thomas Anderson movie gets a brick to head.
If VARDA BY AGNES is playing anywhere near you, or is at a cinema within driving distance, or you have access to a boat or private jet or rent-a-pterodactyl and can get to a theater showing it, see it asap. A perfect coda to a more or less perfect career.
MOVIE: I am poorly directed, badly written and my framing suggests my director was looking through the wrong end of the camera. But I have 90% of your favorite '70s character actors on a train, it's late and you've been drinking.
ME: You have my undivided attention.
The gangster as tragic zero: The more I think about
#TheIrishman
, the more I realize it's not just a major Scorsese work but maybe the most deeply felt mobster movie ever. It's in many ways the anti-'Goodfellas.' Genuinely can't wait to see this again.
This tweet is an official endorsement of PEN15, which I loved + my 13-year-old daughter claimed that the show's "middle school sex stuff is eerily accurate, and..." at which point I poured acid into my ears to escape hearing the end of that sentence. Anyway, see it. It's genius.
Think I may love
#DunePartTwo
more than the first film... the whole middle section in which Austin Butler shows up looking like a marble stature come to life/one half of a Mappelthorpe pictorial is fucking amazing.
It used to be a “one for them, one for me” trade-off for filmmakers working within in the studio system... and THE MATRIX RESURRECTIONS might be the first movie I’ve seen where both of those options are fighting it out in the same film.
I've been stumping for THE LAST BLACK MAN IN SAN FRANCISCO for what feels like ages now, but I love this movie to an insane degree. Here's the gents talking about the compelling story behind it. It expands this weekend and opens wide June 21st. Go see it.
If we're being honest, the only baller move that Benioff and Weiss have left is if they introduce a totally new character in the **last five mins** of the series finale next week, with no history or backstory whatsoever, and just give the Iron Throne to that dude.
#GameofThrones
"And in another stunning move today, Beyonce removed from a line from the Renaissance track 'Break My Soul' that referenced Warner's upcoming plans to release 'Batgirl' on HBO Max..."
Think Scorsese/De Niro, but with less bloody corpses left in their wake. That's Nicole Holofcener and Julia Louis-Dreyfus. May they never stop making movies together.
YOU HURT MY FEELINGS, coincidentally a phrase I've typed on Twitter many, many times.
So I assume we all know there’s a new John Woo movie dropping on Netflix this Friday, because of the massive, omnipresent marketing campaign they have rolled out for it, right?
THE PRINCESS premieres Sat on HBO, and its found footage portrait of Princess Diana doubles as a deconstruction of a media-fueled persona that Ms. Spencer didn't ask for. Think 'The Crown,' but all thorns. My review outta Sundance.