All this talk about PREY and its narrative change of venue and very welcome representational aspects and not enough discussion of the best movie dog in years.
I don't care if anyone thinks Doctor Strange is too scary but I weep for going on two generations now of kids who weren't actively trying to watch R-rated movies, sneak cigarettes, and bust into the liquor cabinet. Pathetic.
The staff at my local got these trivia flash cards because they thought it would be fun to quiz me but I got every single one of them right, often before they finished asking the questions, and they just got mad.
In film school I had a screenwriting teacher who I mostly didn't like but who crucially had a background in documentary, and she gave me one huge critical question that to this day I find myself asking whenever I watch something: "So what?"
I genuinely CANNOT believe that there are people complaining about this CGI. I can’t wrap my head around it. You find it ‘horrifying’ or don’t want Star Wars or film/tv to go this route, you do you, but I am eating. it. up. My hero is back.
EXCLUSIVE: Sources tell Deadline Steven Spielberg is attached to direct a new original story revolving centered on Frank Bullitt, the iconic character played by Steve McQueen in the 1968 thriller, ‘Bullitt’
Sorry but this idea that George Miller is engaging in some weak sauce desperation as opposed to being one of the great narrative and visual stylists in western cinema history is stupid and if you think it you are stupid. It's just a trailer.
In my view GHOST PROTOCOL is only the third or fourth best MISSION, but man when I'm watching it it's just a total facemelter. You can see why it revitalized a franchise that had been a little given up on. Insane that they ever thought they could "pass the torch" from Cruise.
Letterboxd has been acquired by Tiny, a Canadian holding company, in a deal that values the popular social site for film fanatics at about $50 million.
Others have already said this but Warner is nuts to not have FURY ROAD in rerelease right now, and what's more they should be selling tickets for double features that have it playing *after* FURIOSA.
I will entertain arguments about its script, but DIE HARD WITH A VENGEANCE is one of the most confidently and effectively directed action movies of all time (as of course befits its legacy and McT's)
LAST CRUSADE prologue an all-timer. Even if you think it sucks as a precursor to shitty easter egg culture it's a flawless Spielberg setpiece. God-tier.
Todd Phillips goes to the whiteboard in the room and simply writes the word JOKER. Then he adds an 'S' to make JOKERS. Dramatically, he draws two vertical lines through the 'S', JOKER$. He turns around and grins.
Was just reminded of the time Thelma Schoonmaker asked me if ICHI THE KILLER was any good. She goes "Marty says this'll kill me." What a thing to happen.
Rewatched WAR OF THE WORLDS and holy shit it is still terrifying. Also I would like it if Spielberg made a holy shit this is terrifying movie again. Only your movie dad knows how to scare you like that.
Watched TOP GUN MAVERICK again and stand by my assessment of it as the most tremendous piece of mainstream pop art of the last decade or so. There have been bigger, better blockbusters, but I don't think there has been anything, maybe not even AVATAR 2, so perfectly engineered.
Look let's be honest. Cameron has always had problems grounding his truly awesome tech fetish and command of spectacle and design with relatively cliched emotional stories, but literally nobody -- ever -- has been able to make the kinds of movies he makes, at any level of scale.
JURASSIC PARK still awesome, a total artifact of a time when the promise of a convincing illusion was enough to get everyone into a theater. Flawlessly directed by a master. They truly don't make them like this anymore. Also astonishingly stupid and barely makes a lick of sense.
Look I don't usually worry about something like this but I'm seeing a few complaints about McQ crossing the 180 line during the some of the more expository dialogue scenes in DEAD RECKONING...do you really think that's a mistake?
Rewatching THREE KINGS for homework purposes. Still electric. If you'd told me in 1999 that I'd reflexively hate David O. Russell and Mark Wahlberg one day I'd have been shocked but here we are and also they both fuckin earned it.
Look I've known Tarantino has fairly awful taste for a long time but to hear him describe JOKER as "profoundly subversive" and "above most viewers' heads" is depressing.
Said this before, I know some of you will disagree and I don't care, the OG De Palma MISSION: IMPOSSIBLE is the greatest pop masterpiece of the 90's after PULP FICTION.
I wasn't always privileged to have free, unfettered access to the biggest physical video archive on Earth. Don't shame folks relying on streaming curation / torrents. I grew up with only UHF TV afternoon movies and VHS and *craved* the sort of insight and access people have now.
I've spent the better part of 25 years talking to regular-degular people about movies and let me be the one to tell you that the problem here is you. Stop being bummed about their taste, good or bad, and start trying to help them find something that they'll like.
I know it shouldn’t be as annoying as it is for people to want to engage with your passions but talking to non-film people about film is such a burden lmao. I fundamentally don’t think about the medium the same way
The real achievement of the Boba Fett show is that Robert Rodriguez had access to all that money and ILM VFX tech and somehow still triumphantly managed to make it look like it was shot in his basement in front of a green curtain.
MATRIX 4: Could never hit the original's shock of the new. Still a quintessential Wachowski huge swing: idiosyncratic, defiant of expectation, cluttered but meticulously constructed, unabashedly dorky. Like the other sequels it'll probably take another decade to really sink in.
Adam McKay is the fossil fuel of directors for a little while he was essential but for a long time now we've known about all the damage he's doing and nobody is willing to stop him.
Sorry, this sound a shitty brag, but the questions were so easy like What year did TITANIC come out or What movie did the Every Time a Bell Rings quote come from. It's not my fault!
The part where Cyborg visualizes the global financial system as a giant bear fighting a giant bull in front of a building full of literal skyscrapers of floating cash is just next level ridiculous, I can't tell you how much I love this.
If you want to see a darkly comic movie about a sad clown made vengeful by a grimy city and the miserable society that despises and ignores him along with the rest of the downtrodden who finally acts on his worst impulses, watch QUICK CHANGE.
This smacks of "AVATAR has no cultural footprint" nonsense. If you don't think Miller has it in him to top FURY ROAD you aren't paying attention. Also he's got nothing to prove to you.
THE THIN RED LINE came out in 1998, when I had just turned 20 and I was about to make my senior thesis film in college. I had never seen a Malick film before but I was weirdly obsessed with the trailer. When I finally saw the movie I thought it was the best one I had ever seen.
Zack Snyder (of whom I remain a fan) being politely sanguine about his interviewer's earnest enthusiasm (which I don't wish to mock, I just think this quote is funny).