Re: PET SEMATARY: I just keep thinking about whose job it was on set every day to dirty up the cat. Like, “oh, yeah, I have to go in early tomorrow, I have to rub some Vaseline and coffee grounds on this cat”
My sweet leftist babies, pitting the people who make $30k a year against the people who make $60k a year is what the people who make $600k a WEEK want.
The contrast between the posts shipping them and her actual reaction — "I want people to understand, he's my coworker," "this is a work function," etc — says so much about fan culture and the internet.
Adam Driver is back in the news, which means it is my sacred duty to repost that time he was in the local newspaper protesting the price of mayo packets.
There is someone in my life (I can't say who) who doesn't watch movies, but does watch YouTube videos about movies, and tries to argue with me about movies they haven't seen with talking points from said YouTube videos. I think this says a lot about where we're at rn.
This is the result of decades of devaluation of writing as a profession. People expect full length movie reviews for free on a social media site. I’m being so serious right now.
It gets even better when you remember that he tried to buy The Onion, but ended up poaching a couple employees for a short-lived would-be competitor called Thud instead.
First, you gotta catch up with the rest of Bong's filmography. Watch THE HOST first, it's got those sweet shifting tones and anti-capitalist sentiment you love. Then do MOTHER, then do MEMORIES OF MURDER.
@rockmarooned
I looked it up (because of course I did), and there were five cats: one for jumping, one for hissing, one for staring into the camera looking scary, etc.
I really feel that everyone missed the point of criticizing onscreen age gaps. The point was that Hollywood was throwing women out with the trash at age 40, not that it's predatory to pretend kiss someone older than you.
The thing Christians don’t get about this Lil Nas X video is that they started it. You tell someone they’re going to hell enough times, and they’ll say “fine, and I’ll fuck the devil while I’m down there.” You become the thing people accuse you of being to stay sane.
Then you go to another leading light of the Korean New Wave Park Chan-wook. Start with THE HANDMAIDEN (it's a masterpiece), then the SYMPATHY trilogy. I'M A CYBORG, BUT THAT'S OK is a sweet diversion after that, for you and for Mr. Park.
She doesn't say how she identifies exactly, but I will take Elvira as a win for spooky bisexuals on this, the spookiest, most bisexual week of the year. Love u mom
I'm setting up an interview with the cat handlers from the movie to get your burning Church questions answered, reply below with anything you want to know! 👇🏻
Kim Jee-woon's movies hop between genres in a fun way that's pretty similar to Bong and Park's; go for the trilogy of A TALE OF TWO SISTERS, I SAW THE DEVIL, and THE GOOD, THE BAD, THE WEIRD
"I, a white man, am the default setting for the human experience and everyone else is an 'other'" is an embarrassing stance to take in the year 2022. Woof.
Sorry, but I just do not think that you can say with any certainty that a film that came out three years ago deserves to stand among the best of all time.
I understand some of these numbers are shocking; it boggled my mind to learn that $30k a year was not a lot, because the adults I knew growing up made that number. But it does cost more to live in certain places, and we can accomplish so much more when we band together…
Joyce Carol Oates shouldn't have written Blonde. What could a literary non-hottie know about the exploitation of femme, highly sexualized women - women who look and act like Oates have no compassion or love for women like Marilyn. They're just as bad as men at writing them.
I have to get to work here soon, but South Korean horror movies are also awesome. WHISPERING CORRIDORS kicked off a boom in Korean horror; I'm a big fan of THE WAILING, and TRAIN TO BUSAN was an instant classic when it came out in 2016.
I can’t recommend in good conscience that fat people watch The Whale. I can’t recommend that skinny people watch it either, since it reinforces the notion that fat people are objects of pity who have brought their suffering upon themselves through lack of coping skills.
#TIFF22
Dad just explained Licorice Pizza: An LP is black and rubbery, like licorice, and flat and round, like a pizza. Also, LP. Seems stunningly obvious when your look at it that way.
In fifth grade, I won a dodgeball game by standing to one side and letting all the other kids hurl the ball at each other until I was the only one left. This is the energy I will be bringing to twitter from now on (if I can help it)
Director Jang Joon-hwan never really took off the way Bong, Park, and Kim did, but his 2003 movie SAVE THE GREEN PLANET! is a delightfully bizarre genre-bender you'll like if you like the movies you already watched so far.
South Korean cinema is also known for its airtight police thrillers as well as its wild genre-benders, and Im Sang-so's 2005 film THE PRESIDENT'S LAST BANG brings both by blending true crime and black comedy. Also try A BITTERSWEET LIFE, THE CHASER, and THE MAN FROM NOWHERE.
I’m jurying a documentary festival (Hot Springs, if you’re curious) and one of the films is about architect Bruce Goff—probably not something I would have watched on my own, but oh my fucking god
Kim Ki-duk's film's are a little more challenging, but worth it. He usually makes dark crime dramas like BAD GUY, 3-IRON, and PIETA, but is best known for the poetic SPRING, SUMMER, FALL, WINTER...AND SPRING.
Lee Chang-Dong isn't super prolific, but everything he does is good. You're gonna love BURNING in particular. and Hong Sang-soo is firmly in the slow-burn, realist arthouse tradition; try RIGHT NOW, WRONG THEN and see if you dig it.
@wowiwrite
@sylvyfernandez
I was in an uber pool once time and this couple comes out of their house...the woman is very very pregnant. The man lays down a towel, and she gets in the back seat. She was in full on labor and he called a pool 😑
One thing I will do until the very bitter end of my tenure at AV Club is try to get people to watch Black Dynamite. (It's back on Prime Video—as is Hollywood Shuffle!)
AND Letterboxd itself pays critics to write about movies for its Journal section. We embed links to those articles on the landing page for a film. It’s one click. C’mon.
Publicly and officially, my last day at The A.V. Club will be March 2nd. I have a lot of emotions about leaving what’s been a fantastic experience and a dream job, but looking back at the last seven years, what I feel the most is gratitude.
UPDATE: The seven A.V. Club workers in Chicago have decided to take their union-contract-protected severances rather than move to L.A. without a cost-of-living adjustment. A statement from the union (1/X):
You assholes want to talk about ruining childhoods? Try having your favorite cartoon when you were in preschool being condemned by gross dudes because the remake only gets them to half mast.
(Oh, and watch THE HOUSEMAID, a story that's been adapted for film several times; and the anthology film THREE...EXTREMES—only one segment is Korean, but it's a Park Chan-wook grand guignol banger.)
Listen, I know it's trendy to hate on Tarantino but writing a novelization of your own movie—and debuting it as an airport paperback instead of some $140 coffee table book—objectively rules
I live for interesting and idiosyncratic work like Poor Things — and, yes, Beau Is Afraid — and do not understand (or, frankly, respect) "critics" who reject this type of film on sight.
There should be a word for the opposite of mansplaining: When you keep telling a man something you know to be true, and he won't listen until you show him that another man said it also.
That’s it. I’ve logged out of my AV Club email for the last time. I’m feeling a little overwhelmed by all the support today, so while I’m sure I will have more thoughts soon, right now I just want to say thank you, thank you, a thousand times THANK YOU!
There's much more I didn't cover here; chime in with favs in the replies, fellow olds who still have your Tartan Asia Extreme DVDs. Also, look up the Tartan Asia Extreme label from the mid-'00s.
This is about to escape containment. Please read Letterboxd journal, it’s the tab on the upper right hand side of the app. Every article incorporates thoughtful quotes from Letterboxd members.
I don't know a ton about South Korean romances—except that they're super popular—or comedies (I've seen a few; last year I saw an action/comedy/food porn hybrid called EXTREME JOB that was HILARIOUS), so please chime in if you do!
I think the reason I like outsider/micro budget filmmaking so much is that it’s very, very easy to hide a lack of vision behind expensive production values
If we’re going to blame George W. Bush (and by all means, let’s), let’s also blame him for No Child Left Behind. That act tied school funding to standardized testing, prompting a shift to “teaching for the test” whose long-term effects we see every day on twitter.
My editor described this as a "scorched earth" review, to which I replied, "that's not true, I said Brendan Fraser was good." The disingenuous empathy and self-serving miserablism of The Whale:
I’d be curious to know how many reporters solemnly stating that Sha’Carri Richardson “broke the rules” have also written a story about a white “cannabis entrepreneur”
Not only is David Ehrlich very good at his job, he answers my emails promptly, which is the highest praise any freelancer can give to an editor. Good dude, be normal, etc.
I like all kinds of movies, because I’m not a child, but saying that gore and scares are “for the boys” really does a disservice to the gals making the really gnarly stuff.
When Maggie Gyllenhaal is being declared "too old" to play the love interest of someone 20 years older than her, the implication there is that she's a decrepit old hag who must be replaced with a younger model. THAT'S the misogyny.
An under-discussed aspect of Tarantino’s evolution is Sally Menke’s death in 2010. He and Fred Raskin tried to re-create her style in Django Unchained, & it didn’t quite work. It wasn’t until OUATIH that they relaxed into a new rhythm, and the work benefited from it.
In the wild three-hour action movie RRR, Baahubali series director S.S. Rajamouli re-imagines two real historical revolutionaries as god-tier superheroes
Did someone complain bout editors? Because I'm happy to share my opinion that not only do good writers not mind being edited, but being hostile to edits is actually a sign of a bad writer. How are you supposed to get better with no feedback?
If you logged your movie-watching habits before Letterboxd, how did you do it? I bought several notebooks meaning to keep lists, but would always fall off.
Few things make me crankier than hearing I HAVE TO support some would-be blockbuster because a male studio executive deigned to let a woman behind the camera, as indie films and documentaries—where most female directors work—are slowly choked to death