An incredible review of AMERICAN ABDUCTIONS in NY Times
By Gina Apostol
“Reminds us surrealism also had a social ethos, to destabilize ruinous order through art. Similarly this is what AMERICAN ABDUCTIONS offers: the art-polemic as a defiant befitting medium for our dire times”
Hi, BookTok researcher here - TikTok readers have helped usher in some of the best post-post-modernist publishing sales years in recent memory. I know it doesn’t fit with social media moral panic narratives to attribute an increase in youth reading to social media but here we are
Americans should stop teaching Catcher in the Rye & Slaughterhouse 5 in high school so when they read them as adults they can see they’re both fine novels.
Since I live in San Francisco & I’m surrounded by tech retrogrades who hold Gallagher’s asinine view
I’ve had to explain this over & over:
If you think of your mind as a landscape
Non-fiction populates it with information
Whereas literature widens the size of the landscape
Ever since I decided to try to be a novelist I’ve dreamt of belonging to the
@Dalkey_Archive
catalog
From now until Dalkey publishes AMERICAN ABDUCTIONS, my 3rd novel, in 02/24
I’ll be posting my favorite Dalkey titles
Starting with 1 of the most influential American novels 🥳
I am stumbling around the 7 Stories backlist and losing my mind a little bit!! What the fuck do you mean we have a “conversations with WG Sebald” book that nobody has ever heard of? We publish TWELVE books by Ariel Dorfman??
Part of what Bolaño was getting at is you can’t on the one hand
disparage the newspaper of record for its unconscionable propagandistic campaigns
And on the other hand attend their parties and hope to be selected as part of their 10 Best Books
Or you can, obviously
Being a novelist is great*
But have you tried being a novelist who finds their first novel warmly autographed to a “friend” at their neighborhood used bookstore?
I often mock contemporary American fiction for being boring & provincial
but here’s a small sample of stellar contemporary American novels that aren’t either
(missing THE ORGANS OF SENSE by Adam Ehrlich Sachs from the photo because I can’t find my copy!)
When I started wanting to write fiction — when I had no idea what that meant for me — I found solace & encouragement in the wonderfully parenthetical novels of Javier Marias.
Happy birthday Roberto Bolaño if only you would have been here to impugn my ranking of your wonderful fictions
1) By Night in Chile
2) The middle chapter of Savage Detectives
3) Amulet
4) 2666
5) Distant Star
Not a fan of dunking on American writers just because they got an MFA
But it’s hilarious to see them post their favorite books of 2023
Which are mostly comprised of novels by American MFA teachers & writers
Hi. Dalkey author here. If an editor recognizes a book as brilliant, and they turn it down because they can’t figure out how to sell it, isn’t that an abdication of their role?
If big publishers can sell crap like American Dirt, why can’t they figure out how to sell Markson?
And the thing is, the editors who turned this down weren't wrong! Sometimes you admire a book but don't love it, sometimes you recognize it's brilliant but can't figure how you'd sell it. That means you're not the right editor for this work. Or yours is not the right house. 2/2
AMERICAN ABDUCTIONS
my 3rd novel
is now available for pre-order from the
@Dalkey_Archive
site
Pub date 02/27/24
Cover by Leonora Carrington
(who appears in the novel as a talking car)
Since Adam Ehrlich Sachs is not on Twitter I will remind everyone that he wrote a fantastic novel about a blind astronomer who rightly predicts an eclipse 🌞
My reading preferences are so narrow:
I rarely enjoy short unmusical sentences
Anyway here’s what I’ve enjoyed the most in 2023
- WALL by Jen Craig
- MILD VERTIGO by Kanai
- HISTORY OF MONEY by Alan Pauls
- SPADEWORK FOR A PALACE by Krasznahorkai
- LONGCUT by
@emilyhallnyc
I heard you guys like sincerity, so here goes:
Ever since I decided to try to write novels I’ve dreamed of being published by
@Dalkey_Archive
Today my dream finally came true:
AMERICAN ABDUCTIONS is out today 🥹
Ever since I decided to try to be a novelist I’ve dreamt of belonging to the
@Dalkey_Archive
catalog
From now until Dalkey publishes AMERICAN ABDUCTIONS, my 3rd novel, in 02/24
I’ll be posting my favorite Dalkey titles
Starting with 1 of the most influential American novels 🥳
The novels of David Markson, who briefly before he died had a Twitter account, - it saddens me to think they go unread, they will one day be forgotten.
I grew up reading Mafalda. I tried to explain to my daughters why I sometimes murmur “su lechuguita” and chuckle but the joke isn’t funny when I try to explain it. 😆
Physical descriptions of characters are unnecessary because readers will imagine the physical characteristics of the characters whichever way they want anyway
Wait a minute SOLENOID by Cartarescu was not nominated for the National Book Award??
HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHHAHAHAHHAHAHAHAHAHAHAHAHAHAHAHA
Last week someone posted that they found solace in reading
Bernhard after the death of their mother
And I was reminded again about how much grief courses through his novels
Piglia used to say that writers push their own canons so that their works can be put in the right context
My list of Great American fiction:
Stories in the Worst Way
A Naked Singularity
I AM NOT SIDNEY POITIER
A Questionable Shape
Inherent Disorders
Ducks, Newburyport
Longcut
For
@PublishersWkly
, I talk with
@nickhilden
about Leonora Carrington
Her retrospective in Mexico City, her debutante hyena, her intercontinental generative powers, and her influence on AMERICAN ABDUCTIONS, my 3rd novel 🥰
Once upon a time I met Charles Baxter, who had a lot to say about the long digressive sentence in USA, recommended an Italian writer I hadn’t heard of, & asked for a Latin American novel rec, which he ordered on the spot.
I’ve read and enjoyed every one of his essay collections
Given what I’ve gleaned about your taste in books:
- Mirror by Tarkovsky
- La Ciénaga by Martel
- Persona by Bergman
- The Cremator by Herz
- Yi Yi by Edward Yang
- Cleo from 9 to 5 by Varda
- Mikey and Nicky by May
- Taste of Cherry by Kierastami
- Jeanne Dilman by Akerman
36 chapters, each of them one sentence long. A shapeshifting, Virginia Woolf-ish barrage.
Nationalism and surveillance hang heavy over the whole thing, examining the long shadow of 20th Century American interventionism, and our new tech panopticon. All in under 250 pages!
I’ve heard some of you with full time office jobs have found the following stats helpful, so sharing them more widely:
If you write 1.5 hours a day
5 days a week
You will accumulate ~100 pages a year
Which can add up to 1 novel every 2-3 years
Evening reading
THE AGE OF SKIN by Dubravka Ugresic
Which says of Isaac Babel
“Nobody in the history of literature was capable of capturing the entire universe on a mere five pages of text”
Saw Labyrinth by Leonora Carrington at her retrospective in Mexico City with
@heraclesmigato
And now it’s on the cover of AMERICAN ABDUCTIONS, my 3rd novel, which contains
A talking car called Leonora Carrington
A dream interpreter named after her best friend Remedios Varo
Did you know some of your favorite writers were published by the same editor, Jeremy Davies? I’m sure one day someone will write about it.
Meanwhile here’s a partial Davies list from my shelves:
- Gerald Murnane
- Edouard Levé
- Pola Oloixarac
- Pierre Senges
- Anne Boyer
-👇🏽
Nabokov’s saddest story — and one of the greatest things he ever wrote. ‘Signs and Symbols’ (1948) is quiet, understated, devastating: six pages of prose that, once read, will never leave your soul alone.
I’ve been thinking about how long it has taken some of my favorite novelists — Cartarescu, Krasznahorkai, Murnane — to catch on in the United States.
According to my calculations:
18, 12, and 33 years respectively. 😵
People are always like nobody reads anymore, death of the novel, etc.
but last night
@ThirdPlaceBooks
3 high school students hauled a bounty of Rikki Ducornet books to get them signed and one of them was so overcome by emotion she cried & cried 🥹
Just had a great Zoom chat with two comparative literature students in Vienna about APHASIA, my 2nd novel.
It was for a class on postmodernism & Thomas Bernhard.
Here’s the list of books for that class. I’ve only red 7 of these!
My (still nascent) research shelf for my (still nascent) novel
#5
tentatively titled
ANYTHING YOUR IMAGINATION CAN CONJURE
Which is what Nixon told his staff during a meeting on how to destroy Chile
@IneluctableQuak
I’d love your thoughts and
@anthgarrett
on what you think might help /be essential. It really comes out of wanting students to get exposure to something unfamiliar and not immediately resisting it. Not sure if it would be chronological or not. The Waves. Septology. Barthelme.
ME: I wrote a novel structured as an oral history of American deportations in which the Latin American interviewees refuse to perform the expectations Americans have of them.
AMERICAN EDITORS: These oral histories don’t meet our expectations.
ME: You don’t say. 😅
Did you know some of your favorite writers were published by the same editor, Jeremy Davies? I’m sure one day someone will write about it.
Meanwhile here’s a partial Davies list from my shelves:
- Gerald Murnane
- Edouard Levé
- Pola Oloixarac
- Pierre Senges
- Anne Boyer
-👇🏽
Sent novel
#4
to my agent today 🥳
It’s the last novel focused on the Czech / Colombian family of
#2
&
#3
It’s the most essayistic of my novels — with chapters on Mezzanine, Taryn Simon, Process Pieces — which also contains the longest sentence I’ve ever written (100 pages)
You mean to tell me the writer on the left panned the writer on the right?
HAHAHAHAHAHAAHAHAHAHAHAHAHAHAAHHAAHAHAHAHAHAAHAHAHAHAHAAHHAAHAHAHAHAHAHAHAHAAHAHAAHHHAAAAHAAHAHAHAHAHAHAHAHAHAHAHAHAHAAHAHAHAHAAHAHAHAHAHAHAHAAHAHAHAHAHAHAHAHAHAHAA
Creative Writing Exercises:
(1) Write a story that could be interpreted as propaganda. Avoid overt political themes.
(2) Research why the CIA funded our writing program. Write a story that would have pleased the CIA.
Amused to see that a person who translated a Kpop book & will publish his debut novel with Harpers has “literary” opinions about a small independent press that publishes experimental literature
I wonder if there’s 3 types of purges a writer needs to make:
1) Readymade phrases of the culture
2) Too direct literary influences
3) Readymade views about reality (lifelong project)
had never thought of the process as a way of working thru inherited phrases before. i think this is right tho. its part of why early writing feels so…generic. we are working our way toward a deeper more personal sense of language.
Glad to see Donald Barthelme in the timeline thanks to
@MrHWM
.
Is there a book of literary criticism on his stories? I don’t think I’ve ever encountered any. Would love to see a typology of his stories, too.
Every few years or months I post Brian Evenson’s essay on Doing Without
Which discusses most of the fiction I prefer
(minimal or no setting, minimal or no metaphor, minimal or no engaging of all five senses)
Found these 3 prominently displayed at my local bookstore
ABOUT UNCLE by Rebecca Gisler translated by Jordan Stump
VERDIGRIS by Michele Mari translated by
@BrianRobMoore
A VERY ORIGINAL DINNER by Pessoa edited by Natalia Jerez Quintero
A sizable portion of the so-called publishing ecosystem is hostile and / or indifferent to the experimental / high modernist / antirealist novels some of us like to read.
It’s up to us to contribute to our own ecosystem if we want to continue to read the novels we like to read.
“Fun” facts about AMERICAN ABDUCTIONS, my 3rd novel
Every sentence >= 1,000 words
Leonora Carrington, Remedios Varo, Amparo Dávila, & Auxilio Lacouture interpret your dreams
Only autobiographical element is my oldest did draw this fort from AUSTERLITZ
Ricardo Piglia also mentioned this Lukács admiringly in his 1970s diaries.
Even went as far as saying most theories of the novel afterwards were a reformulation of Lukács?
Let’s see how it goes. 😋
I feel like congratulating so many for Jon Fosse’s Nobel
My publisher
@Dalkey_Archive
who lives for this type of literature
@transitbooks
who astonished us by bringing us SEPTOLOGY
@mervatim
&
@ddillingworth
for championing him as literary critics
His translators!!! 💕
Father dropping off child at writing school.
- Don’t imitate Fosse
- I don’t even believe in candles, dad
- Little bit of Bernhard is fine but
- But not too much, I know
- Woolf’s fine, too
- Nobody will notice
- Promise me though
- Not this again
- Promise me!
- NO ERNAUX!
So you want to have literary taste but don’t want to read 100 novels?
No problem! Here’s how you do it:
HAHAHA THERE IS NO SHORTCUT STOP TWEETING AND GO READ LOL
Starred
@KirkusReviews
for AMERICAN ABDUCTIONS 🥳
“Cárdenas writes with both playfulness and erudition. The long, looping sentences brim with references to writers and surrealists, as well as with rage and dark humor. A dark, original work.”
Here’s a list of great 21st century Latin American fiction available or forthcoming in English. I’ll be adding titles for the next few weeks / months / or until the proverbial ice truck mauls me.
DISCLAIMER: the author of this list has ACTUALLY read these books.
The time has come to firm up the galley list for
AMERICAN ABDUCTIONS
my 3rd novel
Out Feb / Mar 2024
via
@Dalkey_Archive
&
@OneworldNews
If you would like to write about a surrealist oral history of Latin American deportees
Let me know 😊
Can we crowdsource a list of 2024 Novels with Long Sentences so that I have something to look forward to? 🥺
All I got so far is
Commission of Tears by Antonio Lobo Antunes
&
Lesser Ruins by Mark Haber
No matter how much buzz you think a small press book is getting, I guarantee you is typically not enough to even break even.
So post & re-post your favorites! It does help!
Here’s one of mine:
WALL by Jen Craig
Copies on hand
@PointReyesBooks
I read 486 pages of THE OBSCENE BIRD OF NIGHT by Jose Donoso too many years ago, when I was starting out as a reader.
I don’t remember anything but shadows of a convent or a monastery.
I’m looking forward to reading what new readers make of it and trying it again.
Highly recommend KISS OF THE SPIDER WOMAN by Manuel Puig
Which has 3 narrative modes:
- Dialogue Only (most of it and mostly one prisoner recounting movies to the other)
- Police Report (there’s a heartbreaking double reversal)
- Footnotes (has anyone written about them?)
Lots of talk of long sentences in the context of Krasznahorkai & Bernhard but I fell in love with long sentences after reading AUTUMN OF THE PATRIARCH in my early 20s
If the so-called big publishers started a so-called prestigious book award to award themselves awards
What’s stopping the rest of the publishers to do the same? 😬
My copy of INTERSTATE by Stephen Dixon arrived today with a 7/17/98 letter from Stephen Dixon: "it is my saddest book & at times I wish I had never given birth to it."
One day I’ll write about why I find this so moving:
Jeanette Winterson recounting how in her first novel she invented a character to look after little Jeanette otherwise it would have been too unbearable. ☹️
It seems obvious now that SOLENOID should have an English translation, but I can tell you it wasn’t obvious to American editors even after its popularity in the Spanish speaking world.
So
@willevans
deserves so much praise for taking what at the time was seen as a huge gamble!
En mi última noche en Bogotá
@tigrillodelsur
habló de piojos en Solenoide de Cartarescu y me di cuenta que la había confundido con Blinding. Hoy me llegó. A ver a que sabe.
#thursdayreads