The saddest part about Bruce last night was learning the Greatest Parking Lot in Los Angeles is now closed.
RIP 661 Manchester Terrace. You were the best of us.
Home to Sherman Oaks 43 minutes after Taylor Swift left the stage.
#legend
Guys, something insane happened to me today.
I am on a text chain with my teenage nieces and nephews along with my mom (their grandma) and today my mom asked them if they knew who Helen Keller was...
And their response was that Helen Keller was a fraud who didn't exist.
And we wonder what the cost of four years of "fake news" and "conspiracy theories" is...
We're all just one TikTok away from being erased from an entire generation.
One of the least heralded aspects of SUCCESSION - it was a weekly procedural.
Every single episode had a big event/meeting/retreat where all the main characters interacted and told a complete story which then built the arc of the season.
Truly Peak TV and not “a 40 hour movie”.
Also -- my nieces and nephews are all bright and well-intentioned. This isn't from lack of education or empathy.
This is more about how group think can travel through social media like a virus until it suddenly just becomes the truth I think.
Thank you for all the responses about abelism to this post. This is 100% a teachable moment and I plan to do my part with 4 certain teenagers...
But also -- if you know a teenager -- I'd ask them about this sooner than later.
But seriously — Disney has the ENTIRE Star Wars universe at their disposal and their first two big shows are about two of the exact same dudes? It’s like if they made a show called STORMTROOPER and OTHER STORMTROOPER.
By far the most enlightening thing to happen in the last 2 hours are all the responses about abelism and how this is a microcosm of the challenges disabled people face every day.
I'm retweeting as many as I can into my timeline but keep them coming please.
'member when WB put all their movies on HBOMAX without a theatrical release and Chris Nolan was like "I'm gonna make OPPENHEIMER at Universal" and the movie made almost a billion dollars?
Wonder what movies they're gonna lose out on after this fuckery?
I still thought I was getting trolled so I asked if I was getting trolled and they were adamant -- Helen Keller was a fraud.
So then I did some Googling to find out some relevant information to prove her existence and found this:
This is like a real thing. "Well how do you know she's real if you weren't there to see her?"
"Cause I've seen THE MIRACLE WORKER. Do you think Abraham Lincoln is real even though we didn't see him?"
Then they sent me an eye-rolling emojii.
At first I thought they were trolling grandma, which is admittedly fun. But after awhile it was clear they weren't joking.
"How could someone be deaf and blind and learn how to write books?" My nephew admits she probably existed but was probably only one or the other.
They are sticking to their guns. They believe people around her "pumped her up" and wrote the book for her.
The do not believe in Helen Keller. And apparently 15 million others on TikTok feel the same way.
They all believe Abe was real and did the things he did. They don't believe Helen could have been blind and deaf and did everything that she did.
"Cause the things he did were actually realistic."
So this is big. Reading the actual language of Two Step Deals…
If you sell a script for less than 200% of the minimum the company MUST hire you for a rewrite?
You know what happens when you sell a script and get hired on a rewrite? IT ALL GOES TO HEALTH AND PENSION.
As the dust on this strike settles one thing has become clear.
The deal took roughly 10 days.
10 days. That’s it. The studio CEOs got serious and we had a deal in 10 days.
When those 10 days happened was not the decision of the writers. It was the decision of the AMPTP.
Here's my takeaway from the Golden Globes last night --
It's time to normalize passes. POSE got passed on 150 times. Everybody in the room passed on THE WHITE LOTUS. Jennifer Coolidge couldn't find work. Michelle Yeoh and Ke Huy Quan though their careers were over.
How about Rian Johnson making a Star Wars movie where it ends with "anyone can be a Jedi" and the next movie being like "NOPE SORRY HOPE YOUR PARENTS HAVE LOTS OF MIDICHLORIANS".
Crazy times.
Hannah Gutierrez-Reed testified that during Alec Baldwin's firearms training session on 'Rust,' he spent time texting, FaceTiming, and having his assistant shoot video of him with the gun for Instagram
Screenwriting is more about ideas than writing. A lot of people can write. But to have a great, clean, crisp idea…
So the question is — what’s the greatest movie/story idea of all time?
I’ll go first — JURASSIC PARK.
The Guilds are going to need to start tying streaming residuals (which are not tied to viewership) to the first day of principal photography.
If you shoot a movie for a streamer you get your residual rate.
Netflix is scrapping ‘THE MOTHERSHIP’, a sci-fi thriller starring Halle Berry, which had completed filming but the studio now plans to never release the film.
(Source: )
Here's the biggest takeaway from GET BACK...
There is no magic sauce. Want to write a song? Write a song. Want to write a screenplay? Write a screenplay.
Your level of success may vary but the process is boringly the same. Start with nothing, end with something.
It’s not obscene!!
She’s getting paid what she’s worth cause without her there’s no movie and that movie made a literal BILLION DOLLARS.
(I mean it’s a little obscene but she fucking earned it.)
The studios claim they shouldn’t have to share revenue for the success of the shows we make succeed because they assume all the risk.
Well.
To paraphrase a famous actor: There’s more than one type of risk, motherfucker.
I learned something today about WGA reacquisition that I wanted to pass along. It's an interesting but complicated process.
The basics - if you write sell or write an original project there is a window for you to reacquire the matierial if it falls out of active development.
@thetzechun
Another thing that I can't get away from doing -- having characters address other characters with their proper name in dialogue.
I've been married to my wife for 12 years. The last time I directly addressed her by her name was when I said "take you Jacey" in our wedding vows.
BACK TO THE FUTURE 2 doesn’t get enough credit for being a perfect sequel. Not a perfect movie, but a perfect sequel.
It takes a literally perfect movie (BTF) and instead of doing the same thing goes wildly beyond in both ideas and theme.
The movie has fucking balls.
So Netflix picks shows based on data, but it also has no metric of success nor any way to establish one.
If Netflix has no metric of success *what do they feed the algorithm?* if they have no measure of success, * how do they know what to renew?*
Pull the other one, it jingles.
Hey so get a load of this...
I was informed today that the new jam in How Do Streamers Screw Over Writers is to reclassify productions to save money on residuals.
So that theatrical movie you developed for years and finally sold to Hulu? Sorry. It's a TV movie now!
A former neg com member once told me the last few hours of the negotiation were the worst cause it would be 99% settled but they knew the AMPTP would take a coffee break and inevitably come back with some horrible proposal or insane rollback they would want us to swallow.
And next time you develop a TV pitch and someone asks “what does it look like week to week?” and you go “It’s just the show! We’ll tell the stories of the characters!” you are doing it wrong.
Bring back the crisis/procedural of the week when you’re pitching TV.
I don’t want to diminish the spirit of this tweet because I know how important it is for TV writers to be on set but…
I wrote a spec that Netflix spent over $100M to make and I had to FIGHT to go to set. Literally the Guild had to get involved and I ended up paying my own way.
a teamsters rep came by to discuss what to do if we see a truck cross the line. i asked, “how do we know which trucks are teamsters?” and she said “it’s funny, i’ve been having that conversation all day. writers don’t come to set anymore so nobody knows who the teamsters are” 🙃
Also, this can’t be overstated, I want to thank leadership for standing up for screenwriter issues.
We need help. Weekly pay is a good first step in the right direction.
This is the hardest part.
Yes, back to the table is good. But now we have to trust our leaders to get us the best deal possible. We have to hold the course.
And we have to remember this is a negotiation and we will not get everything we asked for.
David Zaslav says the writers were actually right about everything all along but suggests they’re overpaid.
“They are right about almost everything. So what if we overpay? I’ve never regretted overpaying for great talent or a great asset.”
(Source: )
Passes are a sadly part of the process. But also -- that's the shit you have to wade through to get to the good stuff.
It sucks to get passed on. But it's time to let go of the shame. It happens to everyone.
It only stops you if you let it stop you.
Not a single mention of feature issues. Why am I not surprised?
They think can just ignore that feature writers are consistently abused by free work and lowering wages.
Leadership has said the studios want to make writing a gig economy - GUESS WHAT WE’RE ALREADY FUCKING THERE.
The Alliance of Motion Picture and Television Producers struck back today, providing answers to the WGA’s talking points about the failed negotiations that led to the ongoing writers strike, which is now in its third day
I hope studios learn that by delaying your movies to streaming you both A. maximize your other earning windows and B. create an actual demand when the movie does come to streaming.
This was a naked spec sale. On Monday AM we sent the script out with zero attachments.
But Tuesday night we had
@Kinberg
,
@mattreevesLA
and a great team at Netflix who wanted to make the movie.
That’s some good agenting.
One of my favorite spec sales over the last couple of years because of all the amazing talent involved. To see any of them come full circle is always one of the best parts of the job. Big congrats to client Dan Kunka on his amazing spec/script and now Movie..
@Netflix
@unikunka
The worst part of a rewrite is when you change a scene and 10 pages later there's a strange page break because of it and you spend 5 hours going over every single line of those 10 pages trying to make it look aesthetically pleasing. THIS IS A REAL THING THAT HAPPENS.
To everybody who’s honked driving past, to anybody who’s asked how it’s going, to the captains and lot coordinators and neg com and Board and all the neutral gate watchers writing down license plates…
And to everybody holding the line - Happy Labor Day.
We’re almost there.
Steal $500,000,000 in gold at 40,000 feet. No problem... right?
Kevin Hart, Gugu Mbatha-Raw, Vincent D'Onofrio, Úrsula Corberó, Billy Magnussen, and Sam Worthington star in Lift from director F. Gary Gray. Premieres January 12
Haven’t felt more seen as a screenwriter than when Oppenheimer delivered both bombs, watched ‘em roll away and asked Matt Damon to keep him updated on the project and never heard from him until the movie was in theaters.
Some executives are emailing notes to writers amidst the
#writersstrike
, though they’re careful about which ones: “Like, I’d never send them to one of the hard liners”
I know it’s cliche to dump on the AMPTP and how bad they are at this but…
Why would you admit in your proposal that there will be a streaming viewership residual model “in the future”? You literally make it impossible for us to not ask for the model now instead of in 3 years.
Talking to a few industry people today and I’m tired of the “the guilds are asking for too much!” bullshit.
This is a negotiation. You ask for everything and then you meet somewhere in the middle.
It’s astounding to me that all these articles fail to mention one of the most obvious reasons this didn’t work —
Nobody knew what the fuck it was. It had no concept. The trailers were a mess. Nobody understood how it linked to Spider-Man.
You need a clean idea.
So that spec thing worked out this week...
Couldn't be more excited to work with Genre, 6th & Idaho and Netflix on this. Should be a fun one.
Also "Jacey Kunka/AP Images" is the best.
EXCLUSIVE: Netflix continues to be aggressive in the material market, making a preemptive deal for the Dan Kunka script Lift, for Simon Kinberg’s Genre Pictures and Matt Reeves’ 6th & Idaho to produce
I admit I wasn’t the biggest fan of two step deals (for myriad reasons not really applicable here) but this provision makes it game-changing.
#writeyourspec
Get health care. Be a professional writer.
I know I preach
#writeyourspec
on here and it might seem like rah-rah bullshit but man I wrote my spec and they just played a commercial for it during the Rose Bowl…
Expect to see a few of these over the next few weeks.
I started writing LIFT in November, 2020, sold it as a spec on March 17, 2021, with no attachements and it starts shooting Friday with Kevin Hart to star, F. Gary Gray to direct and some other very cool surprises.
And so it begins….the work before the work…Pre Gaming with my director …the man the myth the legend F Gary Grey!!!! This movie is going to be INSANE!!!!!
#ComedicRockStarShit
Update - if a joke on TikTok (as apparently this "fraud" started) can poison young minds the thread about it going viral can change minds back...
Have had a discussion about abelism with my N&Ns and ordered
@HabenGirma
's book for them. Never too late to go down the right path.
So the first script I ever sold was produced which everyone told me was an anomaly...
That turned out to be pretty true. I've been a working screenwriter as my only job for the last 10 years and haven't had anything else produced.
This is a (small) thread about that.
@allan_cheapshot
I wrote 12 ROUNDS and had a conference call with Vince to talk story. I was told before the call under no uncertain terms was I to use the phrase “to be honest with you”.
Apparently a previous writer had said that and Vince went off asking if the guy was lying the entire time.
Here are a few takeaways from the WGA Captains meeting this morning.
1. I’m proud to be a member of this this Guild and it’s inspiring to see the tireless efforts of the Board, the negotiating team, my fellow captains and the support staff.
Why is nobody talking about the new phenomenon in Peak Streaming where there's a show I watch and genuinely love for Season One and then never watch Season Two and just forget about the show forever?
In my bout of Flaming Hot Cheetos Poisoning I watched THE FORCE AWAKENS on TNT last night and it still boggles my mind that Disney spent $5 billion to continue the world of STAR WARS and after 30 years constructed a story where Luke and Han never spoke to each other.