"Perhaps...without hearing it you shelter within yourself this voice which says, 'As long as poverty exists, you're not rich. As long as despair exists, you're not happy. As long as prisons exist, you are not free.'"
- LE JOLI MAI (1963)
Killers of the Flower Moon is a great film; it affirms more explicitly than ever that Scorsese has always been telling the story of America, the most vile gangster nation on Earthโ and that he understands who still controls the narrative.
Criterion and MUBI are great but please donโt sleep on the effort of the countless curators, programmers, microcinemas who are researching, resurfacing, contextualizing, presenting work with far fewer resources, often for no $ & to the later benefit of these larger institutions!
For all their flaws I'm addicted to film festivals; I've gratefully built a life and career that revolves around them. Why? I think, in a world that cares less and less about cinema, it's intoxicating to inhabit a microcosm where it's celebrated, revered even, for days on end.
Think Iโm nigh ready to retire from the hustle and assume oversight of a small cinema in a rocky coastal town with vestigial gas lamps and a cast of lovable eccentrics, if anyones got leads
I wish we could stop framing short films as merely a springboard to features. Itโs worth noting that the most exciting filmmaker in the room yesterday, Garrett Bradley, made brilliant shorts even after making a featureโ ๐๐๐ that TIME began as one.
I was excited to be asked onto the
@HotDocs
jury early this yearโ my first in-person invite. At the risk of making it my last, I canโt allow myself to be used by an institution with contempt for labor and accommodations for genocide. Enough. Do better or we will do without you โ
I resigned from SXSW as a screener because they asked for a huge time/labor commitment without pay. When I asked why a for-profit org that had just opened a multi-million $ HQ couldnโt compensate workers, I was simply told, โItโs complicated.โ Itโs not- pay people for their work.
Three years ago I launched a festival from my bedroom. Thanks to the support of a trusting community of exp. filmmakers/lovers,
@prismaticground
Year 3 will host 60+ films in person May 3-7 at 5 venues across the city.
Hereโs the lineup via
@ScreenSlate
:
Amid all the worldโs interconnected horrors, a Uyghur filmmaker whose work Iโve been proud to show has been detained and physically tortured by the Chinese government on absurd charges of terrorism. Please join the call to Free Ikram Nurmehmet.
๐จ๐ฝ๏ธ๐ข I've worked for film festivals for 6 years. None of them were *quite* to my taste, so I started my own. It's called
@prismaticground
, and it's coming at you April 8-18, in partnership w/
@MayslesCinema
and
@ScreenSlate
. You can view the lineup here:
๐ข During the pandemic I started a low/no-budget film festival called
@prismaticground
with the goal of making experimental/documentary work accessible to more people. Starting today, you can stream 10 shorts from the inaugural lineup on
@criterionchannl
.
I feel disappointed, angered, and alienated by the public silence of people I considered friends and colleagues. Business as usual is the bullhorn of white supremacy in this moment. Every day I think Iโll lose my mind but somehow I still feel more lucid than ever. Free Palestine.
Directors: Value your producers. Recognize & appreciate the work they do, creatively as well as logistically; donโt let them go uncompensated; and donโt leave them behind when youโre offered larger projects once theyโve helped make your first movie a hit.
Excited for Neonโs plan to erase all traces of Memoria ever having existed, thereby forcing those who already saw it to question the ontological certainty of their own perceptions and completing the filmmakerโs true vision.
Hey friends, ๐ ๐ฃ๐๐๐ ๐ฎ๐ค๐ช๐ง ๐๐๐ก๐ฅ. Earlier this year I launched a film festival called Prismatic Ground. Thousands tuned in from around the world to watch experimental films. I want to make Yr 2 a reality, but itโs going to take๐ฒ
๐๐พ Give + Share
Iโm honored to partner with Criterion for another year of
@prismaticground
shorts on the channel, and endlessly grateful to the brilliant artists that have trusted me to represent me their work. These films move, inspire and keep my โฅ๏ธ for cinema alive. ๐๐พ as ever to
@_Ash_Clark
.
Criticisms and qualifications from the Osage community should be heeded, however. To me, Scorseseโs characteristic candor with violence is questionable in this context. Iโm curious whether that was discussed with consultants and how.
Before the Sight&Sound drop, I must confess that I cowardly swapped a film from my personal list at the last minute. Upon reflection I stand by it: James Cameron's ๐ป๐๐๐๐๐๐โ the last non-franchise film to top the global box officeโ is one of the greatest films of all time.
Through landmark exhibitions & the donation of her collection to the Library of Congress, not to mention her early scholarship on Oscar Micheaux, Pearl Bowser single handedly ensured so much Black American cinema would not and will not go unseen/unappreciated. RIP.
Iโm deeply saddened to inform you on Ms. Pearl Bowserโs return to the earthโฆ
Pearl Bowser became an ancestor on Sunday, the 17th, 2023. She is remembered by her daughter, Gillian Bowser.
Asรจ๐๏ธ
(1931-2023)
And here it is, the FULL LINEUP + TICKETS for Year 2 of
@prismaticground
โ co-hosted by media partner
@ScreenSlate
and
@MayslesCinema
, and featuring over 70 films + filmmakers. Live in New York City and online everywhere from May 4-8, 2022. See you there.
๐จ๐ Every Thursday in October:
@MayslesCinema
presents ๐๐ก๐จ๐ซ๐ญ ๐ ๐ข๐ฅ๐ฆ๐ฌ ๐๐ฒ ๐๐ฉ๐ข๐๐ก๐๐ญ๐ฉ๐จ๐ง๐ ๐๐๐๐ซ๐๐ฌ๐๐ญ๐ก๐๐ค๐ฎ๐ฅ. Four programs organized by the master himself, featuring work from 1997-2020. This will sell out, so get your tickets now:
Love this passage, among others:
(Suneil is not just talkโ heโs still one of the only filmmakers whoโs withdrawn his film from the Berlinale
@strikegermany
)
"Thatโs a through line in these works: how is history weaponized? How is memory erased?"
๐Today in the Journal:
@devikagirgayi
interviews filmmaker Suneil Sanzgiri.
I fear I inspired too many young cinephiles with my recent tweet about festivals. Itโs important to note the downsides of this lifestyle, or what we call โprecarityโ: perpetual financial & employment insecurity, abuses of labor, zero boundaries, rapidly deteriorating vision, etc.
I owe so many so much, but am completely evisceratedโ please know that Iโm grateful. Thank you to all who have supported
@prismaticground
in various ways, and especially to the filmmakers for trusting me with your work. More soon.
As festival season kicks off, remember that Indiewire, Deadline & SXSW (yes, the festival itself)โ along with Artforum and many other brandsโ are all owned by genocide cheerleaders
@PenskeMedia
Iโm going on furlough from
@MayslesCinema
. Reality bites. My brilliant colleague
@ghostpnctuation
will hold it down down part time. Iโd love if you came out for my last program, Sun. @ 7, which Iโm honored will be a showcase for the work of Miryam Charles. Big ๐๐พ to Oyster Films.
โThe solitude of the cinephile has an asocial side that poorly prepares one for the seriousness of political work and the modesty of activism.โ โ Serge Daney (translated by Nicholas Elliott)
๐ฌ Best thing I did on twitter was launch an experimental documentary/avant-garde film festival called
@prismaticground
. Year three is coming up May 3-7. You can submit your film or donate at . BIPOC+ & analog filmmakers especially encouraged. All welcome.
๐ขโจ๐๏ธ *๐๐ฎ๐๐ฆ๐ข๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ ๐๐ซ๐ ๐๐จ๐ฐ ๐๐ฉ๐๐ง* for Year 2 of
@prismaticground
. Taking place virtually and physically in New York City from ๐๐๐ฒ ๐-๐, ๐๐๐๐. Hosted by
@MayslesCinema
and media partner
@ScreenSlate
. Submit here:
If you work in filmโ making, programming, distributing, exhibition, tearing tickets or cleaning bathroomsโ I highly urge you to sign this letter making clear to the institutions we serve that weโre not putting up with business as usual during a genocide.
#FilmWorkersForPalestine
๐ฌ We are a group of 700+ counting filmworkers demanding a ceasefire, an end to the criminalization of being pro-Palestine & urging filmmakers to use their platforms to highlight the Palestinian struggle! ๐
Read โ> Signโ> Join
#FilmWorkersForPalestine
An aspiring programmer yesterday told me they follow me on here and asked what itโs like to be โestablishedโ. In case Iโve projected too rosy an image please let me clarify: I have $ks on a credit card, half a job, deteriorating eyesight, terminally single. But hey I do love it.
For me, durational cinema gets closest to erasing the lines between cinema as representation of reality, the act of watching, and living/breathing. My mind wandered during โTen Skiesโ- the way it does while meditating- but there were also moments of total bliss & transcendence โ ๏ธ
Writer friends/followersโ if you believe in Prismatic Ground, I need your help! With no PR team, Iโm at a huge disadvantage. Any coverage on the festival, anywhere, would be a huge help. Feel free to get in touch for advance access to the films.
Donโt let all this โthe Army sponsors
@sxsw
โ talk distract from the fact that *blinks rapidly to make sure Iโm not hallucinating* the CIA also sponsors
@sxsw
Great to see this happening. If youโre unfamiliar, get ready to fall in love. Also note how much more feasible it is to host a comprehensive retrospective when the filmmaker has remained doggedly independent and retained ownership of their work.
๐ค Our 30-film Hal Hartley retrospective is coming to
@criterionchannl
tomorrow! This comprehensive collection of Hartley's work offers a chance to immerse yourself in the droll, effortlessly cool, bracingly humanist work of an artist in a league of his own. ๐ค
@PossibleFilms
One the primary goals in starting Prismatic Ground was making experimental work more accessible to more peopleโ in a way that Criterion made โarthouseโ films accessible for me as a kid in Michigan. Grateful to them for making space to highlight such visionary, singular artists โจ
NYC: Donโt go to the movies until- at the very least- cinema workers are cleared for and able to receive vaccinations. Itโs unfortunate that some theaters have chosen to rush ahead of employee safety, but that doesnโt mean we have to be complicit.
It's live! Prismatic Ground 2024 returns to
@AnthologyFilm
@DCTVny
@lightindustry
and online everywhere May 8-12. Co-presented by
@screenslate
. Dig in, buy a pass or tickets, donate if inclinedโ and please, if you support this circus, help spread the word!
Conflicted about lists. Fraught, but it feels good to s/o what you love. Thatโs why individual ballots are where itโs atโ the most interesting ones have little overlap, and thus little representation in the top 100. Passion & diversity of viewing > consensus. Consider watchingโฆ
Tearing up reading everyoneโs tributes to Terence Davies. Has anyone so captured the passage of time, the power of memory, the heartache of loneliness? And in the swirl of it all, his love of cinema. His spirit soaring upward on a song. RIP.
๐ฃ Building on the collection of films from 2021, next month you can stream an additional 10 shorts from last yearโs Prismatic Ground, ahead of the festivalโs third edition. Big ๐๐พ to
@_Ash_Clark
, Aliza Ma & the extraordinary filmmakers.
Cover art:
@rajsamfilms
โs โAguntakayanโ
Prismatic Ground Presents ๐บ On the Channel 4/1!
One of the most creative and galvanizing venues for film exhibition to emerge during the pandemic,
@prismaticground
is a festival centered on the intersection between experimental and documentary film.
I've followed through on my threat to book a fiction
@MayslesCinema
. Why? Because Lemohang Jeremiah Moseseโs 'This Is Not a Burial, It's a Resurrection' deserves a big screen engagement in the city. 9/23 only. Prove me right/save my job and purchase ahead!
The problem with filmmakers wanting to โuse their platformsโ rather than divest is that the compromised nature of the โplatformsโ themselves overrides any speech within them, where all dissent is neutralized/equalized.
Submission deadline for this yearโs
@prismaticground
is coming up Tuesday! If you know someone whose work should be considered, giveโm a nudge.
Putting my all into this once moreโ & this year itโs getting ๐๐๐๐๐๐๐๐ (+ virtual). Filmmakers w/ 16mm prints esp. encouragedโฆ
โHe is one of the most principled comrades Iโve ever known,โ said Xylem, who worked with Bushnell to support San Antonioโs unhoused residents.
โHeโs always trying to think about how we can actually achieve liberation for all with a smile on his face,โ said Errico.
Disabling screenshots is the dumbest latest privacy move by the streaming industry. Even from a profit-oriented POV, it๏ฟฝ๏ฟฝ๏ฟฝs free advertising & expanded engagement.
It costs too much to live. Who is paying these rents? Because Iโm not seeing these kinds of salaries. Is everybody secretly rich? When the fuck do people start rioting?
What are non-morally bankrupt film people thinking about Berlina*e given the gross, censorious behavior of the sponsoring government? Boycott, disrupt, or business as usual?
Would it even be a film festival if Iโd gotten any sleep last night? After much daydreaming, plotting, realizing- + sterling advice, friends, peers- and with the generous confidence of many talented filmmakers, Iโm proud to say
@prismaticground
is ๐จLIVE๐จ
It has taken me 20 + years of voracious film viewing to come around to Bresson. All I want now are simple & precise movements, and to be devastated by them.
Me and
@ghostpnctuation
got to show Teo to some teenagers today and they said: โI lost sense of time, in a way thatโs never happened for me with a movie beforeโ; โEven though itโs a nightmare and I wanted it to end I think it should be cherished for its uniquenessโ; and โBig upsโ
A year ago I tried to kill myself. I'm not CEO of a fortune 500 company or married to my best friend, but life's alright. I feel compelled to speak bc it's still taboo. I'm not embarrassed & nobody should be. In fact, if you're well adjusted to this world, wtf is wrong with YOU?
How was I so late on the Anocha Suwichakornpong train? I don't know, but 'Mundane History', 'By the Time it Gets Dark', 'Krabi, 2562', the shorts and now 'Come Here'โ brilliant all. A master of our times. Watch what you can.
Tmrw Iโll host my *final* program at Maysles. Itโs been a privilege to inhabit this space & host so many filmmakers I admire. Come bask in the sensuous, 16mm collage films of Sofia-Theodore Pierce, with an introduction + reading by Leigh N. Gallagher.
Here's my new favorite shot in documentary, from Sara Gรณmez's 'En La Otra Isla'โ Gรณmez seated next to her subject, smoking, and listening with the most sincere, unaffected human intensity. You can watch the film + 'Y Tenemos Sabor' for free
@MayslesCinema
:
Muslim filmmakers etc: Would you please admit to and make amends for this egregious lapse in artistic and ethical judgement?
Sundance: ๐๐ ๐๐ค๐ฃโ๐ฉ ๐ฃ๐๐๐ค๐ฉ๐๐๐ฉ๐ ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ง๐ง๐ค๐ง๐๐จ๐ฉ๐จ.
Happy Opening Day of the Zionist Film Festival
@sundancefest
! Is it worth celebrating & preserving institutions that will permit any moral dereliction for sponsorship $? Many seem to think soโฆ
Cover art for
@prismaticground
on
@criterionchannl
is Larissa Sansour/Sรธren Lind's 'As If No Misfortune Had Occurred in the Night'. Breathtaking opera ft. a mashup of Mahler w/ Palestinian traditional Mashaal, performed by Nour Darwish. Timeless grief in a landscape of dreams.
Seeing La Region Centrale was one of the great mฬถoฬถvฬถiฬถeฬถgฬถoฬถiฬถnฬถgฬถ experiences of my life. I sweated profusely; I saw God; I thought it was eternity; in a way Iโm still there. Iโll never understand art on the level Michael Snow was able to conceive it, but Iโll keep trying. RIP.
โ๏ธDid you know
@prismaticground
pays filmmakers a $100 screening fee? I hope in the future it can be more. If you believe in a festival ecosystem that serves filmmakersโ and keeping me out of debtโ consider donating. Huge thanks to everyone who has so far:
Julia Reichert, the Oscar-winning co-director of โAmerican Factoryโ and a longtime fixture of American documentary since the 1970s, has died at 76 after a 15-year battle with bladder cancer.
There ought to be a night cinema in New York; a warm decrepit cavern where strange lost bereaved souls can bask in the 35mm glow of some sweet oddity like ๐ฏ๐๐ ๐บ๐๐๐๐๐โ๐ ๐ฉ๐๐๐๐๐ at 2AM. No?
Getting banned after being caught with several
@Criterion
(sorry) DVDs stuffed in my pants/waistband & a copy of Gravityโs Rainbow (tempting fate). Had to make my mom believe I simply wasnโt interested in books anymore whenever she proposed a trip.
@nyindieguy
Disappointed not to see mention of
@MayslesCinema
โ the only art house north of 66th St. Granted weโre operating on a humbler level, but we platform repertory programs, new releases, festivals & provide education, and if thatโs taken for granted now it may not be for much longer.
Donโt mimic the energy of my former co-worker who โadmiredโ Pol Pot;
you can maintain your critiques of American imperialism without discounting the horrors posed by the Taliban. Just rememberโ you do not, under any circumstances, โgotta hand it to themโ.
Watching Sokoruv, more than anyone, makes me feel that the American disassociation of film from 'fine arts' has robbed us of untold cinematographic riches.
โIt gives me comfort to know,โ Godard wrote, โthat somewhere in the world, no matter the time of dayโฆthere is that little monotonous noise of a projectorโฆin the process of showing a film. Our job is to make sure that noise never stops.โ
At
@FilmQuarterly
's online column Quorum,
@EricSmoodin
traces the fascinating history of La Clef, the Paris cinema that was occupied by cinephiles and activists 3 years ago:
Any NYC journos whoโd like to attend Fridayโs press screening of โA Woman Escapesโ โ Prismatic Groundโs first theatrical release โ can shoot me a DM. The film runs June 9-15 at Anthology alongside a retro featuring work by each co-director.
๐๏ธ on sale.