So farewell then 2020. You weren’t really much of a year were you? Just when it seemed you couldn’t get any worse -you did.Tbh I’m glad to see the back of you. Here’s hoping for better things ( normal would be nice) for everyone in 2021 All the very best. Happy new year🥂
64 times around the sun, who’d have thought it? Not me. Thank you so much for your birthday wishes. I’ve had a fantastic day venting my spleen on the drums and doing a halloween Morticia impression.Don’t ask!!
It’s that time again when -for reasons no one remembers -me and Gillian take coal and bread into the night. Adios then 2021 -your 12 months are done, you did your best but it’s time to move on. Wishing you all the very best for 2022 cheers 🥂happy new year
It’s that time again
A wet and windy welcome to 2024
Happy new year one and all!!!
Cheers and all the very best
Here’s hoping for better things in the year ahead
Carrying synthetic coal -(a recent innovation) and a more traditional barn cake we venture into the drizzle once more to welcome in 2023. Wishing everyone everywhere a very happy new year 🤞 all the very best!!
Age 61 work nearly done, almost finished!!!! Thanks everyone for all the tweets ,cards and birthday wishes. I shall now have a big drink and a lie down
When the CD version was released Peter added individual cards so that any of us could be on the front, very democratic, Let the owner decide. A few years ago CDs started appearing with Bernard’s snap on the front. I would spend many an hour at various record shops correcting this
Blue Monday!!
Ok if you insist
What can I say about this that hasn’t already been said?
A song that isn’t really a song more a machine that makes you dance.
We really REALLY hit our stride on this one
And we’re off Age of Consent, A great place to start.
Every song we’d ever done was a search for the elusive Fast dancy number. We definitely found it with this one!!!
One of those songs that you knew was going to be great from the word go.
#timstwitterlisteningparty
And so we say farewell to the decade that I like to think of as the one with no name. Maybe it was just trying to be mysterious. Unlike the Twenties now that’s a nice snappy name . What could possibly go wrong? Here’s to 2020! Happy new year and all the very best
Thank you so much for all the tweets and Birthday wishes on what I like to think of as my third Twenty First.
I’m particularly pleased with my pop up rave cheers 🥂
New Order Synthesiser Sanctuary-Much like that Joe Exotic geezer I like to care for wild and dangerous synthesisers so the young can pet them and worry that I might be insane.
#timstwitterlisteningparty
YOUR SILENT FACE
We’ve always loved Kraftwerk. YSF’s working title was “the Kraftwerk one” (KW1) we were trying to do something like the intro of Europe Endless.That kind of sparkly sound. Bernard worked really hard getting the synth parts just right
Your Silent Face soon evolved into something beautiful and majestic- we were afraid we might getting too serious, a problem easily solved by the “why don’t you Piss Off” line. You’d never catch Kraftwerk swearing
#timstwitterlisteningparty
Many thanks for all the Birthday wishes. It’s been a brilliant day. The highlight of which was definitely this recently unearthed portrait of one of my Elizabethan ancestors. Quite a striking likeness I’m sure you’ll agree,the eyes really do follow you around the room
Blue Monday- Originally an attempt to do an automated encore .
Until Bernard started singing on it and Hooky did the signature spaghetti western bass.
Rob would rave about this track although I don’t think the rest of us could quite see why.
It was really hard work to write!
LEAVE ME ALONE
I really like the way that PCL is bracketed by the two most guitary songs Age of Consent and this one. This song is a personal favourite of mine I’ve got to say
You can tell it’s nearly Christmas when you start worrying if Advocaat does actually go off? What are the first symptoms of Snowball poisoning? Is Baileys a better bet? It is Dairy free after all
Merry Xmas one and all
I like what
@simonday24
says about Blue Monday in his book Comedy and Error
“An indescribable mix of robotic joy and human sadness that came from the future and took over the planet”
Kind of sums it up
Happy Birthday Gilllian!! Once again in the interests of health and safety I have avoided doing any actual baking. Lovely bit of icing though
@cakesmelmakes
Age Of Consent -An uplifting happy/ sad song- like all the best ones are.
An easy one to record this- No sequencers or Drum machines to break down. probably the most recently finished when we began recording which made it fresh and exciting
#timstwitterlisteningparty
After we left the studio Bernard claimed Blue Monday would be impossible to play live.
But we did AND we cut it down for our “singing live playing live” Top of the Pop debut...”great tv” was how Tony Wilson described it??
#timstwitterlisteningparties
1,2,3 4 on a snare drum-Always a good way to start an album What a great intro!! The Melodica melody is brilliant, reminds me a bit of groovin’ with Mister Bloe
NO MESSING ABOUT ON THIS ONE-It is a fantastic rousing anti-war song
#timstwitterlisteningparty
Thank you for all the Happy Birthday tweets. I had a lovely day and enjoyed this delicious and oddly life like cake.
But best of all,thanks to the marvel of the end of summer time,tonight, I get an extra hours slumber !
On Leave Me Alone I thought the way I turned the beat around was very clever at the time-it’s pretty good today come to that.
For these last few days.......
It really is the perfect way to end the album
#timstwitterlisteningparties
Just in case you missed it. Record Play Pause is now available in paperback and audiobook. The latter, as well as featuring me doing a pretty poor Matt Berry impression, also features some actual music.A kind of literary soundtrack if you will. Hope you like it.
Too long for the album Blue Monday was ALWAYS going to be the single.
Too long for a single too come to think
Title inspired by Kurt Vonnegut’s Breakfast of Champions
We wouldn’t consider editing it down.
They did in Poland though apparently
#timstwitterlisteningparties
There are at least 2 versions of Vanishing Point, but there’s also an unreleased version with completely different lyrics and vocal line- maybe that’s one for the box set?
#TimsTwitterlisteningparty
Outside the rehearsal room in Cheetham hill (where much of Low Life was written) looked like this-doesn’t look exactly inviting does it? We shot the Perfect Kiss Video there too
#timstwitterlisteningparty
The album’s title is taken from the blurb on the back of an Orwell book-Hooky was reading 1984,there is a tale on the net that it comes from a visit to a German art gallery. But it’s not true
In 1982 I don’t think any of us apart from Gillian spent much time in art Galleries.
Tomorrow me and
@gillian_gilbert
will be having another go at the DJing lark. We’re on from 5.30 -7.30
@HOME_mcr
playing a haphazard selection of tunes to the best of our abilities. We’ve been practicing too,It’s outside, the weather looks nice, what could go wrong? See you there
Hooky’s bass melodies on Elegia are majestic- I eventually ended up sticking some drums on it at the end along with backwards cymbals-always fun!!
Listening to Elegia Reminds me of the sun coming up outside the studio,
#timstwitterlisteningparty
Touring was tough in the 80s Trevi Fountain Hi-Jinx Roma June 1982 La Dolce Vita.We had so much fun on that Italian tour!Probably why it took us so long to go back
More Wires!!!!The new Emulator 2 was a very emotional keyboard.
some days it would get moody and refuse to work at all. The fix was to wallop it hard with an iron bar, frustrated owners would ring me up and ask where exactly the blow should be aimed to make their e2 behave.
586 had been around since the start of 82, we originally did it on the old set up of Clef master rhythm Drum box, Powertran sequencer and the Pro-one synth like the video 586 and Peel session versions.
The old drum machine was a modded version of this
Round and Round was entirely put together in the studio.
Upbeat was an ace early little sequencer program for the Mac. All of the electronic rhythm parts and synth bass on Technique were written on it.
#TimsTwitterlisteningparty
It looked a little bit like this
On YSF the Bernard’s Melodica get another outing.
it was along with BM a song we had to figure out how to play live. As soon as we got to Australia straight after leaving Brit row.
Here are Bernard and Gillian at the Hac in 82
#timstwitterlisteningparty
The Village is the one song on PCL that seems to reference the cover with the flowers though that was complete coincidence. The first song we wrote with more than one sequenced bass line in it.
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A highlight of the recording of Perfect Kiss (long version) for me was the recording of the Cowbell.
Me and Bernard ended up a Cowbell duel in the Brit Row Recreation room-best appreciated on the twelve inch.-MORE COWBELL -
#timstwitterlisteningparty
The album’s only completely synth-less track Hooky’s ace bass riff and Bernard and Gillian doing what they used to call trading licks on the guitar. I think it’s a really emotional song.
Live these changes could happen randomly most of the time
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ECSTACY
I really can’t say where the title came from, let’s just sat we were ahead of our time in many respects and move on. It was for a brief time known as only the lonely.
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ULTRAVIOLENCE
We had the title for this one before we even had the idea for the song. We had a cassette of the Clockwork Orange soundtrack. That got played a lot on the way to gigs.A big influence of some of sounds on PCL
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When we first wrote Face up in early 1984 we thought it was the best thing ever. We insisted on closing many gigs with it particularly in Germany where nobody had heard it before and wanted something more familiar instead.
There were complaints.
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Take look at the new collaboration between
@weare1of100
and
@stephenpdmorris
, and sign up to have the chance to buy one of these 100 t-shirts or a tote bag >>
The drums always sounded great in the live room at Jam-I’d just bought a new snare drum at the time -a Ludwig Black Beauty - I just liked the name, I’m still using it today
Another trivia fact-Sunrise is Gillian’s all time favourite New Order song .
#timstwitterlisteningparty
“I’m one of the few people who live what’s called the Low-Life” the virtually inaudible quote at the start of this time of night is from Jeffrey Bernard-Journalist and regular at many of Soho’s seedier pubs. That’s where the album’s title came from
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Only two days to go.
@edgarwright
fantastic doc
#TheSparksBrothers
gets it’s Uk release 29/7/21. If you’ve never heard of Sparks- go and see this you won’t regret it.
Tickets for a special screening with satellite Q/A with Ron and Russell from Sparks from
Athens 19th September 1982 featured a spirited version of Age Of Consent
For me playing this song live is always a bit of an endurance test . I just start playing as fast as I can and don’t stop,It usually works
Recording 586 We re-did everything on the new gear with the DMX drum machine and the Emulator sampler. The emulator does the choir sounds and I did my best to translate whatever I’d been doing live into the DMX . Fancy tape editing by Mike Johnson.
#timstwitterlisteningparty
I always thought Nothing But A Fool was a Lee Hazelwood kind of song -the title is very Lee H. Dawn Zee and Denise Johnson (whose sudden death this year was a terrible shock and a tragedy) sing beautifully on this- Great Lyrics from Bernard
#timstwitterlisteningparty
Peter Saville’s concept for the sleeve of Low Life was to de-mystify the band.
This he thought could be best achieved by sticking our photos and the band’s name on the front
To give the record buying public a clue as to whose record they were buying.
#timstwitterlisteningparty