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The most trusted voice in music 〰️ @pitchforkfest July 19-21, 2024

Chicago/NYC
Joined March 2008
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@pitchfork
Pitchfork
2 hours
One of the year’s most anticipated, and most fun, DJ sets Our review of Eris Drew's Raving Disco Breaks Vol. II ↓
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@pitchfork
Pitchfork
4 hours
Annie Clark’s self-produced seventh album goes for a hard reset on the St. Vincent project. She retains her sharp edge as a songwriter while making the music sound exalting, inspiring, and thoroughly romantic Our review of All Born Screaming ↓
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@pitchfork
Pitchfork
6 hours
Taylor Swift, Missy Elliott, Mitski, the National, Alanis Morissette, and more of the most essential tickets of the year Our list of the most anticipated tours ↓
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@pitchfork
Pitchfork
7 hours
A strangely alluring comeback that made good on the promise of a rock’n’roll icon Our Sunday Review of Lou Reed's The Blue Mask ↓
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@pitchfork
Pitchfork
7 hours
. @TaylorSwift13 is now tied with Jay-Z for the most No. 1 albums by a solo artist thanks to The Tortured Poets Department Read more ↓
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@pitchfork
Pitchfork
12 hours
Channeling her field recordings and sound collages into richly melodic slowcore overlaid with Auto-Tune, claire rousay opens up a new expressive frontier in her work Our review of sentiment ↓
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@pitchfork
Pitchfork
13 hours
A strangely alluring comeback that made good on the promise of a rock’n’roll icon Our Sunday Review of Lou Reed's The Blue Mask ↓
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@pitchfork
Pitchfork
14 hours
Our Best New Music review of Still House Plants' If I don​’​t make it, I love u Our review ↓
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@pitchfork
Pitchfork
22 hours
The Sunday Review ☀️ Lou Reed's The Blue Mask
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@pitchfork
Pitchfork
1 day
Justice's sound professional, meticulous, and surprisingly grown up Our review of Hyperdrama ↓
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Pitchfork
1 day
Pearl Jam delivers a comforting blend of agitated fist-pumpers, roiling ballads, and yearning mid-tempo anthems Our review of Dark Matter ↓
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@pitchfork
Pitchfork
1 day
A brutally honest look at her breakup that overflows with vengeance and still-got-it sex appeal Our review of Shakira's Las Mujeres Ya No Lloran ↓
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@pitchfork
Pitchfork
1 day
On Iron & Wine's first album of new material in six years, Sam Beam mines the onset of middle age for sharp-eyed songs that are lively and relatively breezy, despite the melancholy subject matter Our review of Light Verse ↓
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Pitchfork
1 day
A pioneering work of post-rock that fused guitars and electronics into soundscapes both meditative and menacing Our review of Bark Psychosis' Hex ↓
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@pitchfork
Pitchfork
1 day
bbymutha experiments with electronic textures and proves she’s nowhere close to exhausting the potential of her Southern rap roots Our review of Sleep Paralysis ↓
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@pitchfork
Pitchfork
2 days
Sam Beam reemerges on Light Verse with a dry sense of humor and a newfound ability to laugh off certain tragedies Our review of Iron & Wine's Light Verse ↓
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@pitchfork
Pitchfork
2 days
Water Damage turns repetitive rock music into a glorious mind eraser Our review of In E ↓
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