"If I were to direct the next Godzilla film, I would like to do a sequel to this one, but after all, there have been two stand-alone Godzilla films in a row, so perhaps the next one will have to feature an enemy monster." - Godzilla Minus One director Takashi Yamazaki
Rodan (1956) was once considered the best of Toho's giant creature features. Placed above even the original Godzilla. Its destruction scenes were held in high regard and used as stock footage in later Toho kaiju films. However, the film seems almost forgotten nowadays.
According to Godzilla Minus One director Takashi Yamazaki, Godzilla had regenerative abilities before his mutation. This means Shikishima firing his machine gun probably wouldn't have solved everything on the spot.
Godzilla Minus One director Takashi Yamazaki says he included a countryside scene as a tribute to how old Godzilla films and Ultraman would often have a scene in a similar setting. Yamazaki also mentioned he considered reusing assets from Shin Ultraman for said rural environment.
Pretty neat that Shin Ultraman gave Bin Furuya the chance to be Ultraman again. Furuya was the suit actor for the original series back in 1966 and recently brought Ultraman to life via motion capture in Shin Ultraman (2022).
My favorite kaiju anime is Mamoru Hosoda's Digimon Adventure (1999). The short film was meant to be evocative of kaiju cinema and knocks it out of the park.
Monarch: Legacy of Monsters director Matt Shakman picked Shin Godzilla as his favorite Godzilla movie. He explained: "Godzilla's design is excellent. I was blown away by the process of Godzilla's evolution and the bold depiction."
For Shin Godzilla, Toho requested that Hideaki Anno not make a "social awareness film" & to avoid using radiation. They just wanted a simple entertainment film. But Anno thought Godzilla's radioactive nature was too important to abandon & wanted his film to be rooted in reality.
MonsterVerse: Heroic figure rejuvenated by a nuke to save the day while flanked by the military.
Reiwa: Irradiated vengeful spirit wreaking havoc in US-occupied, post-WWII Japan.
Wild that these are running concurrently. The duality of Godzilla I suppose.
Interesting comment from James Rolfe. Godzilla Minus One director Takashi Yamazaki said something similar. Given cultural differences and what not, it really shouldn't be controversial sentiment. Still possible to enjoy both.
"Godzilla's roar ends with a "enk" sound. It's one of sadness. Although he's clearly a destroyer, he's also a victim to atomic weapons. It may be because of this that there are people who pity Godzilla as he is being driven away. Godzilla is truly puzzling." - Takashi Yamazaki
The controversial security hearings against Oppenheimer happened in 1954. Later that year, the first Godzilla movie released. Chris Nolan's blockbuster Oppenheimer biopic released in 2023. Later this year, Godzilla Minus One, set in the aftermath of the bombs, will hit theaters.
you're allowed to be frustrated by the perspective Oppenheimer adopts to tell its story, but if that's the case, your homework assignment is to watch the original Godzilla
I'm finally getting around to talking about what might be Hideaki Anno's most divisive and misunderstood live-action movie. In other words, a Shin Kamen Rider video should be done soon.
Seven years between Shin Godzilla and Godzilla Minus One resulted in back-to-back peak. Two of the most-celebrated and successful Japanese giant monster movies ever. If waiting results in another smash hit, I don't mind waiting.
“I don't feel the need to rush the next live-action film. Good films are all about quality. We want great ideas, an excellent script, a talented director, and the right cast to work on it carefully.”
—
#GodzillaMinusOne
producer Minami Ichikawa on the probable next Godzilla film
Sorry to hear about the passing of Kenpachiro Satsuma. He was the suit actor for Godzilla antagonists in the '70s and, mostly famously, played Godzilla throughout the 1980 and 1990s. Condolences to his family and friends.
Some interesting commentary by film historian David Kalat about the 1964 Godzilla suit + behind the scenes footage from Ghidorah, the Three-Headed Monster.
Hideaki Anno when asked about Shin sequels:
Godzilla - "As for me, I'm good... It'd be more interesting if they changed directors."
Kamen Rider - "Realistically speaking, I'm wiped clean right now, but I do still have my ideas. That's if people say they want a sequel."
It seems Shin Kamen Rider will recreate the fight between Kamen Rider and Man Spider from Episode 1 of the original show. Same location and everything.
Takashi Yamazaki's Godzilla has the potential to be a bit hit. And, based on Yamazaki's track record, it might have the strongest human drama since Godzilla '54. But it also has the potential to inspire the most heated discourse about nationalism the series has to date.
For those wondering whether Shinji Higuchi will make a Shin Gamera, he said that he considers the Heisei Gamera Trilogy to be his Shin Gamera and that he'd rather see younger talent put a different spin on the series. But, if no one else accepts, he would be glad to do it again.
Shin Ultraman won the Best Media award from the Seiun Awards. In doing so it joins the ranks of Gamera: Guardian of the Universe, Gamera 2: Attack of Legion, Ultraman Tiga, Ultraman Z, and Shin Godzilla.
Back in 2001, Hideaki Anno shared that he would love to remake the original Ultraman and Kamen Rider. Those are goals he recently realized. But, in the same interview, he also expressed interest in remaking Mighty Jack, Mirror Man, and Jumborg Ace.
In the wake of Godzilla Minus One's success, Shin Ultraman seems like it was wildly mismanaged in the international market + like a lot of money was left on the table. Botched physical media release aside, not securing a proper Chinese theatrical release feels like a big fumble.