my fiction is in this week's
@NewYorker
! i started writing it a long time ago, and it's changed along with everything else. it's about grief and time, about the things we carry forever and the things that happen while we’re holding on:
my fiction is in this week’s
@NewYorker
! “Different People” is about a diary, a parakeet, and the terrifying power of every child and every writer’s favorite pastime: making stuff up!
the dream team at
@aaknopf
took my heap of paper and gave it this beautiful cover. thank you
@llagj
! OBJECTS OF DESIRE is out in june and avail for pre-order right this min:
hilary leichter's very good novel is all about space: shoebox apartments and dead-end relationships, the shrinking planet and the ever-expanding self. i wrote about it for this week's
@NewYorker
since writing is a daily battle against cliche, permit me just one: this is a dream come true
forever thanks to my dream-makers,
@TheCleggAgency
and
@annabished
im very grateful to have my fiction in this week’s
@thenewyorker
— it’s about mothers and daughters, scrambled eggs and reversed roles, dreaming big and falling short and starting (trying?) again
my story is in
@thedrift_mag
! it's about sad musicians, bad bosses, and *men* who worry about their necks. it's about whom we're performing for and why:
the ninth issue of
@thedrift_mag
is my first — thanks to all our writers, editors, fact-checkers, copy-editors, and artists for making it as pleasurable to read as it is to “manage.” don’t miss out
this story in
@thedrift_mag
was read aloud to me while i was half asleep. then i read it to myself, awake and in the cold. which turns out to be the right way to read it — twice!
We're honored to announce the longlist for the 2022 PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION, which is awarded to an author whose debut collection of short stories represents distinguished literary achievement:
#PENLitAwards
you can read my fiction in the spring (!) issue of
@parisreview
"by design" is about getting old and missing out and fucking up. there's a succulent at the end!
i wrote about the hallucinations & hopes that kept me doing double takes all thru the pandemic. (btw the epigraph is taylor's best/worst lyric: "i thought i saw you at the bus stop / i didn't tho")
when the definition of negative capability that i transcribed and taped to my wall as a 22 year old dork has been so sun-bleached it disappears completely....will that count as transcendence...
i'm so excited to talk with
@blgtylr
tonight at
@PoliticsProse
(my first favorite bookstore!) you don't just *read* brandon's stories, you study them. i still can't believe he read mine
for
@thebafflermag
i wrote about marlen haushofer's The Wall, which is tempting to read as yet another *pandemic novel* and is so much weirder and sadder and better than that!
sylvia plath on groundhogs and meatloaf and the male ego, on writing poems and getting rejected and wishing she had a car.
@dchiasso
is one of the best correspondents:
at last: you, too, can start the day with the superior breakfast sandwich (peanut butter, banana) and a paperback copy of my book! buy Objects of Desire here or at your local bookstore <3
if you like
@thedrift_mag
you like
@jordanc_t
! he checks our facts, fixes our grammar (it’s “home” not “hone in" 🤯), asks all the right questions (then finds the answers), and if you know how nice it is to get email from him, imagine how nice it is to work with him. jordan 2024!
Plus
@_iess_
, who is brilliant and has fixed so many of my dumb mistakes;
@csestanovich
, who is brilliant & quite literally the perfect colleague; &
@rmpanovka
@kfzbarrow
& the whole editorial team, who are all brilliant beyond measure (duh you know you read their tweets & work).
you can read "terms of agreement," a story from my book, at
@ElectricLit
, introduced by the wonderful
@lsjamison
. when i started writing it, i was paralyzed by indecision. and when i was done, something broke — or broke through.
Objects of Desire by
@csestanovich
is a collection pulsing with subtle drama, rich with unforgettable scenes, and alive with moments of recognition. Out now in paperback.
"Here is an attentive and unintimate love, one that relishes the idea of imagining, but never knowing and never delimiting, the infinite expanses of another person’s mind."
@NewYorker
boundless thanks to Bill and Willing, who endured editing an editor. and to everyone
@TheCleggAgency
and TNY who made it sound better and look better, who waited patiently while i learned to say the word "adhesive"
“At a purely linguistic level, I’m interested—sometimes charmed, sometimes repelled—by how the language of procreation has shaped the way we think and talk about creativity,”
@csestanovich
tells
@elinorpompadour
.
FOR LOVE,
you leapt sometimes
you walked away sometimes
that time on the phone you
couldn’t get your breath
I leapt but couldn’t get to you
I caught the brow that bid the dead
I caught the bough that hid
I’m, you know, still here,
tulip, resin, temporary—
(Jean Valentine)
.
@scriblerian
read all 1,131 love-ish letters from t.s. eliot to emily hale. on infatuation and inspiration, "blood suckers" and feet kissers, & why yearning is bad for the heart and good for art: