Rob (
@spectralfilms
) and I are seeking the identity of the traffic warden in THREADS for a documentary on the film. If you know who played this iconic character or have any leads for us, we’d love to hear from you. Please email threadsdoc84
@gmail
.com with any information. Thanks!
Now we’ve recovered a bit: we’re so happy to have found Michael Beecroft, who played the traffic warden in THREADS. Thank you so, so much to everyone for your help and especially to
@PhilHall1957
, who identified Michael, and
@BBCSheffield
/
@BBCLookNorth
for bringing us together.
Rob Nevitt (
@spectralfilms
) and I started shooting our documentary on THREADS and Sheffield yesterday. If you’re a local who appeared in or worked on the film in any capacity, one last call to give us a shout at threadsdoc84
@gmail
.com. ☢️
And that's it: my book PHASES OF THE MOON: A CULTURAL HISTORY OF THE WEREWOLF FILM is indexed, proofread and submitted – gone, done, finito. It's out in November from
@EdinburghUP
and you can order it from them for the princely sum of £19.99 (if you like):
Ten years ago, I wrote an undergraduate dissertation about werewolf movies. A decade later (with a PhD thesis in between),
@EdinburghUP
has just sent me a copy of my book on the subject. More than a bit surreal.
My book PHASES OF THE MOON: A CULTURAL HISTORY OF THE WEREWOLF FILM has been moved forward to 31 October, both Halloween and a full moon(!). Excited to share the full cover spread. You can preorder from
@EdinburghUP
now and get 30% off with the code NEW30:
I have just finally finished writing PHASES OF THE MOON: A CULTURAL HISTORY OF THE WEREWOLF FILM. I'm going to submit it to the publishers tomorrow. For now, though, I'm going to have a drink and watch WOLF.
Yesterday I signed the contract for my next book with
@EdinburghUP
, BLEEDING US DRY: INDEPENDENT AMERICAN HORROR AND ANTI-CAPITALISM, which is exciting (to me, anyway). It will (eventually) be published as part of the
#21stCenturyHorror
series. Here's some films it will cover...
On one hand, it's genuinely sort of unbelievable that this is a real thing that I wrote and someone wants to publish. But on the other, now I have to index it...
Very excited to reveal the cover art for my book, PHASES OF THE MOON: A CULTURAL HISTORY OF THE WEREWOLF FILM, by the utterly brilliant
@Mute_Art
. Forthcoming from Edinburgh University Press in the near(ish) future...
The
@ArrowFilmsVideo
release of AN AMERICAN WEREWOLF IN LONDON is out today. Firstly, it's amazing. Secondly, I am really proud to be a small part of it.
New Announcement | THE CAT AND THE CANARY will be released for the first time ever on Blu-ray, presented from a glorious 4K restoration, as part of the
#MastersofCinema
series.
Available from 22/23 April
🇬🇧
🇺🇸🇨🇦
Today I signed the contract for my second book with
@EdinburghUP
, TAKE ME TO YOUR LEADER: ALIEN INVASION FILMS IN THE REAGAN ERA. Really excited about this project (and having an excuse to revisit a lot of my favourite films over the next six months). 🛸
I bought a turntable in lockdown last year almost entirely so I could listen to genre film soundtracks while working. Probably the best decision I made in 2020, so I’m going to start sharing some of the records I’m playing.
HALLOWEEN II (1981) / John Carpenter & Alan Howarth.
Latest batch of
@Eurekavideo
releases. Proud to have had a small hand in putting all of these together, and I have an essay in the VALLEY GIRL set on its place in the 1980s teen movie cycle.
It’s Friday the 13th, which is a good day to admit that I recently spent an entire weekend building my own little slice of Camp Crystal Lake out of lego.
Apparently it’s Black Cat Appreciation Day, so here’s a picture of the tiny void
@MazGoing
and I adopted a few weeks ago. His name is Buster Keaton and he does a very good pratfall, but here he is doing his best Norman Bates impression.
Presented on vampire films and anti-capitalism at
@VampireFestival
this morning, and had a great discussion in the Q&A afterwards. Good fun and looking forward to
@StaceyAbbottRU
's keynote later on.
Excited to receive my copy of the new
@UniWalesPress
volume on Blumhouse. Congratulations to Todd,
@Vic_McC
and
@MathiasClasen
! My chapter on DARK SKIES was written when I was deciding whether to research the cultural politics of aliens or post-recession horror, so I did both. 👽
I am now just 3000 words away from being able to submit PHASES OF THE MOON: A CULTURAL HISTORY OF THE WEREWOLF FILM to the publishers. All that stands between me and a complete manuscript is Paul Naschy.
Working on the last couple of case studies for the post-2000 chapter of my book on the werewolf film. First up: the hugely underrated HOWL, which I remember first hearing about via this preview poster. The tagline alone sold it to me.
Small victory achieved today: finished writing the first new section for my book in quite some time (on the she-wolves of twenty-first century horror cinema). And, as a side note, WHEN ANIMALS DREAM and WILDLING really deserve to be better known.
All good to go (we think, anyway...!) for
@SHUFear2000
tomorrow. Looking forward to speaking myself for the first time since Fear 2000: 21st Century Monsters back in 2017. 👻
#fear2000
Just received
@SecondSightFilm
’s amazing release of THE GUEST, and it has very quickly become one of my favourite things. I can’t overstate how much I love this movie and I’m so happy to have written an essay to accompany it alongside
@fatscoleman
,
@ZoboWithShotgun
&
@LovelyZena
.
So ridiculously excited to have an essay in this new
@SecondSightFilm
release of THE GUEST, which is legitimately one of my favourite films of all time.
Doing a talk tomorrow at
@MRG_Herts
with support from the
@baftss
New Connections scheme. I can tell you that, if nothing else, the PowerPoint looks pretty good.
I have no idea how SILENT NIGHT, DEADLY NIGHT 5: THE TOY MAKER is as good as it is, but I will be watching this every Christmas from now on. Truly the HALLOWEEN III of the franchise.
After having to miss it at two(!) previous festivals, I was really happy to finally catch
@dominicbrunt
’s WOLF MANOR (
@wolfmanorfilm
) in Sheffield yesterday. A really fun, self-aware and very British werewolf movie for anyone who loves werewolf movies. Great creature design, too.
I got the train down to London yesterday for the first time in nearly three years(!) and caught the excellent and extremely creepy
@222aghoststory
on stage.
@FrightFest
kicks off tonight, and then it’s nothing but new horror movies for the next five days. This is my kind of week.
I'll be speaking at
@MiskatonicIHS
in London's lovely Horse Hospital on Tuesday 9 May. My talk is on class and anti-capitalism in contemporary American horror. If you're in the area, it would be great to see you – you can grab tickets from the link below.
I’ve been slowly working through the major horror franchises with
@MazGoing
. Every time we finish one, she buys me a little lego memento. This one might be my favourite yet.
About to head to London for
@FrightFest
, but first: I am extremely happy to say that I am a last-minute addition to this monster. Really pleased to be working with
@ArrowFilmsVideo
, and especially on this movie.
Yesterday I finished the first full-length piece of academic writing I've done since the pandemic began. It's on Blumhouse's DARK SKIES and, honestly, writing it was a proper slog. But, importantly, it's done – so I'm giving myself a pat on the back and taking the day off.
THE INVISIBLE MAN was the last film I saw in a cinema before lockdown. I loved it then, but I hadn't revisited it since until tonight. A second watch confirms it's one of my favourite genre films of the last 25 years, and boasts a jump scare that has now nearly killed me twice...
Holy shit, GODZILLA MINUS ONE is perfect. It has been a long time since I have walked out of the cinema after a film and wanted to see it again instantly.
Just finished editing my chapter on twenty-first century werewolf films. Just one(!) chapter to go now before I can submit PHASES OF THE MOON to the publishers, and it begins with one of my favourites: THE CURSE OF THE WEREWOLF.
BROOKLYN 45 (from WE ARE STILL HERE director
@tedgeoghegan
) is one of my most anticipated films of the year and now has what is likely to be my favourite film poster of the year.
SORRY ABOUT THE DEMON by
@CheesyNuggets
is on Shudder today in the US, UK and Canada. It's a funny, clever and very contemporary haunted house movie made for renters and fans of Joe Dante, Sam Raimi or demonic cakes. I can't recommend it highly enough.
Join me in crossing everything (fingers, toes, leathery bat wings) in the hope that
@LionsgateUK
releases THE LAST VOYAGE OF THE DEMETER in UK cinemas sometime soonish. 🦇
Took a break from induction week madness to sneak in a viewing of HATCHING this afternoon, and it has quickly become one of my favourites of 2022. A suburban coming-of-age nightmare featuring some top-tier creature design.
Delighted to say my article on
@Mickle_Jim
and
@nickdamici
's MULBERRY STREET has been formally accepted to the JOURNAL OF POPULAR FILM AND TELEVISION. Not sure on a timetable for publication yet, but I'm pretty chuffed!
One of the very best things about doing freelance work for
@Eurekavideo
: when a big box full of Masters of Cinema and Eureka Classics releases turns up in the post. Can't wait to dig into this lot.
Highlight of
@FrightFest
day one: BITCH ASS. The rare movie that manages to do something fresh with the slasher format, while paying tribute to the likes of THE PEOPLE UNDER THE STAIRS and TALES FROM THE HOOD. Top stuff and
@Zengatrouble
is great. 🎲
#FrightFest
#ArrowFrightFest
Happy birthday to BUFFY THE VAMPIRE SLAYER, which is at least half the reason I ended up writing a book about werewolf movies (and why it has the word ‘Phases’ in the title).
Just out of
@DuncanBirm
’s WHO INVITED THEM at
@FrightFest
, in which a house warming party takes a turn for the worst (to say the very least). Can’t get enough of twisty domestic horror (or “eat the rich” social commentary). Out on Shudder next week.
#FrightFest
#ArrowFrightFest
@BarrySpinnaker
The film is about the unravelling of the threads that hold society together - the total collapse of law and order. What better way to visualise that than a traffic warden with a gun and half his face missing?
Excited to say I'll be contributing a chapter on HOBO WITH A SHOTGUN, WOLFCOP and TURBO KID to a volume on Canadian horror cinema next year. Already looking forward to that triple-bill...
Just back from Prague with
@MazGoing
, where I fell in love with Krtek and Karel Zeman, watched Czech animation at the National Film Museum, drank horror-themed cocktails and saw THE PHANTOM OF THE OPERA with an amazing live score at the Edison Filmhub. And that was just one day.
Here's
@MazGoing
smashing it out of the park presenting on contemporary Jewish horror for the third year running at
@SHUFear2000
, but her first in person. I'm biased, but: amazing paper (and a great discussion of ATTACHMENT in particular).
#fear2000
Peter Strickland's IN FABRIC is a visually beautiful and oddly hilarious consumerist nightmare – like a surreal take on THE STUFF mixed with THE TWILIGHT ZONE's department store episode ('The After Hours'). Pretty pleased to have come home with one of these amazing posters, too.
If you like werewolves, horror films, or horror films with werewolves in them, you can get my book on those subjects for just £10 in the
@EdinburghUP
St Andrew's Day sale until the end of today:
In these heady days of BARBENHEIMER, spare 95 minutes to see the excellent (and very unsettling) new
@A24
/
@AltitudeFilms
horror movie TALK TO ME. A clever, sad and utterly brutal twist on the ghost story, in which both the living and the dead are trying to ease their loneliness.
One silver lining to the bin fire that is 2020 is that I have received lovely birthday post from the likes of
@LauMee
,
@CaitieShaw
and
@kierantfoster
. Here's today's gift from
@horrorshow___
, which brings me ever closer to having a GREMLINS t-shirt for every day of the week...
A nice subtweet for old time’s sake before this platform implodes: very senior, well-known academics punching down at postgraduates and early career researchers is not a great look.
I finished writing a book chapter on the politics of THE HUNT last night, and (I think) I am quite proud of it. I am not 100% sure I still will be once I have edited it down to the requested word count, though...
Doing my first conference paper in ages this week at Genre/Nostalgia (organised by top people
@LauMee
,
@CaitieShaw
and
@horrorshow___
). As is tradition, here's the title slide (though, I'm happy to say, I've actually finished the paper before posting it on Twitter this time).
I saw ROBOCOP on an original 35mm print on Friday night. I have always loved it, but seeing it on film (and with an amazing audience) has reminded me just how good it is; easily one of the most important films of the 1980s.
An amazing (& knackering) two days at
@SHUfear2000
. Brilliant keynotes from
@SimonBrownku
&
@LauMee
, tons of engaging papers and an enthralling/hilarious interview with
@GlassEyePix
's Larry Fessenden. A highlight: asking him about werewolves right before this happened.
#fear2000
I feel like watching werewolf films for the first time in ages, so I'm introducing
@MazGoing
to some of my favourites. As we watch them, I'm finding an even greater love for what are obviously her favourites: werewolf whodunnits.
Really excited to be working on this new series with good friends
@Alicehbryan
and
@TWatsonviolence
. Our emails are listed in the thread below; get in touch if you'd like to discuss ideas. We'd love to hear from you!
#21stCenturyHorror
PhD opportunities in media, communication and film available at Sheffield Hallam University starting October 2022! Click below to apply and drop me an email if you're interested in popular genres, particularly horror and science fiction.
The latest batch of
@Eurekavideo
titles to drop through the letterbox. A pleasure to work on all of them, and I’m particularly excited to dig into that Jet Li set.
Another standout from
@FrightFest
day three (and the second film about religious repression): CANDY LAND, a stylish 1970s throwback about sex workers targeted by a killer at an isolated truck-stop. Would make for an excellent double-bill with X.
#FrightFest
#ArrowFrightFest
Taking victories where I can get them: I have just submitted the second and final draft of PHASES OF THE MOON: A CULTURAL HISTORY OF THE WEREWOLF FILM to
@EdinburghUP
and will be celebrating with the inimitable PROJECT: METALBEAST.
It’s the last day of
@mayhem_festival
and somehow I haven’t tweeted anything yet. In brief: the
@BroadwayCinema
continues to be amazing, HUESERA is a deeply effective horror movie about losing yourself to parenthood and I loved KURONEKO with a haunting live score by
@Yumahsounds
.
First day on campus since March 2020 yesterday and it was a bit nerve-wracking, but… I had a great session, then hung out with
@MazGoing
, ate Korean fried chicken and went to see THE MANY SAINTS OF NEWARK, so not a bad Friday all in all.
I very much enjoyed the latest TEXAS CHAINSAW MASSACRE. But I have just watched all nine of them in the space of four days and mostly had a good time, so make of that what you will. 🤷♂️
**DAWN OF THE DEAD: LIMITED EDITIONS**
‘Attention all shoppers’!! Pre-order now on our store for UK shipping with free tracked postage, UDH: Blu-ray: Other online retailers following shortly.
#DawnoftheDead
#Romero
I've now got passes booked for
@FrightFest
in August and
@mayhem_festival
in October, and I'm incredibly excited to go to my first in-person festivals since 2019. I've seen a lot of great films at virtual events over the last few years, but I have seriously missed the real thing.
Currently working on a section for the book focused on WEREWOLF FEVER, WOLFCOP and BUBBA THE REDNECK WEREWOLF. One fact that sadly won't make it into the chapter is that they make for an utterly hilarious triple-bill.
Well, I felt appropriately monstrous when I woke up yesterday morning, but
#fear2000
was an absolute blast. So many fascinating papers and two incredible keynotes from
@LindsayHallam1
and
@iainrobertsmith
. Thanks so much to all of our delegates for making the event what it is.