@ZacharyHSmall
Zachary Small
2 years
MoMA's lobby will glow this winter, not by the twinkling lights of the holiday season but the swirling datascapes of @refikanadol whose popularity rose during the NFT frenzy. That's only part of the story ... 🧵
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@ZacharyHSmall
Zachary Small
2 years
Last year @refikanadol based an entire series of NFTs on MoMA's collection. The sale thru @FeralFile had works selling for $1,000+ with one going for $200k. MoMA received a sixth of all primary sales.
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@ZacharyHSmall
Zachary Small
2 years
MoMA used its NFT profits to endow a Web3 associate position to (among other things) build partnerships with the crypto community. Last week, the museum also gave out free NFTs by artist Stephanie Dinkins to attendees at an event.
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@ZacharyHSmall
Zachary Small
2 years
MoMA is not alone. The Whitney recently promoted @ChristianePaul2 (brava!) to a full curator position and has been acquiring NFTs, including Eve Sussman's phenomenal work — seen in the article.
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@ZacharyHSmall
Zachary Small
2 years
@TinaRiversRyan at the @BuffaloAKG is curating an auction, the first survey of blockchain art by a major American museum, called "Peer to Peer" with artists like @rheaplex , @laturboavedon , and @ix_shells
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@ZacharyHSmall
Zachary Small
2 years
The Guggenheim is also getting in on the action. Some trustees have explored the financial possibilities of NFTs. Curators are exploring how to put their provenance on the blockchain
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@ZacharyHSmall
Zachary Small
2 years
Curators feel more comfortable embracing NFTs post-surge, arguing that it showed audiences want more digital art. Naomi Beckwith, chief curator at the Guggenheim said it best: “If artists are working with technology, then we have to be able to hold it.”
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@ZacharyHSmall
Zachary Small
2 years
So what happens next might depend on whether you believe digital artists can control the technology they use, or if technology (and its economies) will control them. 🧵 end
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@TeeJ_0_o
TeeJ_0_o 🛡️
2 years
@ZacharyHSmall @refikanadol This is a bit antithetical to nature of this great article, but @ZacharyHSmall , do you know if this will be available in print? If so, when? Will all the excellent photo selections be included?
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@ZacharyHSmall
Zachary Small
2 years
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@humanonfire
flame ♻️ | BIP-420
2 years
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@im_jonooo
jonooo
2 years
@ZacharyHSmall @refikanadol How do you think the curators / museums are determining who to purchase / support?
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@VoldiemortEth
Voldie.Mort
2 years
@ZacharyHSmall @refikanadol @ChristianePaul2 @ZacharyHSmall @TinaRiversRyan highly recommend connecting with people like @WRabbit1111 and @Vince_Van_Dough for starters. They are among the most knowledgeable humans on the planet in terms of cryptoart history and can help guide curation efforts
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@Danvas_Art
Danvas
2 years
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@pchylik
Pet D
2 years
@ZacharyHSmall @refikanadol wow look at this art..
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@1991_pisces
Pisces2022
2 years
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@tonipayne
Toni Payne | Orisha
2 years
@ZacharyHSmall @refikanadol Maybe because digital art is here to stay. Museums around the world will have to make room for this new wave. As technology advances, so will art.
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@DigItstudiowork
Andrea Pritchard
2 years
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@QuantumB455
quantumb.og
2 years
@ZacharyHSmall @refikanadol Amazing work! Open invitation to check out what we’re building @hnftmuseum - we’d love to collaborate and help @MuseumModernArt in any way to continue to educate folks about digital art ownership 💯💯
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@Beamsterman2
Beamsterman
2 years
@ZacharyHSmall @refikanadol Refik Anadol clearly the 🐐 of web3 artist… First to get in Moma with a solo exhibition… About time his collections gets a little respect… Sooooooo Undervaluedddd!
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