We're listening & heard that, take a lap.
Insulted by these tweets? That's your guilty conscience talking.
Go practice with both your decks & back up your HDs
As a DJ, you don't really get to listen to music as just a fan anymore, you have to objectively critique its functionality with regards to how you can use it to render a desired result. You can love something you'll never spin & hate something that packs the floor. Bittersweet.
The ONLY downside to being a DJ is not being able to fall asleep until like four hours after a gig bc you're jacked full of adrenaline.
If you don't have this problem, you're probably doing it wrong.
If you've been in the room for an hour and the DJ isn't playing anything you like, but everyone else is having fun, you're in the wrong room. Approaching the DJ to fulfill your selfish needs is only injecting negativity into the room and will not end well for anyone.
Don't pigeonhole DJs. You'd be amazed at your favorite Hip-Hop DJ's ability to spin Drum 'n' Bass or that Tech House cat who can drop a ridiculous Dancehall set.
Most of us are Genre Fluid.
If half y'all cats studied a smidgen of music theory instead of being gear whores, you'd be better DJs.
You don't need 3000s to be dope, you need passion, knowledge and determination.
And...
PRACTICE
Just because YOU love music, doesn't mean YOU should be a DJ.
DJing isn't about YOU
Yes, you're more knowledgeable than your floor, but it's not about proving that to them.
This job involves teaching, but further, finding the pulse, and then getting everyone in sync with it
It's not that DJs hate other DJs. DJs hate that anyone with $250 can go buy some gear & call themselves a DJ
It's that there's no more apprenticeships, no more record pools that require contributions, no more dignity in what we do because it's been co-opted by clout chasing cats
Owners/Management/Etc. Unless you're specifically paying a DJ not to play at others venues, you don't get be mad when they do.
We're contractors not employees.
The level of disconnect between labels and DJs has forced us to create programs to make our own a cappellas instead of being embraced as the true conduits of exposure that we are and serviced accordingly.
The saddest truth you will ever realize as a DJ is that 93% of people only care about what they hear and not how they hear it.
That's why cats are getting away with youtube rips.
Never trust a DJ who doesn't sweat while they spin.
If you aren't a little achy at the end, you did it wrong.
Movement is contagious. If you ain't dancing to your tunes, why should your crowd?
Good morning to everyone except the cats with full-time jobs, who DJ on the side, mainly to do their friends favors.
And by favor, I mean undercutting full-time, professional DJs, whether it be in the clubs, weddings, wherever.
It's amazing to me how commonplace copycat DJing has become. Some cats have absolutely no shame in blatantly copying routines/sequences from other DJs.
There's too much music out there to be that lazy.
@pasteldeguayaba
As a DJ who has dated a stripper, I can confirm the relationship was 100% dysfunctional. I recuse myself on assessing who was to blame. I will hypothesize that there were unrealistic expectations on both ends & recommend that these professions never engage in mutual monogamy.
Expecting a DJ to be solely responsible for "filling" your bar/club/lounge speaks volumes as to your faith in your space.
Why would any DJ wanna help push a spot that doesn't have a good enough reputation to create its own buzz...
If you're spinning with other DJs, don't act like you're too good to show up early & hear what's being played before you go on.
Nothing worse than someone jumping on & playing tracks that have already been dropped.
The crowd might not care, but the other DJs will never forget.
You want me to DJ for four hours AND bring sound for $300?
Enjoy my dope ass music through this single active two-way 8" speaker...
Or I'm gonna plug Spotify into two active two-way 10" speakers.
If you think I'm lugging passive or a sub around for $300, you've lost your mind.
A lot of DJs don't understand the science of how your ears react to prolonged exposure to loud music. Ever notice, the longer you play, how you feel the need to increase your master? That's because your ears are protecting themselves, thus it sounds quieter, but really isn't.
DJs stop just blending random shit because the technology is readily available to do so and you can.
Put thought into WHY you blend two tracks together. It's NOT just the bpm and key.
@djaudio1
You insinuated their ineptitude. Understand a DJ might keep a popular song in their pocket & wait for the perfect moment to drop it. Requests diminish any surprise factor which is extremely powerful. Timing is key. Don't ask for a 1am tune at 10p. We'll get there. Promise.
You hire DJs to play to your venue's crowd. It's not a DJ's job to bring the people. Some, sure, but we're one cog in the promo wheel. If you're using music, as a weapon, to cleanse your spot of undesirable clientele, maybe you should've thought about that cat you hired first.
Never trust a "dance party" that doesn't put the DJ's name on the flyer.
Fuck these tribute nights. Might as well call them playlist nights.
$15 a head for piss poor production value.
Epitome of a money grab
I hate the game AND the player
Make friends with bartenders. Not for free drinks, but for information. They know how much money is coming in, and I can all but guarantee you'll find out you're making less than 1% of total sales when you're entitled to at least 5%.
At this rate, there's almost no point in trying to keep up with new music.
Nostalgia sells better anyway.
Those "oh shit" moments almost NEVER come from a new record.
A lot of cats out there forget that they're not playing to a room full of other DJs. The more people in the room, the more average the music has to be...at least to start off with.
If you're playing an hour or less, there's a good chance your set is preprogrammed. That's why most DJs prefer playing whole nights. More freedom/flexibility. You don't have to try & cram it all in there. Marathon vs. sprint. Two very different, yet equally valuable skill sets.
Gear has NEVER made the DJ. There's someone out there right now with a pair of CDJ-100s and a Vestax who probably has more passion and drive than some of you cookie cutter controller cats.
Not saying that this should be law, but if you're a DJ, don't play a four hour set for less than $400 & don't bring out production for less than $1000.
If you are doing these things, the rest of us deeply despise your business ethics & wish for your untimely demise.
Pass it on.
Just because you throw a 128kbps mp3 version into ableton, make a new edit, and render it as a .wav, that does NOT mean those lost frequencies from the initial compression will magically return. Now it's just a huge file of shit.
Never got DJs who play the same spot weekly, let alone nightly. Nothing wrong with residencies, but if you don't have growth, you'll end up phoning it in.
Time in between allows you to build anticipation. Why should people come there this week when they can put it off til next?
Good morning to everyone except the DJs that think the red lights on their mixer volume means they're on fire.
(It means your sound system is about to be)
@stxylo
The main reason open-format DJs prefer Serato or any other computer interface is the ability to search on the fly. This is essential to pivoting parties on a dime if needed.
Niche DJs prefer sticks because they're dealing with a specific audience and, usually, a smaller library.
It's not the DJ's job to promote the venue
It's not the DJ's job to promote the venue
It's not the DJ's job to promote the venue
It's not the DJ's job to promote the venue
It's not the DJ's job to promote the venue
It's not the DJ's job to promote the venue
Vice fucking versa
If you're not willing to invest at least $1 for every sq/ft of your venue into a sound system, don't look at the DJ as the source of your problems, look in the mirror.
If you're a DJ your main goal should be to make people dance. If you've got a room full of people drunkenly singing along at the top of their lungs and not dancing, you're a KJ. Probably using a playlist you used at your last wedding. Stay out of nightlife. Kthnxbai
DJs
Normalize studying the business side of this industry just as much as the music one, if not more.
Accounting, taxes, contracts, negotiation, et. al
The more you know, the less you have to pay other people to keep you on track. Aka increase your profit margins.
It's 2023. Can we please stop putting generic shutterstock models on club flyers. I know there's hotties working in these venues. Why not give them the ego boost if, I'm guessing, the DJ is too ugly to put on the flyer?
The mechanics of DJing are a science.
The chosen application of those mechanics is what makes DJing an artform.
I can teach someone the basics of how to DJ in an hour, but I can never teach someone how to be an effective DJ using a set formula.
I don't judge another DJ for what they play or how they play it.
The only question is are you reading the room or not.
If the whole room is going off, my opinions don't fucking matter.
Mission accomplished.
You can't call anything a classic until it you let it breathe for at least a decade. Even then it's subjective. As a DJ it is our job to gauge music based on a variety of factors, but ultimately it's personal taste. That's what we do. That's what makes us unique.
To be as effective as possible, you both push.
People who love the venue can learn about the DJ.
People who love the DJ can learn about the venue.
It's a two-way fucking street.
@DAYTONASOUND
Quick dap, see if they need anything, then stay out the way and get some pics/vids of them in action. Maybe act as a filter for song/announcement requests.
But when in doubt, don't bother them.
Let them stay in the zone.
Don't want hip hop at your club? Invest in house gear and insist on sticks only. I don't know too many cats spinning an all hip hop night off a stick...
Or you could just stop being a racist and pay attention to the only color that matters...
Green
@djaudio1
@druskee_
@TheDJGospel
There are no rules to DJing in terms of programming (unless you're dealing with micromanagement from ownership/promoters)
Play wtf you want. If it feels right, do it. If you doubt it, don't. Just always have an exit strategy if you drop it and it flops.
Putting song A over song B just because is not the way to make a blend or mash-up.
BPM & key are only the beginning
What's the story? What's the connection? What makes it compelling past face value?
You doing it just to do it is a recipe for mediocrity.
You shouldn't be messing around with stems if you don't understand the basics of harmonic mixing and phrasing.
Just because you sync two songs at the same bpm does NOT mean that it will automatically work.
Any DJ should be able to get you anything you need for any size event in three phone calls or less.
This probably includes drugs, but that better not be your first question.
You know why DJs dislike requests?
You're basically coming up and saying: "what I want supersedes everyone elses wants."
It's our job to play for everyone as a collective, not as individuals.
Stop being selfish.
Go drink or dance.
Or leave.
Either way.
IDGAF
DJs stop taking shit from patrons challenge.
1) use the mic to point them out
2) play garbage
3) blame them for the request
4) let the crowd boo them
5) watch them throw a fit
6) watch them get thrown out
7) thank your crowd
8) carry on
I think I speak for most DJs when I say:
We got no problem playing PG rated tunes, but most of us prefer dropping rated R shit.
Funny correlation is that gigs requiring the former usually pay more than those that allow the latter.
Take a page from Tiësto's playbook:
Charge them for your DJ set and then charge them to rent your sound system.
One is a performance fee, the other is a service fee.
You are entitled to both.
Please understand how a microphone run through your mixer affect the overall master signal output. Gain staging involves ALL inputs. Nothing worse than a mic distorting over the whole mix because you've got no headroom left.
Are you proactive or reactive? A good DJ reacts to their crowd. A great DJ makes their crowd react. It's about control. Gain trust early in the night. Remind them constantly why they can trust you. Then, unapologetically, go for broke. Take them to the past, present, and future.
Hate on it all you want, but a lot of owners/mgmt LOVE DJs who play the same shit they've been playing every night for 10 years.
To them, as business people, they believe it's the consistency of a product that produces results and nothing is more consistent than that.
As a DJ, the best way to become better is not by listening/watching recordings of other DJs, but rather listening to ones of yourself, being bluntly honest about both your successes and failures.
Listen to others for inspiration, listen to yourself for growth.
As a DJ you should be mindful of the ears in front of you. Blasting at 110db for four hours to a room that holds 60 people max is inconsiderate, reckless, and downright dangerous.
Stop playing every room like it's a big room.
Remember when you only had to have one dj a night? Now 3+ DJs splitting the same money. Y'all fucking up fam. Or cuz you can't get gigs anywhere else, you throw down a "surprise guest set" at your homie's show when in reality you just fucking up the vibe with your wackness
It's kinda a toss up, but I think the worst drug this planet is hooked on is attention. Followed closely by money. Then possibly sugar, caffeine or something tangibly consumable.