For the night crowd in the U.S. and the early birds in Europe (and everyone else): I had the pleasure of interviewing Antoinetta Angelidi, one of the most under-appreciated directors of the last half century. I think this makes for a very good primer!
What’s the funniest joke in the history of television? Has to be a single joke/gag don’t come here detailing entire episodes and story arcs. “Dead dove do not eat” type of stuff.
No interest in Wednesday but have been endeared to Jenna Ortega because apparently she’s going around saying people only like the show because streamer saturation has eroded taste and she counts A Brighter Summer Day, In A Lonely Place and Persona as among her favorite films.
May December is about how treating art like journalism (a bad kind of journalism) results in bad art so I’m not surprised that people with no taste wish it were more like bad journalism.
It’s so cool that Steven Spielberg cast David Lynch—the New Hollywood compatriot whose aesthetic is probably least similar to his own but also the one who most shares his overriding belief in the power of spectacle—as “the greatest director who ever lived.” King. Both of them.
@capybaroness
@labuzamovies
I basically agree with both of you but it is important to note that any kind of Halo adaptation is about 15 years past the point where it would’ve been most hyped.
Christina's interview with Andrew Dominik shows that assigning the most knowledgeable person to interview a director is better than just assigning whoever likes the film the most (or asks for it first). We need more of that.
There is a tendency, with all of culture at our fingertips, to try to speedrun culture. You can watch Godard films several times and still be lost. They ask you to do your homework. One of the things Godard illustrates is that you *cannot* speedrun culture.
What’s with the trend of burying the important stuff in favor of a bunch of meaningless first-person stuff? This is the important stuff and it begins in the TWENTY-SIXTH paragraph.
one thing you’ll see if you check out any of the “movietok” profiles cited in the nytimes piece is that they’re exactly as “snobby” as the film critics they’re supposedly replacing. something like this is far more exclusionary than any film critic’s negative opinion of a movie
Maybe I’m not reading the right people but it seems to me that Robbie Robertson’s brilliant score for Killers of the Flower Moon is not getting its due. It’s not flashy but it’s essential to the film’s tone and Robertson’s ties to indigenous communities are plainly audible.
Every time a giant argument about Criterion erupts I remember how during the pandemic film festivals all over the world made their slate available/made programs available, often for free, to everyone, and 99% of people on here did zero exploring and no publications covered them.
The Buster Keaton miniseries is gonna dedicate a fifth of its runtime to showing us how his childhood in vaudeville traumatized him and situate his films as a kind of art therapy that helps him process it and it’s gonna suck so bad
People on this website become completely unhinged when you suggest that maybe it isn’t good when adults have the same tastes, preferences, hobbies, moral outlook or whatever else as literal children.
It’s honestly kind of incredible that Film Forum is showing *every extant Ozu film* on 35mm this month. I didn’t think any institutions still had the money or the chutzpah to do this for a filmmaker whose work is basically entirely available on DCP.
Spending $15 for a movie and popcorn is for rich people; spending $10000 on a good home theater setup in your bonus room is for salt-of-the-earth folks.
Oh hey, the guy who tried to kill Nancy Pelosi spent his last day as a free man complaining about how movie critics are "commie gate keepers" who "love the shittiest movies ever" and "hate movies the public loves and love movies that are absolute trash."
@Nick_Newman
@fivepoisonskid
Lends credence to my belief that casting David Lynch as “the greatest director who ever lived” was not primarily about the physical resemblance.
@headfallsoff
The actual answer is that in car culture they need to give parents time to drop kids off at school before work, and sometimes you have a kid in high school, a kid in middle school, and maybe even a kid in elementary school, so those are often staggered with HS earliest.
One of the worst trends of recent cultural criticism is the defense that letting people write about things they know nothing about and revel in knowing nothing about is actually opening up criticism to anti-elitist and feminine perspectives.
Movies that recently got restored all sharply rose and movies that aren’t on blu ray in the US all tumbled, what if opening up the poll this way was bad
Every game critic has read 3 books and watched a bunch of Hollywood films made after 1970 but none made before that and no foreign films except Pan’s Labyrinth and Parasite, and are, as a whole, ill-equipped to productively critique and further their chosen field.
@adamrocketblack
Quite the opposite. She sounds like someone who will pay attention to the artistry of the poem and nurture that rather than hyping up poets with the ridiculous idea that one day they'll write something that will eliminate poverty or war.
There are perhaps 0 movies in existence that have more to say about capitalism—that system we all live under—than Citizen Kane. Quite frankly anyone entirely uninterested in it has no place discussing movies. Sorry if this is “gatekeeping” but sometimes the truth hurts.
Vasgersian says it’s a problem Lindor has more walks than Ks. Then A-Rod said he’d penalize him for hitting more than 25 homers. So together they turned a guy with MVP upside into a .300/.330/.400 hitter. I love this commentary. I understand baseball so much better now.
The people who spent November saying "actually, Straub-Huillet films are very easy to understand, anyone could like them if they are smart like me" and have moved onto "Jeanne Dielman is an easy watch" should be forced to, IDK, get a job in a kitchen and talk to their coworkers.
One of the big problems with the amount of phone use in theaters is that if you tell someone to turn off their fucking phone and shut the fuck up and watch the fucking movie they might act like you’re the crazy one.
R.I.P. to Terence Davies. That he only made 9 feature films exposes how absurd it is to expect market forces to identify and support great filmmaking. Many of those films are better than most directors could accomplish with far more tries.
Anyway, that’s what your world without curation looks like. Everything is available, except nobody knows about it or has a friend who can recommend anything to them so they all just default to whatever is being most heavily marketed. This is the same reason lists are good btw.
A huge problem in Barbie is that the same people who are mansplaining Stephen Malkmus are playing Matchbox Twenty on guitar and I’m not sure anyone on earth has ever done both of those things.
Being a film critic is all about flying across the Atlantic Ocean so you can be half an hour from Amsterdam and three hours from Paris, but instead watching a six hour film so you can give it 3 stars on Letterboxd before anyone else gets a chance to see it.
Everyone who is currently ~12-23 years old who is into movies will, in about ten years time, take it for granted that The Killer is a better movie then Zodiac. They’ll look at the Zodiac lovers like Mulholland Dr lovers look at people whose favorite Lynch is Blue Velvet.
Albums to win both Grammy for Album of the Year and the Pazz & Jop poll:
Stevie Wonder - Songs in the Key of Life
Michael Jackson - Thriller
Paul Simon - Graceland
Bob Dylan - Time Out of Mind
OutKast - Speakerboxxx/The Love Below
Kacey Musgraves - Golden Hour
I had heard a lot of people describe Armageddon Time as nostalgic, and now that I have seen it, I can only imagine these folks had recently been hit in the head by a massive blunt object.
The Democratic message for more than five years has been “The Republican Party isn’t all awful, it’s just that Trump is” and the result is they are getting absolutely torched by ticket-splitters. Idiots.
David Bordwell was a titan. One of the most important figures in the entire discipline of film studies. The clarity of his method and writing is an example to us all, even where our own diverge. R.I.P.
Bob Dylan would like us all to know that New York City is the birthplace of “Herman Melville, all the greats, you know, Sylvester Stallone,” whose latest movie, “Last…what’s it called…Last Blood! is really great. It should’ve won an Academy Award, but of course it didn’t.”
My KotFM theater was right next to an Eras Tour theater and it genuinely was a problem. Whoever made that tweet telling people to check in advance if that would be the case should be thanked rather than mocked.
Oppenheimer is, in terms of the ability to arrange a scene, block a shot, maintain spatial coherence, almost certainly Nolan's best made film. It felt a bit script reliant but I'm mostly happy to see him improve at directing a movie in the most fundamental sense of the word.
A whole lot of bullshit here but this part is probably the most galling. If some winners had said apartheid and genocide are good it would’ve been appropriate for others to say they are bad, but because everyone said they are bad, it was inappropriate to say so.
Berlinale Files Criminal Charges Over the Spreading of Anti-Semitic Posts / Criticism of Statements Made by Artists at the Berlinale Award Ceremony
See full press release via:
Manny Farber in ArtForum, October 1968: "At the end of [Godard's] career, there will probably be a hundred films, each one a bizarrely different species, with its own excruciatingly singular skeleton, tendons, plumage."
@elazic
At the risk of overthinking stupid trendy bullshit, I can’t help but connect cinephilia becoming an increasingly niche, specialized thing for weirdos and the love of these no-title screenshot tweets that are by their nature exclusively for people who already like the chosen films
Not listed:
Perfumed Nightmare
Turumba
The Time To Live and The Time To Die
Transit
Peppermint Candy
The Way I Spent the End of the World
The Lady Without Camelias
The Terrorizers
The River
Duelle
In a Year with 13 Moons
Spring in a Small Town (GOAT)
Dziga Vertov Group films
@GraceRandolph
Should have Googled “Film Foundation” and “World Cinema Project” and checked his executive producer credits before you made this tweet :/
It is astonishing to think about film students not having interest in old movies but *especially* 1930s movies. Almost every Hollywood film from the 1930s kicks ass. (It’s the exact opposite of Hollywood today in that respect)
speaking of film schools and old movies, im taking a history of cinematography course, and the prof has already said he’s cut out the 1910’s-1930’s units due to lack of student interest. Like, if anything, I wish my experience w/ film school introduced me to more older movies
NYC rep theaters ranked by the food options* around them:
8. Film Society
7. Metrograph
6. MoMI
5. Film Forum
4. Anthology
3. Nitehawk/Spectacle
2. MoMA
1. Quad
Criteria: Variety, price, speed, and quality
Hard to overstate just how bad FSLC is compared to everyone else.
@c0mmunicants
Everyone responding to this with "it's because they're really good" is weird to me, as if these are the only good foreign movies and the all the other, less successful ones are simply bad.
Imagine deciding to watch a movie at home and choosing to watch a new Hollywood film when you have the choice of every single movie on MUBI, the Criterion Channel, OVID, various pirate networks, etc etc.
So JRo likes Barbie but not Oppenheimer, Taubin likes Oppenheimer but not Barbie, Brody likes Oppenheimer and loves Barbie, Schrader likes Barbie and loves Oppenheimer. Anyone have a line on what Nicole Brenez thinks?
A lot of people shy away from this. They are intimidated or impatient or lack the intellectual humility to believe that the virtues of the film might exist beyond their immediate perception or whatever else. But comprehension of Godard is an almost asymptotic struggle.
For 60 years and with over 100 films, Jean-Luc Godard expanded the boundaries of cinema and what is possible within them. He was probably the important person in the history of the art form. His ‘60s work changed it forever; after that, his films got better. R.I.P.
You must not only watch but read about them, their production and the political ideologies that inform them. But that means each watch can reveal something new! I have been rethinking Godard for as long as I have been watching movies. His work grows richer where others' fades.
Not that I want a 5 hour Oscar show, but if we’re going to have the presenters of the acting awards do little speeches about how great the nominees are, there is no reason the craftspeople and technicians don’t deserve the same respect.
Just heard about WONKA. The worst thing to happen to movies in the post-Golden Age, pre-tentpole era was the backstory, so it's really something that Hollywood has doubled down on its awfulness by turning the backstory into an entire movie ("origin story").
This is honestly most optimistic thing I’ve read in years. So many people have given up on life and in finding new things in it by that age and Scorsese is still learning, still motivated, still has more to say, finds it so exhilarating and worthwhile. We should all be so lucky.
I caught up with The Fabelmans last night, and, damn, this one is a winner. I’be liked some late Spielberg (including the very good West Side Story) but this is absolutely one of his best. Maybe his best in decades.
If your movie includes somebody putting on a record/cassette/CD and the music that starts is not the first track of the album they are clearly playing, I *will* give it a negative review.
Regarding the NYMag article everyone is mad about: You know what would be a good article? One that traces the academicization of socialism and leftist thought in the U.S., that explains why it has become disproportionately college-educated whites despite not being so elsewhere.
Everyone who had power took it for granted that liberalizing the economic order would liberalize social and political orders in totalitarian countries but it actually has spread totalitarianism to all walks of life.
Terrence Malick is the director of the decade and it isn’t really that close. I am not a religious person and pride myself on paying attention to film from outside North America but sometimes you have to call things as they are.
The idea that knowing what you’re talking about is elitist/masculine while writing “some experimental shit with instruments I can’t recognize reminded me of two genres I refuse to listen to because I never tried” is a good way to bring women into crit is dumb and extremely sexist
I’ve decided, after a conversation yesterday, that the Sight & Sound list is going to exemplify populist and history-blind trends in criticism. 2001 will be number one; almost every silent film will fall significantly; Mulholland Drive and In The Mood For Love may be top 10.
Lav Diaz made a film that premiered last year called The Halt. It is about a natural disaster that makes it so you can never see the sun, an accompanying pandemic, and attempting to overthrow a fascist dictator.
So, for those who have not yet heard: Videology's final day in business will be October 27th. I'm proud of what we accomplished!
This also means I'm *extremely* available for hire. Videology is small, so I wore a lot of hats - programming, publicity, accounting, office work.
MoMA is showing an archival print of Memories of Murder today so perhaps we can definitively settle the question about the color grading of the restoration on that one.
Nancy Pelosi has talked repeatedly about how much this country needs a “strong Republican Party.” Her reward is going to be losing seats to even as Biden wins the popular vote handily. An enormous leadership failure but don’t worry I’m sure she’ll be Speaker again anyway.
I know it’s a small thing, but it’s nice to see basically every critic, programmer and filmmaker I admire take the correct side on Gaza, ArtForum and the rest. Makes me think this community is worthwhile and good rather than merely a bunch of weirdos who watch too many movies.
Remember when Beto, Buttigieg, and Harris were all touted as “progressives” and as young/diverse alternatives to Sanders? Funny how Sanders people were accused of a bunch of stuff for calling them phonies and now all of them are endorsing Biden.
@c0mmunicants
I understand why Parasite crossed over. It has genre thrills, is very funny, has the right politics, etc. When I first saw it I predicted it would be a big hit (and even argued with someone at NYFF about it). Drive My Car surprised me.
I’m not saying that everybody who dislikes an acclaimed work of art needs to make a serious effort to understand that work of art and why it is getting acclaim so they can mount a cohesive and substantive argument against it, but I am saying that critics should do that.