dismissing BODIES BODIES BODIES as shallow and then engaging in the petty, extremely online behavior that movie satirizes is an all-time brutal self-own
You used to be able to claim "ALIEN is so timelessly crafted that it looks like it could still be released today!" but you can't anymore because let's be real: almost nothing being produced now looks remotely as great as ALIEN did 45 years ago.
I feel like it’s cheating because it’s ALIEN but my god, watching Alien today and it just feels like, like why can’t things look like this on the regular anymore? Like just this mastery of lighting and shadows and just…..fuck, man.
I know it's not exactly cool to sing the praises of HOME ALONE but you've got to respect any movie that lets John Candy casually stroll in around the one-hour mark.
I've been wondering what it could take to dampen my enthusiasm over Marvel Studios's incredible run, and it turns out it's GUARDIANS OF THE GALAXY 3 without James Gunn.
I think this writers strike has revealed the most insidious side effect of the move to calling art "content." So many people only see this as amusement they're entitled to and don't care how they get it as long as studios keep churning it out.
The idea that STAR WARS was ever "just for nerds" is hilarious. It is & pretty always has been one of the most popular things ever created in the history of the world. It's grossed over $10 billion in total. Stop acting like it's something normies picked up on because of Disney.
only two episodes in, but I would like to thank The Duffer Brothers for making STRANGER THINGS even more for me by turning it into A NIGHTMARE ON ELM STREET
Gilbert Gottfried seems like one of those guys who's gonna be remembered for a million different things for different people. For me, it's always going to be his stint on USA Up All Night.
I remember watching this episode of MTV Cribs when it first aired. I was in awe of Zombie's walk-in room full of horror movies and figured I'd never have anything like that because I maybe had a 100 DVDs at that point.
Probably a little early yet to say this, but the latest TEXAS CHAINSAW MASSACRE & X might be the heralds of a new era where horror movies (particularly slashers) can just be freaky and gleefully screwed up again.
Overheard some students talking about HALLOWEEN KILLS today and one of them said something like "I like the HALLOWEEN movies, the real ones that John Carpenter did. That's that dude." Friends, I nearly fell out of my chair.
In 2009, Guillermo del Toro produced a largely dismissed movie where a guy has sex with a monstrous lab experiment. 8 years later he won an Oscar for a movie where a woman has sex with a fishman. Never give up on your dreams.
DIE HARD is just an absolutely immaculate movie, one that hasn't been at all diminished by copycats or any filmmaking innovations during the past 35 years. Love how a new cast member that makes you lose your mind wanders in every 20 minutes or so.
The opening credits of THE WARRIORS have more style and energy than most movies have for their entire runtimes. You know this movie totally owns right off the bat.
Just imagining how much money a new FRIDAY THE 13th or NIGHTMARE ON ELM STREET could make right now. Incredible that horror is going through this huge resurgence/nostalgia phase and two of its biggest hitters are stuck on the sidelines.
I'm not quite sure I believed that Tarantino had such a sentimental film like ONCE UPON A TIME IN HOLLYWOOD in him after the nihlism of THE HATEFUL EIGHT. One is the American west as it was (and is?), the other is what we wish it could be. Stunning.
What movie do you think you've seen more times than anyone else in the entire world? I feel like everyone has "that movie" they've seen an inexplicable number of times.
I love all of the MonsterVerse movies, but I think SKULL ISLAND is my favorite. It's just tremendous pulp, full of great characters and action sequences. Also, pretty much every scene has a shot that goes incredibly hard.
does anyone else randomly think about how they remade a whole ass movie just because they knew there would only ever be one chance to release something on June 6th 2006
Always wondered if Jigsaw told Lawrence about 9/11 when he was nursing him back to health or if he just let him find out on his own after releasing him.
if Barbara Crampton called out my bad behavior in public, I would simply cease to exist. Not just on Twitter--I would actually crumble into a pile of dust.
The "SCARY STORIES isn't scary enough!" takes are weird because a.) this movie is for kids and b.) it actually feels much more serious/genuinely disturbing than the books? Like, the books are playful in a way the movie really isn't.
I don't think I ever tweeted more about my summer project, mostly because I never finished it. Anyway, the idea was to do a makeshift video store tribute, and now that it's September, it's turning into a Halloween mood area. Still a work in progress.
AI generated imagery (it's not art) is a scourge to creativity that has the potential to harm the film industry, but I'm not comfortable with dismissing all of the work people put into LATE NIGHT WITH THE DEVIL otherwise, especially those who had nothing to do with the decision.
Have seen multiple reports of issues at different OPPENHEIMER 70mm screenings. Why doesn't Hollywood want people to see this movie? What are they afraid of?
THE LAST VOYAGE OF THE DEMETER: Universal really let André Øvredal loose to make a lavish, gnarly gothic horror movie within Stoker's sandbox. Echoes of Murnau & Hammer in the atmospherics/production design, but it's also just a really great, gory, claustrophobic monster movie.
Since we're seeing so many Stephen King adaptations in development, I guess it's about time for THE DARK TOWER to be made. Crazy how nobody's done it yet.
TEXAS CHAINSAW MASSACRE 2 and ESCAPE FROM L.A. have a similar energy in the way they both kind of thumb their noses at their predecessors and just try to have an outrageously good time.
David Zaslav is the embodiment of the "content" mentality pervading Hollywood. None of the art that's been entrusted to his care matters to him outside of its perceived bottom-line worth, so it's just a bunch of stuff for a rich guy who already has everything. Bleak shit.
Just because we have an abundance of options in this streaming era doesn't mean this stuff is just easy to produce and roll off of an assembly line. Being creative is hard as hell, and reducing it to "content" is a total disservice that tries to turn art into a service industry.
Roger Corman's legacy will always be intertwined with exploitation, but he should also be considered one of the most forward-thinking filmmakers ever. He figured out so much about B-movies, emerging talent, shifting demographics, & home video long before Hollywood caught on.
If you enjoy THE DARK KNIGHT but recognize that the methods used by a vigilante who dresses as a bat wouldn't be legally or morally sound in reality then congratulations, you have a healthy relationship with fantasy and fiction.
Clancy Brown in JOHN WICK 4 rules for obvious reasons but also I think it signals that Stahelski and company know that they've really been making a spiritual successor to HIGHLANDER this entire time.
There was *maybe* roughly a decade (about '85-'95) when it looked like STAR WARS might become nerd esoterica but then it came back in a big way with the SEs and it hasn't gone away since. So spare me this "STAR WARS isn't for us anymore!" nonsense over Jack Black & Lizzo.