Time-lag accumulator. Assoc. Professor of History, NC State. Church, state & revolution in the long eighteenth century. Look for me
@brentsirota
.bsky.social
Targaryen restorationism, like most restorationism (Jacobite, Bourbon, &c) tends to be more sentimental than ideological. It offers no substantive critique of the existing social order, only a moral complaint expressed as political nostalgia.
#GoT
The GOP collectively decided that the risk of getting made fun of by the president plainly outweighed that of contracting COVID. Taking any kind of precaution was thought to make Trump look bad. And so here we are.
Ok, here's a genuine question for something that I have been struggling with: what does 'futuristic' music sound like today? Not retro-futuristic, not the 1960s or 80s conception of the sound of tomorrow. An actual projection or imagining from the present we are currently in.
Dem despair this morning seems to stem not from absence of Biden victory (which still seems likely) but the absence of some grand reckoning, some (to use Jacob Taubes' phrase) "apocalypse from below" which would set all things right.
Trump defends his comments from the “Access Hollywood” tape in his taped deposition:
Trump: “Historically, that’s true with stars…If you look over the last million years, I guess that’s been largely true. Not always, but largely true. Unfortunately or fortunately.”
Ok I'm up early so I suppose we should talk about
#GoT
. And since such a large portion of the episode dealt with the question of succession, I feel like we are justified in taking a final look at the politics of the show.
The Heritage Foundation is hosting a 3/25 event titled "The Crown Under Fire: Why the Left's Campaign to Cancel the Monarchy and Undermine a Cornerstone of Western Democracy Will Fail"
Because undermining the monarchy has never been a part of American democracy, apparently.
As in Black Panther, we are supposed to be shocked when a "good" monarch gives way to a "bad" monarch, when the natural response is to question the legitimacy of hereditary power altogether.
RIP Jon Hassell. The arc of his musical career, from Stockhausen through Terry Riley's In C to his collaborations with Eno, his work on Talking Heads' Remain in Light, his own incredible 'fourth world' records, is the story of music in the late twentieth century.
The idea of using abolitionism to establish Daenerys' radicalism never made any sense. After all, slavery is already illegal in Westeros. (Slave trading is why Jorah Mormont was exiled in disgrace.) So what does she offer the Seven Kingdoms? Her goodness.
In the books, remember, the movement represented by the High Sparrow was much closer to Savonarola or Luther, a religious protest with genuinely transformative social implications. In the show, it was played like the Investiture Controversy as a clash of church vs. state.
So here's my take: the political resolution of the narrative was so unsatisfying because the writers did not have a clear sense of what was politically defective in Westeros to begin with.
Again this is trying to create ideological stakes where there just aren't any. Three quarters of the House GOP caucus voted against certifying the election--including Kevin McCarthy.
Her heel turn becomes so load-bearing only because her spotless character was really the entirety of the case for her restoration. Once that was compromised, everyone began looking for a "better" claimant, rather than imagining a different system.
And this makes the supposedly shrewd and far-sighted Varys's politics look so capricious and one-dimensional in the end. He too only believed in Daenerys's personal goodness, until he found someone better and began plotting accordingly.
It is not just the ability to inflame longstanding culture war flashpoints, but to pointlessly create them where none existed before.
It was a small point of pride to live in a country where not that long ago there was a near-universal consensus against drinking Liquid-Plumr.
"You are no longer the Lord's chicken" had one resplendent week at the top before being displaced by "Cracker Barrel has fallen." Sic transit gloria mundi.
But this right here flubs the political diagnosis of Westeros: the real problem of the Seven Kingdoms is feudal anarchy and weak governance. Over-mighty subjects. "Breaking the wheel" requires more government, not less. A stronger crown, not "emancipation."
Last night, the Hawaii GOP dropped an eight-tweet thread arguing that a thinly secularized blood libel mythology and bloody, Turner Diaries-inspired "day of the rope" revenge fantasies are rooted in patriotism and should be accepted as legitimate elements of conservative politics
There's no deliverance from politics. No epiphany of some truer, better, redeemed America. On the other side of election day, there's just more politics.
One White House official lamented a sense of strategic drift and said that “everyone’s resigned” to Democrats’ getting thwacked in the midterms.
“It feels like there is a wave coming and no one is doing anything to stop it,” the official said.
So far I've heard John John, Dale Earnhardt, Michael Jackson, Robin Williams. With Trump at the center of this cult, it becomes clear that it is about the resurrection of a late 20th century cultural world in which these people last felt at home.
And when they can no longer conceal that she's doing more or less exactly what she set out to do, they immediately re-code it as tyranny -- a word that was used repeatedly last night. Again, because we can't root for stronger government.
And once this would-be Caesar is assassinated, we get . . . an elective monarchy, occupied by a man with no spouse or heir. As if the problem this whole time was a strong crown rather than a weak one.
If we accept the late medieval setting of the story and the source material, however remote, of the Wars of the Roses (Lannister/Lancaster vs. Stark/York) then the political problem of Westeros should have been the independence of the aristocracy.
Alternative thesis: Westeros being an island (?), or at least having no dangerous geopolitical rivals on its borders, does not need the systems of revenue extraction and military mobilization that absolutism entails, and so can persist with its weak aristocratic constitutionalism
We are extremely rich in lost futures, but poor in actual ones. Every knows how to sound like Perrey and Kingsley or Vangelis's Blade Runner soundtrack or early Detroit techno, but it strikes me as rare to hear something new today and describe it as futuristic.
Who can all sit around congratulating themselves on their salvation from what in the end was obviously coded as the terrifying "oriental despotism" of Daenerys Targaryen.
PS. I did actually like Arya sailing off to discover America, since the vaunted "age of discovery" was really rooted in the same feudal crisis as all the baronial wars and peasant uprisings of the late 14th and 15th centuries.
The political resolution of the narrative is to formally transform Westeros into a weak, elective monarchy (like Poland) where the crown is more or less entirely subordinated to the landed aristocracy.
This is really cool. Library music is compelling not because it was high art, but because as pure commodity, unburdened by the obligations of art, it simply had to sound exactly the way capitalist society wanted to hear itself.
There has obviously been a complete atrophying of the utopian imagination, and this seems to have been especially severe in music. The future doesn't even 'sound like' anything anymore.
You must read
@willsommer
's unbelievable two-parter on the real world Q underground. A sprawling Pynchonesque cast of desperate American losers, grifters & fugitives manifesting their imagined persecution by the deep state by turning to crime and violence.
The real American theology is antinomianism: the elect are not bound by the law. History, science, statistics, fate, common sense, these are only for the unregenerate.
Trump appears to be skipping a side-event at the G20 virtual summit focused on pandemic preparedness. The President has just arrived at his golf course in Virginia.
This always struck me as a weird Americanism. We are asked to root for her because she is an abolitionist -- the idea being that no one would get morally or politically invested in a would-be royal absolutist.
This seems like a good description of Westeros: the ruling dynasty was displaced by a coalition of ambitious noble houses. And the new usurper king, uninterested in governance, presided over a long period of political drift and crown indebtedness.
From this perspective, the Targaryen restoration was supposed to stand in for the coming of the Tudors: strong, centralizing Renaissance monarchs who systematically reconstruct royal power and break the independence of the nobility.
Ok, fine. But the political rise of Daenerys Targaryen in Essos was framed in radically emancipatory terms--"breaker of chains." She's John Brown, not Henry Tudor.
It's Miles Davis's birthday, so here's 'Rated X,' which was recorded in 1972 but basically anticipated whole genealogies and permutations of 1990s electronic music. It literally took decades to fully digest what Miles was doing in the early 70s.
Reminds of the Terry Eagleton line: 'the future for the well-heeled will be just like the present, only more so. One's deepest hope is that nothing momentous will ever happen.'
Sir John Fortescue's Wars of the Roses-era treatise De Laudibus Legum Angliae famously named this problem "over-mighty subjects," meaning a nobility whose wealth and military power rivalled that of the crown.
When the history of Gen X is written, we will have to grapple with the ways ironic detachment and free-floating disaffection eventually resolve themselves in authoritarianism.
To celebrate Herbie Hancock's 80th birthday today, here's about fifty Herbie bootlegs -- including some absolute gems from the Mwandishi and early Head Hunters eras.
Ok I've now gotten my favorite course evaluation comment EVER: "The stereotypical history teacher in movies that everyone loves. History teacher who studies religion; wouldn't be surprised if he was searching for the Lost Ark on the side."
In late medieval Europe, the demographic and economic fallout from the Black Death left this stratum grasping and dangerous, squeezing its peasantry and ever pressing for more lands, titles, offices. Crowns that could not satiate these demands often fell prey to them.
American Water is a perfect record and may well have been the finest of the decade. It opens with the line: "In 1984, I was hospitalized for approaching perfection."
Every weirdo, bullshit artist & aspiring intellectual I knew heard themselves in it. Rest in peace, David Berman
This is a front-to-back perfect record. Dreamy, sweet, mildly psychedelic and soulful. Every song sounds different, but they all cohere absolutely seamlessly. Rest in peace, Gal.
What is so incredible about this extraordinary
@JeffSharlet
piece on the 'Cult of Trump' is the almost complete absence of anything resembling politics in it. An imagined conflict with Deep State, pedos, media, liberals, demons has eclipsed the political.
Niece called me by my first name and I instinctively responded, "I didn't go to six years of uncle school to be called Brent." Now her and my daughter are grilling me about the details of Uncle School and I think I'm in too deep
It will never not be funny to me that one of the most ostentatiously Christian companies in America has been functioning like an Indiana Jones villain.
The QAnon people are walking up to random people they think are dead celebrities in Dallas today and introducing themselves. So far they have seen "Robin Williams" and "Dale Earnhardt."
They now think JFK Jr. will reveal himself at a Rolling Stones concert tonight.
Anyone remember the name of that political ideology that promised to deliver us from the atomizing and destabilizing effects of market forces while preserving traditional cultural and racial hierarchies?