And here is a link to pre-order "Here in the Dark," a work of psychological suspense about a theater critic who makes very bad choices. The ideal gift for any practitioner:
The superb Renée Elise Goldsberry, who also told me: "I would 100% be lying to you that I was 35 years old right now if the fucking internet did not tell every motherfucker my age."
As I seem to be on a
@realsarahpolley
kick, here's a prescient sentence from an op-ed early in the
#MeToo
movement: "I hope that when this moment of noisy sisterhood dissipates, it doesn’t end with a woman in a courtroom, being made to look crazy, as these stories so often do."
Some professional news that is also if you know me and my complete lack of work/ life balance deeply personal news: I'm joining
@nytimesarts
as a staff reporter. Absolutely overwhelmed.
I asked Matt Bomer what it feels like to be this handsome: “We were raised in my home to always be very humble and to not be worldly in that regard,” he said. “Having said that, I make sure to moisturize.”
I have a Friday night request, for theater educators and people who love them. We've been working on Crash Course Theater for about a year now. And we're proud of it! Please retweet and most of all share it with your students. We think you'll dig it:
Very, very sad about the supremely talented Nick Cordero. Here he is talking about playing the heavy, beautifully, in "Bullets Over Broadway": "The producer kept telling me, ‘Get tough. Get mean. Get angry,’ ” he said. “But I’m a nice guy. I’m Canadian.”
Broadway performers! I'm working on a piece about ritual, routine and superstition. Is there anything you always do before a show or after a show? Anything you always have in your dressing room or an item you always wear? Any superstitions you follow?
Bittersweet feelings about the thoroughly responsible cancellation of Shakespeare in the Park. It's a seasonal gift and whenever I went I had the feeling that the life in New York I'd imagined for myself and the life I was actually living had fully overlapped.
It's been a while since a press release hit me (and it felt like a kiss) out of nowhere: NATHAN LANE & ANDREA MARTIN TO STAR IN “GARY: A SEQUEL TO TITUS ANDRONICUS” A NEW COMEDY BY TAYLOR MAC ON BROADWAY
Thinking about Devil Wears Prada and Pretty Woman and to a lesser extent Mean Girls and Waitress and wishing we could occasionally have a musical about a woman who knows what she wants and actively pursues it
Thinking a lot lately about the ethics of live performance right now and really at a loss to come up with coherent principles, even for myself. Do feel that actors and backstage and FOH should be receiving some kind of hazard pay
But seriously, every once in a while I try to take in the almost total obliteration of a huge industry and a crazy ancient form that has consumed two decades of my life and attention and my brain is like, Nah. Cannot compute.
New Yorkers: Hedwig, one of the great modern musical to movie adaptations, is playing at the Angelika on the 27th. This is a good one to see on a big screen.
Hey, theater and arts Twitter: Do you know anyone who has left a career in the arts and retrained as something else during the pandemic? Are you that person? Would that person want to talk about it? DM and I'll put you in touch with my lovely journalist friend.
Late to the Dana H. party, but everyone who loves theater should see this. Superlative acting offered with absolute grace, a harrowing, difficult story and an interrogation of story telling itself
Thrilled to announce that the film of my play, Twilight: Los Angeles will be rebroadcast on PBS this Monday (6/8) at 10pm. Beginning next week, the film will also be available to stream, for free, online. Keep the conversation going.
#TwilightLosAngeles
Asking for a friend: Who wants this? Because American Buffalo is a fun play--zippy language, taut structure--as Mamet plays go and these are great actors. But it also feels wildly out of touch with the moment.
Broadway news: The pandemic-delayed revival of David Mamet's "American Buffalo" starring Laurence Fishburne, Sam Rockwell and
@DarrenCriss
is now scheduled to open on April 14, 2022, two years later than initially planned.
His plays gave opportunities to a number of young actors who went on to become household names. But he was later felled by accusations of sexual misconduct. The playwright Israel Horovitz has died at 81.
Reviews aren't out yet, but if I were a savvy theatergoer and the kind of person who puts on Rumours just so she can cry a little, I would perhaps buy tickets to Stereophonic now
As someone who forms absolutely demented parasocial relationships with artists I love, I regret to inform you that after interviewing a favorite writer-performer, we kept chatting and then went grocery shopping. I AM LEARNING ALL THE WRONG LESSONS.
Peter Marks, longtime theatre critic for
@washingtonpost
, has taken a buyout. His last day at the paper will be Dec. 31, and no replacement has been named, leaving one of the most significant U.S. theatre cities without a full-time drama critic.
You guys? I was literally just diagnosed with malaise. Fighting something viral and since one kid has strep thought I'd get tested. Test was negative. Diagnosis was malaise. Feel so 19th century. Gonna go rest on the recamier.
Been thinking a lot about rom coms lately and the trope of the uptight fiancee whom the hero abandons for the free-spirit heroine. I'm now 100% team fiancee.
Just explained "previews" to the children, in re their toy theater shows. It's a lot to take on, so I'll wait a while before I tell them how they can still charge full ticket prices.
My 4-year-old overheard me talking to a friend about some recycled IP and said, "If it was terrible the first time, why are they making it again?" And I want you to know that he has mostly stopped napping and is available for development jobs.
A funny paradox about watching theater online: I like being visible, because it holds me accountable and helps with focus. (My focus is...not great.) But performing one's (my) response is weirdly exhausting.
Nope. Nope. Nope. This piece misrepresents peaceful protest and endangers Black lives and those standing in solidarity. "Opinions" like these need rigorous analysis and debunking, not a platform
Have been thinking lately about "Barry" and how it shows abuse being perpetrated against a woman that many people find annoying. That's the thing about victims of abuse, they're not always likable. it doesn't obviate the abuse.
After some fairly frustrating clicking and refreshing and clicking and refreshing and clicking and refreshing, called the 877 hotline number and got an appointment in 10 minutes. Moderna, here I come!
Remarkable oral history of "Moulin Rouge" post shutdown from
@MichaelPaulson
and a microcosm of the varied and terrible ways that the pandemic has devastated theater workers.
Marvel is sponsoring plays now and I guess I am okay with this? But buried in this press release, comics-head Christian Borle has written a Thor and Loki play:
Hi, friends. It is my birthday. To celebrate, come join me in two weeks for the "Here in the Dark" book launch. On Dec. 5 I'll be at the Strand with Rachel Syme. On Dec. 6 at Community Books with Alex Segura, both at 7 PM.
I always feel weird hyping sold out or nearly sold out shows, but Into the Woods at Encores! is splendid and lovely and funny and I want everyone to see it.
Saw an actor I love and have seen a million times on the bus this morning and did the wave and smile thing before remembering that I'm the one sitting in the dark and this friendship we have is pretty one-sided.
Did not win a Pulitzer but did manage to hold a notebook, a pen, a recorder and a backup recorder while roller skating yesterday and where is the prize for that?
Hi, babies. I've been taking a Twitter break. Because Twitter is bad? But I have something nice to tell you: "Party Down" is good. It's the very rare revival/ reboot that won't make you feel weird or bad about having liked the original.
A quick note regarding BAM's Next Wave: Saw Ostermeier's Hamlet in Berlin years ago and have never experienced anything that was at once perfect encapsulation of Euro avant garde and perfect parody. Wanted to leave but was fully too terrified of the heckling that would follow
Press seats are the great privilege of my life, but it's healthy and responsible to buy theater tickets once in a while which is why we'll be seeing Matilda from literally the last row of the upper balcony. Hope those swings go really high.